The Silent Twins

I knew nothing about June and Jennifer Gibbons before watching this. Apparently there have been other tellings of their story on the screen and stage, but it still feels like a fresh story. Beautifully shot and acted.

There's something relatable to their story. I definitely would see how long I could go without speaking as a kid, not that I ever made it more than a day or two. You see the young kids deal with being outsiders, bullying, and how happy they seem when they were isolated and using their imagination. I found it incredibly sad, wishing I could befriend them, hoping they succeed in their creative endeavors.

It's not the most direct, action filled storyline but I found myself invested throughout. I really enjoyed the cinematography, at times diving into their imaginations. Overall, it's something I would definitely watch again. It felt different than most things I've seen recently.

First the good, the acting is great, I think everyone gives strong performances, no weak links here, also the cinematography is great, some really nice shots and coloring, kudos to the technical team, unfortunately what good is all of this if the story isn't compelling enough, i've seen short films where the acting is less than stellar but great plots that pull you in and make up for weak acting, the problem is these sisters just aren't that interesting, simple as that, or maybe they are, but the writing oddly made this film one dimensional and linear with its plot. We fail to connect with the characters ultimately, and the film just plods along. Honestly the Wikipedia entry is more interesting.

I can't believe that the IMDb rating is so low on this film, I think it will become a cult classic in a few years. The two young girls in this were amazing. The way they got across how these girls invested their time in this secrecy blanket - to keep themselves same from a White supremacy world full of prejudice and hate, they were truly the masters of their fate. No matter how hard others push and poke and press, they did not crack - they are an icon for resistance.

In a world that they created to hide and shelter, each other - my tears poured down.

What an incredible piece of filmmaking and the two older Gibbon's girl/women were outstanding leads and these two incredible actors deserved the BAFTA's they received. For me, the director did a fantastic job, which was really quite poetic. I was very engaged with this presentation and the interpretation of the twins lives, which used their own creativity, this is truly an inspiring film and needs more love than its currently getting.

This is a film inspired by true events and is not a documentary to many people's dismay. Most people have the wrong expectations about the style of this film and give it a bad review. I accepted the filmmakers choice to use non-twins for this film. Telling a story like this with this type of artistic creativity could be confusing for people that can't tell twins apart. What this film does bring to the viewer is highlights of some of the bigger moments in the twins lives while occasionally using some art and claymation to emphasize parts of the story being told, and I accepted the use of claymation as a dramatic effect that could resemble the imaginations of the twins, and the inspiration for the music and scoring was quite acceptable and appropriately sets the tone for your emotions. I did think the acting was very good, and when they were silent they easily were able to covey the right expressions to keep me engaged and aware of each twin's reactions and emotions.

Greetings again from the darkness. Twins often have their own language or way of communicating. However, sisters June and Jennifer Gibbons of Wales took this to a new level, creating a mysterious dark connection that no one else every understood. Andrea Siegel has adapted the screenplay from Marjorie Wallace's book, and Polish director Agnieszka Smoczynska (THE LURE 2015) delivers the style and creep factor, while missing out on answering the questions raised with the story.

The young sisters are seen giving a fake radio broadcast, and we get a glimpse of their awkward behavior during childhood ... behavior that left their parents and siblings feeling helpless. Letitia Wright (BLACK PANTHER, 2018) and Tamara Lawrance (KINDRED, 2020) take over as teenage June and Jennifer, respectively. While the young ones are well cast, it's the work of Ms. Wright and Ms. Lawrance that keep this one watchable despite the meandering. The awkward behavior of adolescents evolves into bizarre behavior of teens, and ultimately criminal behavior and some type of mental illness.

Pure elation of a new typewriter is all too quickly erased by irritation and anger that leads to fighting, or worse. Director Smoczynska does well to use stop motion animation periodically in helping to explain what's happening with the two girls. Child psychologists have no luck breaking through and the sisters are ultimately separated and locked away at Broadmoor psychiatric hospital by age 19. By this time, it's difficult not to view them as psychopaths.

It's interesting to watch as these two survive on the fringes of society in near mental isolation, and use writing as a creative outlet to unleash their inner thoughts. We never really know if we should have empathy for the girls, and that becomes even more difficult given their later behavior. Journalist Marjorie Wallace (played here by Jodhi May) documented her interactions with the sisters, but we can't help but wonder if this story is better told in documentary form - despite the strong work from Letitia Wright and Tamara Lawrance.

Opens in theaters on September 16, 2022.