Ajouter une intrigue dans votre langueThe timely story of a normal family disintegrating under financial pressure, eventually driven to the unimaginable. We witness the terrifying events unfold through daughter Judith's video ca... Tout lireThe timely story of a normal family disintegrating under financial pressure, eventually driven to the unimaginable. We witness the terrifying events unfold through daughter Judith's video camera, which subsequently becomes Exhibit A.The timely story of a normal family disintegrating under financial pressure, eventually driven to the unimaginable. We witness the terrifying events unfold through daughter Judith's video camera, which subsequently becomes Exhibit A.
- Prix
- 2 victoires et 3 nominations au total
Avis en vedette
A middle class family man doesn't get the big promotion he's been talking about for days, but now that his wife is ready to move to the dream house he promised, feeling she couldn't handle the truth, he tells her he got the job... which starts a hellish chain reaction.
I like that concept, one lie that starts an endless series of lies, burying the liar each time a bit deeper. Classic yet effective when it's well done, like here.
The main character is well written. He's an annoying unfunny guy who tries way too hard to be the party boy he's not, which we all find despicable in real life, so it feels good to see him sinking. On the other hand, he didn't mean any harm when he first lied, he was just scared of his wife's reaction and acted on that impulse, so you feel bad for him. You both hate and pity him, that's very clever.
It may not be a masterpiece but it's a good movie.
I like that concept, one lie that starts an endless series of lies, burying the liar each time a bit deeper. Classic yet effective when it's well done, like here.
The main character is well written. He's an annoying unfunny guy who tries way too hard to be the party boy he's not, which we all find despicable in real life, so it feels good to see him sinking. On the other hand, he didn't mean any harm when he first lied, he was just scared of his wife's reaction and acted on that impulse, so you feel bad for him. You both hate and pity him, that's very clever.
It may not be a masterpiece but it's a good movie.
Exceptional, very easily a top ten found footage film for me. Painfully authentic, horribly palusible, with a third act that had me holding my breath. Ignore the generic title and poster, they do it no favours at all.
This is honestly the most uncomfortable I have felt watching a film since watching Soft (2006). I am not usually fond of found footage films, but there are good ones and Exhibit A is as well crafted as it is mesmerising.
The story was pretty realistic for me, I have known people and families like that, and whilst this is not a horror film it was definitely horrifying. I disagree that the pacing was off, as it is clearly meant to be a slow turning of the screw. This will never get the recognition it deserves as no one in their right mind could ever recommend watching this because its that good at what it does.
The story was pretty realistic for me, I have known people and families like that, and whilst this is not a horror film it was definitely horrifying. I disagree that the pacing was off, as it is clearly meant to be a slow turning of the screw. This will never get the recognition it deserves as no one in their right mind could ever recommend watching this because its that good at what it does.
This movie came as a suggestion on this very website while I was reading the page of another movie (you know, the usual "users who watched this movie also liked..."), and I'm really glad I yielded to the curiosity of reading what it was all about. I liked some "found footage" films in the past, but I'm not crazy about the genre, still I was triggered by the scarce plot given here, and I just decided to watch it. Now I'm just through it, and I'm still in shock.
The first scene is a police label marking the footage we are about to see as found on a murder scene, so there is little to spoil about the plot. The impending doom of those we are about to meet is made clear from the beginning, only leaving in doubt about who is/are the victim/s and who is/are the murderer/s.
Then it all begins...
This film could be split in three parts, all of which last about half an hour. It takes some patience to get through the first one, as most of what we see is some obnoxious family games and shallow chit-chat, which serves the purpose of building the context and getting to know the characters. So, we soon come to learn that we're dealing with a somewhat clumsy, but warm and caring father, seemingly a good house man all in all, but with the hint of a shadow looming over him (which will be developed later in the film), a tender, over-sensitive daughter kind of confused with herself, a mother who appears to be steadfast in her familiar role, but a little too stiff and bitchy, and an obnoxious son who is in his teens, but mostly behaves like a second grader or so to the rest of his family and in his leisure time. That is, a believable portrait of every day reality in your neighborhood: a perfect surface with its natural, human flaws. Oh, woe is me, will it not last...
In the second part, the secret shadow looming over the father begins to disclose, and we start witnessing his descent into weirdness first, and madness consequently. The dis-functionalities of the family, up to that moment quite dull and ordinary, quickly swirl down into a pit of ever growing frenzy, leading to the final showdown, which unravels in the third part.
I won't spoil anything about what goes on, but I'll just let you all know that this is not a horror movie, this is a dramatically realistic depiction of a well too known REAL horror.
The performances of the four main actors are stunning, the bond that grows between you and the characters is solid, real, you can feel it, touch it. As the story started developing, I found myself despising the boy, pitying the father, caring for the daughter, getting angry at the mother, and then having all these feelings just messed up and turned inside out as the events unraveled. But nonetheless, there was not a single moment when I was not feeling something for all of them. And I think this is one of the greatest achievements a movie can reach.
So, be prepared: you will be introduced to four people that you will get emotionally in touch with, only to be overwhelmed by the shocking doom that they will face.
On a final note: I stood astonished in front of my TV while the whole of the end credits silently rolled out and left an empty, black screen which lasted almost one minute, with no sound whatsoever. I just couldn't move away or stop the play. This is the level of the emotional grip this film has cast onto me.
You have been warned.
The first scene is a police label marking the footage we are about to see as found on a murder scene, so there is little to spoil about the plot. The impending doom of those we are about to meet is made clear from the beginning, only leaving in doubt about who is/are the victim/s and who is/are the murderer/s.
Then it all begins...
This film could be split in three parts, all of which last about half an hour. It takes some patience to get through the first one, as most of what we see is some obnoxious family games and shallow chit-chat, which serves the purpose of building the context and getting to know the characters. So, we soon come to learn that we're dealing with a somewhat clumsy, but warm and caring father, seemingly a good house man all in all, but with the hint of a shadow looming over him (which will be developed later in the film), a tender, over-sensitive daughter kind of confused with herself, a mother who appears to be steadfast in her familiar role, but a little too stiff and bitchy, and an obnoxious son who is in his teens, but mostly behaves like a second grader or so to the rest of his family and in his leisure time. That is, a believable portrait of every day reality in your neighborhood: a perfect surface with its natural, human flaws. Oh, woe is me, will it not last...
In the second part, the secret shadow looming over the father begins to disclose, and we start witnessing his descent into weirdness first, and madness consequently. The dis-functionalities of the family, up to that moment quite dull and ordinary, quickly swirl down into a pit of ever growing frenzy, leading to the final showdown, which unravels in the third part.
I won't spoil anything about what goes on, but I'll just let you all know that this is not a horror movie, this is a dramatically realistic depiction of a well too known REAL horror.
The performances of the four main actors are stunning, the bond that grows between you and the characters is solid, real, you can feel it, touch it. As the story started developing, I found myself despising the boy, pitying the father, caring for the daughter, getting angry at the mother, and then having all these feelings just messed up and turned inside out as the events unraveled. But nonetheless, there was not a single moment when I was not feeling something for all of them. And I think this is one of the greatest achievements a movie can reach.
So, be prepared: you will be introduced to four people that you will get emotionally in touch with, only to be overwhelmed by the shocking doom that they will face.
On a final note: I stood astonished in front of my TV while the whole of the end credits silently rolled out and left an empty, black screen which lasted almost one minute, with no sound whatsoever. I just couldn't move away or stop the play. This is the level of the emotional grip this film has cast onto me.
You have been warned.
The acting in this is terrific all the way around. Since most all FF films are acted out based on an outline and dialogue points to it, you see a LOT of cuts since the actors mess up their "lines." Not here. Other than the natural cuts from scene to scene, there is very little in-scene cutting, meaning the actors delivered and met their marks.
My only problems with the film are that I never really got a sense why the father fell so far from sanity. Many people have gone through financial struggles without losing their minds, and I never got the sense the father was on edge, mentally, to do what he does at the end.
And the ending simply went on too long. It was the one time when the film lagged when usually the end is when these FF films pick up and race toward the climax.
Overall, a really well done job all the way around.
My only problems with the film are that I never really got a sense why the father fell so far from sanity. Many people have gone through financial struggles without losing their minds, and I never got the sense the father was on edge, mentally, to do what he does at the end.
And the ending simply went on too long. It was the one time when the film lagged when usually the end is when these FF films pick up and race toward the climax.
Overall, a really well done job all the way around.
Le saviez-vous
- AnecdotesShot in 18 days with minimal crew and the actors doing all their own camera work.
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- How long is Exhibit A?Propulsé par Alexa
Détails
- Durée1 heure 25 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
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