Ajouter une intrigue dans votre langueLegends collide as young Yuda wrestles with his newfound godlike powers, defending his world in an endless battle against ancient and powerful evils.Legends collide as young Yuda wrestles with his newfound godlike powers, defending his world in an endless battle against ancient and powerful evils.Legends collide as young Yuda wrestles with his newfound godlike powers, defending his world in an endless battle against ancient and powerful evils.
- Directors
- Writers
- Stars
- Prix
- 2 nominations au total
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Gatotkaca is the First Instalment of Satria Dewa Universe, This Movie a Lot Many Problem.
Story or Script is Really Bad, Directing is Fine, Acting is Cheesy and Cringe (This Acting Looks Like Soap Opera or FTV), Cinematography is Fine, Editing Camera is Really Bad and Broken, CGI is Failed, Production Design is Good, Gatotkaca Costume Design is Okay (Kinda Captain Marvel Little Rip-off), Sound and Music is Really Bad, And The Most Annoying in Movie is A Lot Many Commercial or Ads.
Overall, A Disappointing Indonesia Superhero Movie, I Giving Score is 6/10, The Next Satria Dewa Movie Arjuna is Gonna Be Better Than Gatotkaca.
Story or Script is Really Bad, Directing is Fine, Acting is Cheesy and Cringe (This Acting Looks Like Soap Opera or FTV), Cinematography is Fine, Editing Camera is Really Bad and Broken, CGI is Failed, Production Design is Good, Gatotkaca Costume Design is Okay (Kinda Captain Marvel Little Rip-off), Sound and Music is Really Bad, And The Most Annoying in Movie is A Lot Many Commercial or Ads.
Overall, A Disappointing Indonesia Superhero Movie, I Giving Score is 6/10, The Next Satria Dewa Movie Arjuna is Gonna Be Better Than Gatotkaca.
Plenty of sci-fi/fantasy flicks revolve around finding THE ONE of some prophecy who will save the world from ...whatever. Usually it's an average young guy (occasionally a kid or young woman) who seems an unlikely, underqualified wearer of that lofty mantel. Keanu Reeves in the Matrix was probably the most famous. Yuda, the hero of this iteration of the concept, can only claim to be the most... recent.
The movie runs too long for what it delivers. It takes almost half of its two hours just to get the kid started. Then another half hour of figuring out who's who on both sides of this eternal conflict. Waaaay too much exposition for the amount of action they manage to stage; overcrowded with past and present characters involved in this existential struggle. And when the big CGI-laden fights finally begin, they're mostly in dim lighting with misty overlays, and cut so jerkily that it's hard to appreciate whatever physical skills the players may be deploying.
All of this for the first installment of an intended series. No spoiler in saying the good guys win this battle, but it's not the end of the war. The Yuda character might play well in a tighter package, but the the producers have to clean house on writing, directing and editing to make the sequel(s) worth following.
The movie runs too long for what it delivers. It takes almost half of its two hours just to get the kid started. Then another half hour of figuring out who's who on both sides of this eternal conflict. Waaaay too much exposition for the amount of action they manage to stage; overcrowded with past and present characters involved in this existential struggle. And when the big CGI-laden fights finally begin, they're mostly in dim lighting with misty overlays, and cut so jerkily that it's hard to appreciate whatever physical skills the players may be deploying.
All of this for the first installment of an intended series. No spoiler in saying the good guys win this battle, but it's not the end of the war. The Yuda character might play well in a tighter package, but the the producers have to clean house on writing, directing and editing to make the sequel(s) worth following.
GATOT KACA does an admirable job of introducing the origins of an Indonesian superhero, providing a detailed exploration of who he is and tracing his journey from an ordinary individual to a celebrated hero. The film manages to present this origin story with clarity, allowing audiences to gradually understand the character and his evolution.
The film begins with a strong foundation, methodically digging into the backstory and slowly revealing the details to the viewers. This deliberate pacing builds intrigue around the mysteries within the film, keeping the audience engaged as they uncover more about the plot and the characters. As the film progresses, it continues to unfold new information, effectively expanding the narrative and introducing additional characters that contribute to the overall story.
In terms of improvement, GATOT KACA appears to address and refine several aspects that were seen as shortcomings in other Indonesian superhero films, such as GUNDALA. It seems to build on the lessons learned from its predecessors and presents a more polished and engaging superhero experience.
Visually, the film is a standout. For an Indonesian production, it is quite impressive to see a superhero in flight with all the accompanying spectacular and magical effects. While it may not yet rival the visual grandeur of Marvel superhero films, the film still manages to deliver a visually captivating experience. The special effects and cinematography contribute significantly to the film's appeal, showcasing a superhero genre that is both exciting and unique within the context of Indonesian cinema.
Overall, GATOT KACA is a commendable effort in the Indonesian superhero genre. It combines a compelling origin story with impressive visuals and a thoughtful approach to character development, making it a film that deserves recognition and appreciation.
The film begins with a strong foundation, methodically digging into the backstory and slowly revealing the details to the viewers. This deliberate pacing builds intrigue around the mysteries within the film, keeping the audience engaged as they uncover more about the plot and the characters. As the film progresses, it continues to unfold new information, effectively expanding the narrative and introducing additional characters that contribute to the overall story.
In terms of improvement, GATOT KACA appears to address and refine several aspects that were seen as shortcomings in other Indonesian superhero films, such as GUNDALA. It seems to build on the lessons learned from its predecessors and presents a more polished and engaging superhero experience.
Visually, the film is a standout. For an Indonesian production, it is quite impressive to see a superhero in flight with all the accompanying spectacular and magical effects. While it may not yet rival the visual grandeur of Marvel superhero films, the film still manages to deliver a visually captivating experience. The special effects and cinematography contribute significantly to the film's appeal, showcasing a superhero genre that is both exciting and unique within the context of Indonesian cinema.
Overall, GATOT KACA is a commendable effort in the Indonesian superhero genre. It combines a compelling origin story with impressive visuals and a thoughtful approach to character development, making it a film that deserves recognition and appreciation.
Cringey, lame and disconnected script, very lame jokes (I couldn't believe they could make Rigen and Butet, very funny comedians, to sound lame and weird), cheap and obnoxious advertisements and product placements all over, weird lighting and angles and continuities, storyline and acting like a low budget sinetron (telenovela), out of place and unnecessary characters (Quinn is annoying as hell), over the top but weird action scenes, awkward editing, and the list goes on.
I couldn't even force myself to finish watching this movie (I'm writing this as the video is playing, over half way through the movie). Was actually looking forward to see a good movie in this topic and story, instead I ended up cursing and being confused more and more as the movie plays.
All in all, a total disappointment.
To those who give 10/10 stars, I can only assume you either work with the production team (and/or sponsors) or are very supportive of someone you know that's related to them.
I couldn't even force myself to finish watching this movie (I'm writing this as the video is playing, over half way through the movie). Was actually looking forward to see a good movie in this topic and story, instead I ended up cursing and being confused more and more as the movie plays.
All in all, a total disappointment.
To those who give 10/10 stars, I can only assume you either work with the production team (and/or sponsors) or are very supportive of someone you know that's related to them.
Terrible writing, mediocre acting, cringe dialogue, and too much ugly advertisements.
There is so much plot holes and unexplained things through out the film. No character development at all. I don't feel any emotional attachment to any characters. There's also two useless character that should be just thrown off.
The dialog is boring as h*ll and filled with lots of long expositions. Not follow "show don't tell" rule at all. And don't get me started on the advertisements! Ugh, I understand they need a lot of money to produce a movie, it's normal. But how they show us the advertisements is like an insult to viewers.
I'm glad Hanung Bramantyo (director and writer of this film) not directing Gundala like what it originally planned. Gundala ends up in better hands and not turning like this film.
There is so much plot holes and unexplained things through out the film. No character development at all. I don't feel any emotional attachment to any characters. There's also two useless character that should be just thrown off.
The dialog is boring as h*ll and filled with lots of long expositions. Not follow "show don't tell" rule at all. And don't get me started on the advertisements! Ugh, I understand they need a lot of money to produce a movie, it's normal. But how they show us the advertisements is like an insult to viewers.
I'm glad Hanung Bramantyo (director and writer of this film) not directing Gundala like what it originally planned. Gundala ends up in better hands and not turning like this film.
Le saviez-vous
- AnecdotesOriginally directed by Charles Gozali, But They Replace by Hanung Bramantyo.
- Bandes originalesHantam!
Performed by Kotak
Courtesy of Warner Music Indonesia
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Détails
Box-office
- Budget
- 24 000 000 000 IDR (estimation)
- Durée2 heures 9 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39:1
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