Les amants réguliers

This is a very long movie, indeed. But it is quite beautiful, and a good example to show why cinema can be considered art. A story easily told cannot be expected in Les Amants Réguliers, but every scene, every silence here tells much more than a hundred dialogs. Touching, different, perfect in its pictures and soundtrack, showing why the close brought by the cinema as one of its main features became the greatest innovation in any dramatic representation. Someone who is used to that kind of movies where everything is told, and action takes place all the time, will find this tiring. But it is worth watching, to find out other possibilities of feeling a story.

The reason I am reviewing this is that the previous review, was written by someone who walked out of this film, not even half way through. Unfortunately for him, he missed out on a film of tremendous beauty. Agreed the film was very slow to start, in fact the friend I was with fell asleep briefly,I woke him before his snoring disturbed the rest of the audience. Thankfully the film developed from there into a story of love, drugs and what it was like to be young and free in the experimental 60s. Fantastic performances from the two leads and a great look to the film that gave it a real authentic feel. Be patient, like many great films its well worth the wait, and is certainly a film that I will look forward to revisiting! 8/10

This is one of many films I have seen at the Melbourne French Film Festival 2006. I average 100 films a year on the big screen and this is only the third film I have ever walked out on (after 75 minutes).

Yes, it looks absolutely beautiful. Cinematography and lighting are great. The characters all look authentic and you'd swear you were watching a film made 30 or more years ago. It looks like a piece of art, but for me cinema is all about telling a story. And that's where this film falls apart - all style and no substance.

There is no story, nothing compelling. It was so laborious to watch and a struggle to stay awake. There was little to differentiate this film from just looking at a book of old European photography (and that's not what I go to a cinema for, as much as I love photography). I felt that if it was like this after 75 minutes, how can I sit here for 3 hours! Obviously many others felt the same way because about 10% of the audience left before us. The only other time that I have seen a walkout like this was with The Aristocrats. This film was a wasted opportunity.

The first 60 minutes of 'Regular Lovers' is highly recommended. The first long sequence depicts the street riots in Paris of 1968, and are extremely convincing in the combination of random images and sounds.

After such a promising start, it's downhill... For another 2 hours the 'story' dwells on a tedious and passionless relationship between two young artists. Unnecessarily extended shots with no action or dialogue are little more than insipid imitations of Godard's style, without his wit or intelligence. They add nothing to this particular film I'm afraid.

I love the nouvelle vague, don't get me wrong, but this film mimics 'avant-garde' techniques to end up with the equivalent of an endless Calvin Klein advertisement - bored and handsome youths lolling about, being decadent and looking so photogenic. It needs much more dynamism and emotion, either in the acting or in the editing. It might have made a tolerable 2 hour film, and perhaps more involving for this audience member.

It's not like an historical movie, it's not a movie with unforgettable love stories, it's not a movie with a spectacular scenario, but i can surely say it's a movie with a great atmosphere...

It had that 60's kind of bohemian and rebellious spirit: a group of friends living in a poor apartment in Paris, each one making art, dreaming of changing the world, doing drugs and loving in his very own way.

It takes a lot of patience to watch, and a special mood, that if you're not in, you might find it extremely boring and dull.

I liked a lot the very realistic approach of the events that took place and their immediate effect on student's lives: the fear for their future, the difficulty of earning their living, the obstacles in following their dreams.

What i absolutely loved was the black & white image. The still camera angles were amazing, they were like freezing moments. It left me the impression of a long slide show of old and very emotive and suggestive photographs. I actually had to see the movie again, just to take those amazing screen-shots.

In one word: beautiful...