L'informateur

'Inside Man' engages the viewer from the opening scene through the credits. One of the better Heist films one can watch, with an all-star cast of highly-accomplished actors delivering the goods. Recommended viewing!

No ordinary film maker, Lee taps his expertise in film making, applying superior cinematography, editing, and direction skills.

Headlining the film is Denzel Washington as the good guy cop, and Clive Owen as the highly intelligent robber (with the screen-play thankfully avoiding the crazy/insane cliche' Bond movie villain characterization).

"Filling-in" as good as one will find in bank robber caper films are the superior supporting cast performances of Christopher Plummer (who has never delivered anything sub-par in his career), Jodie Foster (effectively playing against her "type"), Willem Dafoe (over-due for an Oscar), Chiwetel Ejiofor (perfect subtle side-arm detective partner to Denzel), and across the board good performances by the entire supporting ensemble cast.

Lee doesn't try to play out the big surprise ending cliche', but instead allows one to piece things together as the film unfolds, letting us "in" to the narrative piece by piece. This is refreshing and elevates the film overall.

Really hard to find any critical piece missing in the film. Editing and pacing excellent, and even the potentially preposterous story idea works. Yes there are a few "identifying the magician's tricks" moments inside what could have been a perceived as an over the top narrative, but one overlooks those because this is quite the entertaining film and it is put together so well - Witty dialogue delivered by some of the all-time great actors who were perfectly cast on their parts.

Bravo to all concerned👏, and two thumbs up!👍👍

Whether I was into the subject or not, there's always a filmmaker at work in a Spike Lee film... he's one moviemaker who never loses sight of being a filmmaker first and foremost, and he's absolutely outdone himself with INSIDE MAN, a taut thriller which avoids the colloquialism that alienated mainstream audiences from some of his earlier work.

If you've seen the trailer or heard anything about this pic, you have been misled. Everything I heard left me feeling like yeah, OK, I'm going for Denzel. Denzel vs. Clive Owen will be interesting.

From the first shots and opening credits, you are submerged in artistic vision, and a finely honed piece of work the likes of which I haven't seen in years. I'd almost give this one a ten.. and I don't hand out tens freely. I do not want to spoil this. You have to walk in cold, and let this film grab you by the short and curlies.

This is one film where there isn't a spare frame or wasted cheap shot. Every zinger zings, and there are laughs too, laughs at merciful intervals to break the tension and remind an audience on the edges of its seats that movie-going's supposed to be entertaining, dammit. The cinematography is brilliant, and the music is fantastic - true cinematic score, true genius. I can't praise this one enough.

Christopher Plummer is superb, in what is (perhaps coincidentally) an ironic bit of casting. Jodie Foster rises to a challenging persona with aplomb and ease, and my only complaint of the entire exercise is that her character's name 'Madeline White' is perhaps a little cliché. Beyond that, there isn't a filmmaker alive who brings New York to the screen with anything approximating Spike Lee's vision.

It seems there hasn't been a lot of junket for this one, and that Spike Lee's presence has been downplayed... as if the studio downplayed the fact that this is a Spike Lee film slightly, until the word was out that this film is over and beyond what an audience might already expect from one of his films.

So... let me just say.. man o man this is a cinematic mind-blowing amazing one and a half hours... it's brilliant, tight, funny, articulate, intense, and high time the academy gives Spike Lee some respect.

A pleasure from start to finish. An older Denzel Washington has begun to emerge, and his performance here suggests he has many good years left. Clive Owen is terrific as the mastermind. He, and the plot, keeps you guessing. And while there are plenty of clues, they are so well incorporated that very few viewers will see how this one comes together in the end.

One major quibble: Jodie Foster's character is more archetype than person so it's to her credit that she pulls it off as well as it does. However, don't let that deter you from enjoying one of the best movies of the year. I'm glad to see Spike Lee tackle another genre film. He brings a re-invigorating approach to what, in other hands, would be a tiresome rehash. That liveliness seems to have worked on him, too -- this is his best film in several years.

Inside Man tells the story of a man named Dalton Russel, who leads a daring bank robbery that turns into a hostage situation. Now he's dealing with disgraced hostage negotiator Keith Frazier, who is attempting to get to the bottom of things. When the shady CEO of the bank and a woman he's hired to help him protect certain interests arrive, he begins to discover that there's more to this bank robbery than it would seem. This is the only Spike Lee movie I've ever seen, but trust me, I'll see more, since this was a very intriguing film.

What I liked about Inside Man was the style it was made. It is choppy, but not so choppy that it's annoying (cough, Domino, cough, Man on Fire), so you get a sense of tension, and it seems very high paced. The plot is good, and very intriguing. There are some things you have to figure out throughout the film, which makes it more interesting. My only problem was that after the bank robbery was over, the film continued for another half hour, and it started to drag a bit. The dialogue in the movie is very cool. There's some humorous and some awesome lines that come out of the character's mouths.

The acting is very good. Denzel Washington is good as always as Det. Keith Frazier. Clive Owen gives a solid performance as Dalton Russell. I liked Willem Dafoe and Christopher Plummer. Jodie Foster wasn't as good as she usually is, but she's not in the movie a whole lot.

Overall, the movie lags toward the end, but it's intriguing and has an awesome plot.

7/10

Let me just lay all my cards on the table, so there are no surprises later in the review: "Inside Man" is frustratingly bad, Spike Lee was the wrong director for this, but I was able to walk away still a fan of Clive Owen, Denzel Washington, and Jodie Foster. This is a bizarre film, unnecessarily complicated, that assembles a top-notch cast, puts them into a tense situation with all the players in place, and then has nothing to do with them. It's like the writer forgot that you needed a third act; it's all rising action with no denouement.

Washington plays Det. Frazier, a hostage negotiator who acts, literally, as if this is his first case. He has the obligatory younger partner (Chiwetel Ejiofor, "Serenity") who exists so Frazier can explain his theories and the obligatory ESU commander who wants to go in and shoot everyone (Willem Dafoe, sadly underused). Owen plays the bank robber, about whom frustratingly nothing is known except what he said into the camera in the trailer. Finally, Foster plays some sort of player amongst the Powers That Be who walks into the mayor's office, demands an update, and is given "every possible courtesy", etc. She serves no purpose whatsoever, not even in a clichéd action movie type of way like Dafoe and Ejiofor. The performances are the only good part of the movie, but there are times when you can tell that the actors wished they were in a better film. They're giving it their all, and they're getting no help from anyone else involved.

Spike Lee is up to his usual tricks here, which, in this type of movie, is a very bad thing. The details of the heist itself I won't disclose. I can't. The action is, at best, vague - extremely brief scenes of vaults opening, hole-digging, hostage roughing up, and the usual bank-robber stuff are all the details we really get. It is also inter cut with scenes of the hostages recalling the heist; their recollections serve no purpose except to confuse the audience further. "Inside Man" is curiously racist: the white crooks rough up the black bank customers, the white Foster and the mayor order around Washington, the white cops mistake a Sikh for an Arab and beat him, and even a Jewish hostage was not only a lawyer, but has a nephew who is a jeweler. Washington and Ejiofor are given no flaws whatsoever and are seen mostly being pushed around by everyone else in the movie. The action repeatedly grinds to a halt so Lee can insert quirky little subplots involving video games, Washington's much younger girlfriend and random Albanian women. They're at best unnecessary, at worst, disastrous. If we had been given a director with more focus, there is the feeling that this could have been a lean, mean thriller. But it drags and drags and drags and when we get to the end, we understand why the film stalled for so long: the ending is about as climatic as erectile dysfunction.

"Inside Man" looked like it had it all - great cast, good concept, reputable director, but the end result is a near-disaster. It's like someone threw "Dog Day Afternoon" into a blender, drank it, and vomited it back onto the screen. As I stumbled out of the theater, deprived of my money and time, I cursed the screen gods who thought to tease me with such an improbably bad movie. I thought back to a better day, when a movie at least knew what was going on even if the audience didn't, gave us characters who seemed like actual people and served actual purposes to the plot, so that even if we had to wait until the Big Twist to answer our questions, we at least had a reason to still care.