ÉVALUATION IMDb
6,5/10
10 k
MA NOTE
Ajouter une intrigue dans votre langueA young woman commits a hit-and-run, then finds her fate tied to her victim.A young woman commits a hit-and-run, then finds her fate tied to her victim.A young woman commits a hit-and-run, then finds her fate tied to her victim.
- Prix
- 2 victoires et 4 nominations au total
Histoire
Le saviez-vous
- AnecdotesWhen the Receptionist calls Thomas to his appointment, she mistakenly calls him "Mr. Brado." This suggests that the reason he is not "in the computer" is a clerical error on the part of the job agency.
- GaffesWhen Bardo does hit the windshield, it breaks rather large, jagged pieces. Automotive windshields are made from a laminated safety glass. They do not break in sheets, but instead "spider-web" when they are struck.
- Citations
Rashid: It's got his blood everywhere, look what happened to O.J.
Brandi Boski: Yeah, but didn't O.J. go free?
Rashid: That's not the point!
- Générique farfeluIn the opening credits, the title breaks apart, like glass shattered, mirroring the driving event of the plot). The remainder of the credits look like they have been broken and put back together again, again mirroring a major plot point.
- Autres versionsThere are two versions. The widely available theatrical release clocks in at "1h 25m (85 min)" while the original film festival was "1h 34m (94 min) (Toronto International) (Canada)".
- ConnexionsFeatured in WatchMojo: Top 10 Worst Whitewashed Movie Roles (2016)
Commentaire en vedette
Mena "American Pie" Suvari and Stephen Rea star in this remarkable little thriller that manages to deliver despite it's glaring and obvious flaws.
It tells the story of a woman drunk at the wheel looking at her phone who runs into a homeless man with her car. With him embedded into her windshield she proceeds to drive home, locks the car in the garage and mulls over what to do next.
I like the concept, it's handled well and Stephen Rea is fantastic as our protagonist who you really find yourself caring about to levels you rarely see. In fact I haven't cared as much about a character since The Pursuit of Happyness (2006).
Essentially a thriller it has moments of black comedy, mostly due to Russell Hornsby who was really good here.
The films main flaw is that it's essentially following the antagonist, the lead is the bad guy (Or girl in this case) and that comes across odd especially as it's as if you're watching her plight when she's blatantly the antagonist. Watching Rea struggle against the odds is very enjoyable and builds to a decent finale that really underlines the movies quality.
Despite it's flaws this is a great film helped by a solid premise and decent cast.
The Good:
Stephen Rea
Some great ideas
The Bad:
Having the antagonist as the lead is just odd
I still don't like Suvari, no idea why
It tells the story of a woman drunk at the wheel looking at her phone who runs into a homeless man with her car. With him embedded into her windshield she proceeds to drive home, locks the car in the garage and mulls over what to do next.
I like the concept, it's handled well and Stephen Rea is fantastic as our protagonist who you really find yourself caring about to levels you rarely see. In fact I haven't cared as much about a character since The Pursuit of Happyness (2006).
Essentially a thriller it has moments of black comedy, mostly due to Russell Hornsby who was really good here.
The films main flaw is that it's essentially following the antagonist, the lead is the bad guy (Or girl in this case) and that comes across odd especially as it's as if you're watching her plight when she's blatantly the antagonist. Watching Rea struggle against the odds is very enjoyable and builds to a decent finale that really underlines the movies quality.
Despite it's flaws this is a great film helped by a solid premise and decent cast.
The Good:
Stephen Rea
Some great ideas
The Bad:
Having the antagonist as the lead is just odd
I still don't like Suvari, no idea why
- Platypuschow
- 15 févr. 2019
- Lien permanent
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Détails
Box-office
- Budget
- 5 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 67 505 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 8 844 $ US
- 1 juin 2008
- Brut – à l'échelle mondiale
- 151 449 $ US
- Durée1 heure 25 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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