Au Danemark, au 6ᵉ siècle, le roi danois Hrothgar et ses guerriers tuent un troll dont le fils, Grendel, jure de se venger.Au Danemark, au 6ᵉ siècle, le roi danois Hrothgar et ses guerriers tuent un troll dont le fils, Grendel, jure de se venger.Au Danemark, au 6ᵉ siècle, le roi danois Hrothgar et ses guerriers tuent un troll dont le fils, Grendel, jure de se venger.
- Director
- Writers
- Stars
- Prix
- 1 victoire et 6 nominations au total
- Grendel
- (as Ingvar E. Sigurdsson)
- Wealtheow
- (as Steinunn Ólína Thorsteinsdóttir)
- Erik
- (as Gísli Örn Gardarsson)
Avis en vedette
The story is largely expanded from the original, with many peripheral characters added and extra scenes. Some of these work (Eddie Marsan's psychotic Christian missionary helps to set the film in its time rather well) but others I could have done without, such as Sarah Polley's witch. Still, for the most part, the story is well achieved, with plenty of atmosphere and a real sense of place. Somebody had the brilliant idea of filming in the bleak Icelandic countryside, full of mountains and rocks and waterfalls with nary a blade of grass in sight; the decision paid off (despite problems with the weather during the shoot) and you can really believe the action is taking place over a thousand years ago.
Gerard Butler does well as the hero, his Beowulf equally as rugged as the isolated scenery. His role feels like a dry-run for 300's King Leonidas. Most of the supporting cast are interchangeable, but Stellan Starsgard is fine as the complex, tormented Hrothgar. Grendel is a more sympathetic creation here than in the poem; he's given his own back story, which I didn't mind, and he looks like a caveman rather than a hideous monster. Some of the incident in the eventual showdown between man and monster is changed and the later sub-plot involving Grendel's mother feels rushed, but I felt these problems were insignificant. For the most part, BEOWULF & GRENDEL ably brings to life the heroism and terror of the Anglo-Saxon age.
If this had been the result of real artistic vision, it might have worked, but it wasn't; it was done by the book, in a Sensitivity 101 fashion, and inconsistently, so that the result wasn't either mythic or modern. Or not the way the film-makers hoped, anyway. Instead of being a synthesis, it was an uneasy mix.
Oh, it was moderately entertaining to a modern man and woman, the scenery was magnificent and the cinematography splendid - almost a given, these days. The acting, with one important exception, was very good. I'm glad I saw that and not... what was the other one? Snow dogs in Peril? Oh, 'Eight Below'. 'Beowulf and Grendel' was actually about something, and not just 'based on actual events' - the usual witless excuse for a dull and meandering story.
What was Beowulf about? Originally - think about this - the tellers and hearers of this tale lived the dullest and most dangerous existence possible. They were pioneers, always on the jagged edge of starvation, faced with endless toil and unremitting vigilance, just to survive against an unremittingly hostile environment. They must have longed for a single villain, an enemy they could strike at and defeat, once and for all. Thus, Grendel. Grendel is all their fear and drudgery rolled into one. And Beowulf. He is them, all rolled into one, their collective courage and strength.
It might be possible to adapt this to modern ideals, but it has to be re-imagined, which likely means changing time and place to, let's say, the recent old-west, the populace to sodbusters, the Grendel-menace to an unbeatable black-hat gunslinger and the hero to the man in buckskin. You can't just graft modern attitudes onto ancient warriors and pretend you've done something new and significant.
The addition of the witch, Selma, played by my countrywoman Sarah Polley, is the worst of the modernist grafts. She plays the part almost without affect, as if all her actions were the product of cool rational thought, and didn't matter very much, anyway. I picture the director ranting at her in Icelandic, while a very polite translator murmurs, "more intense, please". I hate to bad-mouth one of the more intelligent actresses of our time, and one most loyal to her Canadian Roots, but she really dropped the ball on this one, and it affects the whole movie's credibility. If she'd been crazier, dirtier, more savage, more a part of the threatening Other, the role might have worked. Since she chose to preserve the proprieties of a modern girl --don't flip out, even when a troll is ravishing you -- she sinks the whole enterprise.
Final comment: handsome, amusing, entertaining, but highly flawed.
This European co-production begins with a real sense of wonder and surprise and develops with continuous struggles and winding up a fight against the giant Grendel. The picture packs great loads of action , wonderful cinematography , abundant stunts , breathtaking combats and a little bit of gore and blood . Stunning battles scenes illuminate the full-blown adventure with a plethora of engaging action set pieces on the combats in which the heads and limbs are slice off here and there and everywhere while other parts of body are slit open . Good performance from Gerard Butler as Beowulf , a man caught between sides in this great shift, his simple code transforming , falling apart before his eyes and the strange witch well played by Sarah Polley. Both of whom play a story of blood and beer and sweat, which strips away the mask of the hero-myth, leaving a raw and tangled tale .
Beowulf was a poem written in England, but is set in Scandinavia , commonly cited as one of the most important works of Anglo-Saxon literature .Beowulf is considered an epic poem in that the main character is a hero who travels great distances to prove his strength at impossible odds against supernatural demons and beasts. It has variously been dated to between the 8th and the early 11th centuries. It is an epic poem told in historical perspective; a story of epic events and of great people of a heroic past. Although its author is unknown, its themes and subject matter are rooted in Germanic heroic poetry, in Anglo-Saxon tradition recited and cultivated by Old English poets . The poem is divided between Beowulf's battles with Grendel and with a dragon . The main protagonist, Beowulf, a hero of the Geats, comes to the aid of Hrothgar, the king of the Danes, whose great hall, Heorot, is plagued by the monster Grendel. Beowulf kills Grendel with his bare hands and Grendel's mother with a sword, which giants once used, that Beowulf found in Grendel's mother's lair .
Other films based on this epic poem are the following : ¨Beowulf¨(1999) by Graham Baker with Christopher Lambert and Rhona Mitra , ¨The 13º warrior¨ by John McTiernan with Antonio Banderas , Diane Venora , and ¨Beowulf¨ by Robert Zemeckis with Angelina Jolie and Anthony Hopkins .
Le saviez-vous
- AnecdotesIn 1731, the original manuscript that the movie is based on was severely damaged by fire, along with several other medieval writings, in London UK.
- GaffesWhile the Daneland portrayed in the movie has many mountains, cliffs and rocks, the real Denmark does not. Denmark has no rock formations, and very few steep cliffs.
- Citations
Beowulf: Has this thing, this troll, killed any children?
King Hrothgar: No.
Beowulf: Women?
[Hrothgar shakes his head]
Beowulf: Old men?
King Hrothgar: What are you saying? That he fights with a clean heart? He kills the strongest first. He shows us he can kill the strongest. Who cares if he spares the children? They'll die anyway without fathers.
Beowulf: My wits still war with how this all began.
King Hrothgar: Hate for the mead hall. I can only guess. The night we finished it the foul creep came.
Beowulf: So, nothing was done to the troll itself?
King Hrothgar: Oh, Beowulf, it's a fucking troll! Maybe someone looked at it the wrong way.
Beowulf: Some Dane?
King Hrothgar: ...I never begged anyone to come here. Take on our fight. I don't hold you here.
Beowulf: I know you don't.
King Hrothgar: Then don't sour my heart with talk about why a troll does what a fucking troll does!
- ConnexionsFeatured in Wrath of Gods (2006)
Meilleurs choix
- How long is Beowulf & Grendel?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Beowulf & Grendel
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 68 820 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 4 360 $ US
- 18 juin 2006
- Brut – à l'échelle mondiale
- 92 076 $ US
- Durée1 heure 44 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1(original negative)
- 2.35 : 1