Ajouter une intrigue dans votre langueJack is a loner confined to a workbench in the back of an antique shop. When a mysterious woman presents him with a broken antique clock that is not to be fixed, unexplainable events begin t... Tout lireJack is a loner confined to a workbench in the back of an antique shop. When a mysterious woman presents him with a broken antique clock that is not to be fixed, unexplainable events begin to occur. After finding Albert Einstein's journal on his still unsolved Unified Field Theor... Tout lireJack is a loner confined to a workbench in the back of an antique shop. When a mysterious woman presents him with a broken antique clock that is not to be fixed, unexplainable events begin to occur. After finding Albert Einstein's journal on his still unsolved Unified Field Theory, Jack becomes obsessed with analyzing time and theorizing its connection to his supernat... Tout lire
- Directors
- Writers
- Stars
- Prix
- 2 victoires et 1 nomination au total
Avis en vedette
I really enjoyed the calm and surreal pacing of the film as well (contrary to the underlying tension that is always brewing in the characters). There was a steady floating (extremely skilled) quality to the hand held shots that made the cinematography absolutely stunning. Where most movies will shake the camera around to try to make the scene feel "real", this one shows us how it should be done by keeping it smooth just as you would see through your own eyes. Amazing job! I really did not find a problem with the plot or any of the characters. The child actor wasn't the best, but he certainly wasn't the worst. The main character "Jack" was absolutely brilliant. I actually came on here to find more movies with this actor in it, and to find more movies made by this director. The narrative is (as was the film) obviously somewhat influenced by Lynch, but this film is a bit more accessible. And I'm an avid David Lynch fan. There is a definitive resolution at the end. And I also liked the the end credit given to the location of filming... that's something I have never seen before and it deserves respect. The loss of control that someone else mentioned here that the main character experienced toward the end was IMO amazing. It was more drawn out and realistic that the standard "wiping a bunch of stuff off of a desk" tantrums that we see in most films. This added even more to the realistic quality of the film and made me like the main character even more. He is repressed throughout the movie and you can tell because he plays it so well. So when he finally let's go, it's bound to last longer than one swift swoop of the arm across a table of decent china.
Like a Lynch film, every shot in this movie looks like a beautifully crafted painting, and in my opinion, carried none of the pretension that some indie films are famous for. This film maker has the heart and the skill to match. Great story, great crew, great mood, great experience. When I came here and saw that there were only 2(not so glowing)reviews, I had to create an account to write this. I feel this film deserves that amount of respect. Absolutely fantastic job! I hope to see more of your work in the future! :)
First off, Definitely an 'A' for visuals and for the DP! Absolutely! And, except for the EXTREMELY annoying and COMPLETELY distracting audio during the first half of the film (MAN, the microphones sounded like they were implanted in the actors' larynx's for God's sake! You could hear EVERY bloody smack of their lips and tongues. HORRIBLY distracting! Also EVERY bloody sound, footstep, box scraping across a surface, key in a lock, DAMN! WAAAAAAAAY to loud in the mix, unfortunately I feel a terrible detraction from the film...) the actual soundtrack and background ambient sound was GREAT! VERY Lynchian.
BUT! And it is a BIG BUT like Mariah Carey's...
Sadly, those of us who totally LOVE films like this or ones that look and sound like these, do indeed expect a bit more substance. In other words Lynch's stuff no matter how way out, always seems to have at least SOME kind of internal harmony or outworking logic of the subconscious, that gives it some kind of visceral 'weight'. However, sort of along the lines of the other reviewer here, the net effect I feel in my lowly and wretched opinion, is just sort of an 'aimlessness'
If I may speak directly to the director... You really did NAIL it quite well in many places; I mean, most film makers can't even come close to doing as well as you did. My most humble suggestion is that if you are going mainly for the complete 'ARTY' look and feel, in other words a COMPLETELY abstract or surreal film, then I believe you need to dress it up a bit more with stronger mood enhancers, a la a tiny bit more visual manipulation / style.
I think what I'm trying to say is, if you're gonna keep it all subtle and low key with long drawn out passages like Lynch does for example, then you need to give the mood and atmosphere a bit more punch. If you want to emphasize the narrative a bit more then, as the first reviewer was putting across in his sledgehammer way, I would say, try to come up with a bit more substance to punch it up a bit. That's about the only way I can put it, for what that's worth..
But, you absolutely held our attention for the most part with the look and feel of the film. The sound and mood were most captivating.
I do feel that there IS indeed genius here, lurking about in that creative mind of yours. Just a couple of very small things, if I may... One, I personally would not have had the clock that he finally fixed come crashing down onto the floor. Very jarring to the overall mood of the film and I honestly did not feel it contributed anything, instead it detracted from the mood that you had worked so hard to construct. Secondly, him throwing that extended fit at the end, I also felt took away from the smooth ambiance that you had created throughout the film. Those are the only 'glaring' things I would personally have taken out. Also, I really need to re-mention the INFINITELY annoying exaggerated sound of the peoples voices and other mundane sounds during the first half of the film. I think your sound editor must've been doing some SERIOUS crack or something during the first half, is all I can figure : ) Unfortunately, that distracted so much from the film that I rated it a '5', sorry about that. Those detracting elements took away from what easily could have been a 10 I think!
But, all in all, an excellent effort and LOTS of good creative imagery; I absolutely LOVED the ambient background sound, sort of the low key 'industrial' sound you usually hear in Lynch's films. Keep up the good work mate! If you wish to write and comment personally, please do so; I THINK my e'mail address is listed here...
Le saviez-vous
- Bandes originalesGwely Mernans
Written by Richard D. James
Performed by Aphex Twin
Meilleurs choix
Détails
Box-office
- Budget
- 75 000 $ US (estimation)
- Durée1 heure 22 minutes
- Couleur
- Rapport de forme
- 1.85 : 1