ÉVALUATION IMDb
4,4/10
6,2 k
MA NOTE
Ajouter une intrigue dans votre langueIn Italy, a woman fears her sister has been kidnapped; Inspector Enzo Avolfi fears it's worse. They team up to rescue her from a sadistic killer known only as Yellow.In Italy, a woman fears her sister has been kidnapped; Inspector Enzo Avolfi fears it's worse. They team up to rescue her from a sadistic killer known only as Yellow.In Italy, a woman fears her sister has been kidnapped; Inspector Enzo Avolfi fears it's worse. They team up to rescue her from a sadistic killer known only as Yellow.
- Prix
- 1 victoire au total
Adrien Brody
- Inspector Enzo Avolfi
- (as Byron Deidra)
- …
Valentina Izumi
- Keiko
- (as Valentina Izumì)
Giuseppe Loconsole
- Butcher
- (as Giuseppe Lo Console)
Histoire
Le saviez-vous
- AnecdotesActor Adrien Brody sued the film's producers and financial backers when they failed to pay him his full wage for appearing in the film. After successfully blocking the film's release in court, the makers eventually paid him his outstanding money.
- GaffesCorpse on autopsy table is moving her eyes.
- Citations
Inspector Enzo Avolfi: Got you, you yellow fuck!
- ConnexionsReferenced in Midnight Movie Review: Halloween Horror Top 25, nr. 18: Giallo (2010)
Commentaire en vedette
Giallo (2009)
* 1/2 (out of 4)
Looking at the title and seeing Argento's name, you might expect this film to be a giallo but you'd be mistaken. Set in Italy, a woman gets kidnapped by a psychopath killer so her sister (Emmanuelle Seigner) teams up with an Inspector (Adrien Brody) to try and locate her. There's no question that Argento's career has been very hit and miss over the past twenty-years but I've been pretty kind to him finding many of the films to be entertaining for what they are. At the same times he's made some really bad stuff like PHANTOM OF THE OPERA and DO YOU LIKE HITCHCOCK? and while this one here isn't that bad, it's still lower level stuff and it's a shame considering I'm sure many were hoping for a better project. The biggest problem is the screenplay that is downright horrid as it gives us no characters to care for, an idiotic killer and some really lame dialogue. The story jumps around so much that at times it feels as if the movie doesn't know what it's trying to do or what type of story it's trying to tell. The sister characters come across as people we can't really stand so we don't care if they live or die. The Inspector character isn't any better as the screenplay tries to give him some backstory yet it's nothing interesting or deep enough to make us care. Then there's the killer known as "Yellow" because of his skin color. I'm really not sure what they were thinking but it just doesn't work. The film throws in some rather tame death sequences with many of them happening off screen. We do get a few gory shots that are pretty over the top but nothing we haven't seen countless times before. Female characters have never been a strong point in any Argento film and that continues here as I really didn't care for Seigner's character or her performance. Watching Brody here you have to keep pinching yourself that he's an Oscar-winner as he really doesn't come off looking too good. Then we have Argento who must have lost any of his stylish eye because there's very little. All in all, this is a pretty big mess and a real disappointment for me as I was one of the few who really enjoyed his third entry in the Three Mothers series. I do hope he continues to make more films but hopefully they'll turn out better than this.
* 1/2 (out of 4)
Looking at the title and seeing Argento's name, you might expect this film to be a giallo but you'd be mistaken. Set in Italy, a woman gets kidnapped by a psychopath killer so her sister (Emmanuelle Seigner) teams up with an Inspector (Adrien Brody) to try and locate her. There's no question that Argento's career has been very hit and miss over the past twenty-years but I've been pretty kind to him finding many of the films to be entertaining for what they are. At the same times he's made some really bad stuff like PHANTOM OF THE OPERA and DO YOU LIKE HITCHCOCK? and while this one here isn't that bad, it's still lower level stuff and it's a shame considering I'm sure many were hoping for a better project. The biggest problem is the screenplay that is downright horrid as it gives us no characters to care for, an idiotic killer and some really lame dialogue. The story jumps around so much that at times it feels as if the movie doesn't know what it's trying to do or what type of story it's trying to tell. The sister characters come across as people we can't really stand so we don't care if they live or die. The Inspector character isn't any better as the screenplay tries to give him some backstory yet it's nothing interesting or deep enough to make us care. Then there's the killer known as "Yellow" because of his skin color. I'm really not sure what they were thinking but it just doesn't work. The film throws in some rather tame death sequences with many of them happening off screen. We do get a few gory shots that are pretty over the top but nothing we haven't seen countless times before. Female characters have never been a strong point in any Argento film and that continues here as I really didn't care for Seigner's character or her performance. Watching Brody here you have to keep pinching yourself that he's an Oscar-winner as he really doesn't come off looking too good. Then we have Argento who must have lost any of his stylish eye because there's very little. All in all, this is a pretty big mess and a real disappointment for me as I was one of the few who really enjoyed his third entry in the Three Mothers series. I do hope he continues to make more films but hopefully they'll turn out better than this.
- Michael_Elliott
- 21 févr. 2010
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- 人魔獨行客
- Lieux de tournage
- Lungo Po Armando Diaz, Turin, Piémont, Italie(Linda's appartment)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 14 000 000 $ US (estimation)
- Brut – à l'échelle mondiale
- 50 113 $ US
- Durée1 heure 32 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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