After You've Gone

Série télévisée
2007–2008
45m

ÉVALUATION IMDb

MA NOTE

Dani Harmer, Celia Imrie, Nicholas Lyndhurst, and Ryan Sampson in After You've Gone (2007)

Ajouter une intrigue dans votre langueThe daily lives of Jimmy, his two kids and his mother in law whilst his wife is in Africa.The daily lives of Jimmy, his two kids and his mother in law whilst his wife is in Africa.The daily lives of Jimmy, his two kids and his mother in law whilst his wife is in Africa.

Voir l’information sur la production à IMDbPro

ÉVALUATION IMDb

6,6/10

876

MA NOTE

7Commentaires d'utilisateurs

Voir l’information sur la production à IMDbPro

Épisodes25

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HautLes mieux cotés3 saisons2 ans

Photos

Anecdotes
Following the success of the third series, which had fared well against the popular ITV soap opera Coronation Street in the ratings, the BBC commissioned a fourth series and Christmas special, intended for 2009. However, they later backtracked their decision and decided to axe the show as the fourth series was beginning production, allegedly down to the controversial new BBC controller Jay Hunt not liking the show.

Gaffes
During the pub quiz, Jimmy's company is advertised as part of the quiz team's name and the phone number is given beginning with 0207 946, a London number. On his van, the phone number is quoted as 01632 even though most work comes through his mobile phone. Both of these area codes are reserved for UK TV purposes.

Connexions
Featured in After You've Gone: Deleted Scenes (2008)

Commentaires des utilisateurs7

Commentaire

Commentaire en vedette

5/10

Too many punches

I really wanted to like this, but I just feel they have made the character of Diana (Celia Imrie) too unlikeable. She has been written as one of those that must try to put everyone down every time she opens her mouth.

After a short time I found myself hating the woman. This is written by the same guy who wrote my family, another comedy I found too uncomfortable. You have to make characters believable.

I believe this is one of the main differences between an American and European comedy, the Americans try to cram gags in where as the Europeans tend to build up a plot and a fall. This is of course an American writer.

In the great scheme it is not so important, many sit-comes come and go, this one will, in my opinion just go.