Un regard dans les coulisses d'une émission télévisée fictive de sketch-comédie.Un regard dans les coulisses d'une émission télévisée fictive de sketch-comédie.Un regard dans les coulisses d'une émission télévisée fictive de sketch-comédie.
- A remporté 1 prix Primetime Emmy
- 4 victoires et 20 nominations au total
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Saw the pilot on NetFlix, and it's everything one should expect from Sorkin, Schlamme and this cast...sharp, tense, funny, and exhilarating television. Even if you don't care about behind-the-scenes drama or live TV or Saturday Night Live (which the show is based on), check this out...it's got a ton of drama, heart, and fun. Hopefully Sorkin will take time to develop each character. My only issue with the episode is that there's too much to cover, so we only get quick glosses of characters, but it's just a pilot, so it's OK to serve as an introduction. Matthew Perry, Amanda Peet, Brad Whitford, Timothy Busfield are all perfectly cast and show new range. Can't wait for the season to get going.
After having seen the pilot episode of Studio 60 on the Sunset Strip, I am left with a sudden sense of excitement for the series to begin. The show hits the gate hard as a veteran executive producer of a late night comedy show (Judd Hirsch) goes on a verbal assault on live television, a moment straight out of Network (which the news media quickly catches onto). The studio is in complete disarray only minutes after the show ends, especially since the network's new president (Amanda Peet) as only been on the job for one day. How can they repair the damage done? Why not call in the two men who made the show a hit (Matthew Perry and Bradley Whitford), and have since been fired two years prior. But things aren't going to be so easy to fix since there are execs just waiting to shred all three of them to pieces.
The show is pure Aaron Sorkin: it's witty, intelligent, and heart-felt about issues. It's also a blast to watch as a cast of incredibly talented actors and actresses work together to make Sorkin's words shine. But one thing Studio 60 isn't is a retread of either Sports Night or The West Wing. It's a completely different monster. This time, Sorkin's looking to dive deep into the worlds of Hollywood, Mass Media, and Big Business. With Perry and Whitford, we have televisions new odd couple, both incredibly funny both alone and together. Peet brings her A-game with her as she takes on her most ambitious part yet. And let's not forget some great contributions by D.L. Hughley, Timothy Busfield and Steven Webber. And this is coming straight from the pilot. Who knows where the show will go from here. But I know where I'm going to be on Monday nights.
The show is pure Aaron Sorkin: it's witty, intelligent, and heart-felt about issues. It's also a blast to watch as a cast of incredibly talented actors and actresses work together to make Sorkin's words shine. But one thing Studio 60 isn't is a retread of either Sports Night or The West Wing. It's a completely different monster. This time, Sorkin's looking to dive deep into the worlds of Hollywood, Mass Media, and Big Business. With Perry and Whitford, we have televisions new odd couple, both incredibly funny both alone and together. Peet brings her A-game with her as she takes on her most ambitious part yet. And let's not forget some great contributions by D.L. Hughley, Timothy Busfield and Steven Webber. And this is coming straight from the pilot. Who knows where the show will go from here. But I know where I'm going to be on Monday nights.
10oggy-3
In a time of Apprentice, Fear Factor, Bachelor and a dozen police/crime scene shows, Studio 60 brings diversity to network television. This is a very witty and thought provoking show, which offers philosophical views on many topics, relative to today's society.
We've seen how police stations, hospitals, and the White House work, now we get to see how network television works. The show incorporates a lot of self-irony and probably borrows a lot of material from real life experiences behind the scenes of network TV.
Like many others, I was afraid that Mathew Perry would not be able to put the Chandler character behind, but I was pleased to find out, that he did it, and he did it in style. I believe Perry has grown a lot as an actor and he is shining. The rest of the cast is also great, and so far it looks like this show has no main character - this has proved to be very successful in the past.
I realize that the audience of this show is naturally limited, but I really hope it stays, because I believe it has the potential to become a classic!
We've seen how police stations, hospitals, and the White House work, now we get to see how network television works. The show incorporates a lot of self-irony and probably borrows a lot of material from real life experiences behind the scenes of network TV.
Like many others, I was afraid that Mathew Perry would not be able to put the Chandler character behind, but I was pleased to find out, that he did it, and he did it in style. I believe Perry has grown a lot as an actor and he is shining. The rest of the cast is also great, and so far it looks like this show has no main character - this has proved to be very successful in the past.
I realize that the audience of this show is naturally limited, but I really hope it stays, because I believe it has the potential to become a classic!
10ecpower1
It is funny, smart, articulate, and touched the heart all at the same time. So of course word is that is has been canceled! It ran so briefly before getting pre-empted several times, that it barely got seen, yet NBC saw fit to shoot it down, and will be putting on several live game shows and other reality garbage of that ilk. Worse than that, they now torture us with the last new episodes, so that we might be bereft when it is gone. I wish there was a way to save the show, but networks rarely let shows live long enough to find their audience. NBC barely let it run long enough for anyone to find it. I think the best episode was the "Disaster Show," and watching Allison Janey and former "West Wing" lover Tim Busfield work together. What a hoot. What a waste that such a clever show will be lost to TV history.
I've enjoyed Sorkin ever since I saw A Few Good Men. Sports Night gets regular repeats in my DVD player, and while I never quite got in to West Wing because of scheduling problems on my end, what I did see always impressed me. So I was waiting very eagerly for Studio 60 to premiere. It didn't disappoint.
Now, this show is probably not for everyone. Sorkin doesn't lob softballs at us. He wants us to think, he's not going to spell every little thing out for the audience. Some see him as being preachy, but I'm afraid they not seeing for the forest for the trees here. Some also accuse him of anti-whatever propaganda, but fail to acknowledge or account for the existence of counter balance in the show itself (IE anti-Christian sentiments in S60, although one of his main characters is a level headed and likable Christian woman).
The cast is sublime. Matthew Perry pretty much does what he does, but now he can be the edgier actor he wanted to be. Bradley Whitford has always been underrated and he doesn't fail to impress me here. All of the other members of the supporting cast (including Timothy Busfield, who was looking surprisingly John Ritter-esquire in profile) are worthy. I've seen tons of criticism for Amanda Peet as the newly named president of the network, but I honestly can say I'm buying it. She does have a tendency to make the same face for everything, but otherwise, she's playing the part as it's written. Sometimes it's not the actor, it is the character (see Holmes, Katie and Begins, Batman), and I think this is one of those times. She's playing a relatively young powerful female exec like I'd expect her to. Kinda wink wink like, with a poker face.
Overall, I think this show, only 2 episodes in, is already one of the best shows on the network channels today. Hopefully NBC will give it the due course it deserves, even while it openly mocks the network.
Now, this show is probably not for everyone. Sorkin doesn't lob softballs at us. He wants us to think, he's not going to spell every little thing out for the audience. Some see him as being preachy, but I'm afraid they not seeing for the forest for the trees here. Some also accuse him of anti-whatever propaganda, but fail to acknowledge or account for the existence of counter balance in the show itself (IE anti-Christian sentiments in S60, although one of his main characters is a level headed and likable Christian woman).
The cast is sublime. Matthew Perry pretty much does what he does, but now he can be the edgier actor he wanted to be. Bradley Whitford has always been underrated and he doesn't fail to impress me here. All of the other members of the supporting cast (including Timothy Busfield, who was looking surprisingly John Ritter-esquire in profile) are worthy. I've seen tons of criticism for Amanda Peet as the newly named president of the network, but I honestly can say I'm buying it. She does have a tendency to make the same face for everything, but otherwise, she's playing the part as it's written. Sometimes it's not the actor, it is the character (see Holmes, Katie and Begins, Batman), and I think this is one of those times. She's playing a relatively young powerful female exec like I'd expect her to. Kinda wink wink like, with a poker face.
Overall, I think this show, only 2 episodes in, is already one of the best shows on the network channels today. Hopefully NBC will give it the due course it deserves, even while it openly mocks the network.
Le saviez-vous
- AnecdotesMatthew Perry originally turned down the role of Matt Albie, but Aaron Sorkin did not want to have anyone else play the part, and apparently would not take "No" for an answer. Perry reconsidered, and decided to jump on board.
- GaffesIn many episodes the countdown clock in Matt's office jumps back and forth. Also, in many cases, after doing some math, it is obvious the clock is not accurate.
- Citations
Matt Albie: Look, I hate Los Angeles just like everybody else, but I have to work here because in any other part of the country I'm unemployable.
- ConnexionsFeatured in The 64th Annual Golden Globe Awards (2007)
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What is the Hindi language plot outline for Studio 60 on the Sunset Strip (2006)?
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