Jean-Baptiste Grenouille, né avec un sens olfactif supérieur, crée le meilleur parfum du monde. Son travail, cependant, prend une direction sombre alors qu'il cherche l'ultime odeur.Jean-Baptiste Grenouille, né avec un sens olfactif supérieur, crée le meilleur parfum du monde. Son travail, cependant, prend une direction sombre alors qu'il cherche l'ultime odeur.Jean-Baptiste Grenouille, né avec un sens olfactif supérieur, crée le meilleur parfum du monde. Son travail, cependant, prend une direction sombre alors qu'il cherche l'ultime odeur.
- Prix
- 15 victoires et 20 nominations au total
- Driver
- (as Walter Cots Wangüemert)
Avis en vedette
One could criticize that Ben Wishaw is too good looking for the part but we have to keep in mind that this story is supposed to be about the character of Grenouille and the way he himself sees his live. Since to him, the smell is the soul of every being, his appearance does not matter to him. So we might as well thank Tom Tykwer for casting an actor who is pretty decent to look at for two and half hours.
Please watch this movie without any prejudices. Open your mind to images and sounds and try to imagine what your feeling could "smell" like. And even if that does not work you can still just enjoy a beautifully told story. Either way, you will be touched.
Rather than judging that finale and having to use spoilers, let me just comment on the first two hours of the film, which I found utterly fascinating. If I wasn't such an admirer of photography, art and special-effects, I doubt I would have found the movie so appealing because the story is "not for everyone." However, thanks to stunning French city and countryside scenery, 18th century period and beautiful women it enhanced the story to me. Yet, regardless of the visual treats, the story was so unusual it still would have held my attention.
There are enough reviews here so that to go into the story in detail isn't needed except to say this is an "original." I'm not familiar with any other story about a man who has such an extraordinary sense of smell that he can perform olfactory miracles and then, because of it, uses it to turn into a mass murderer. This is weird, really weird, but captivating to say the least.
Ben Wishaw, who plays the lead character "Jean-Baptist Grenouille, has a face that is perfect for this role. His emaciated body, which survived a brutal childhood existence from the moment he was born also makes his character all the more credible. The looks of shock and awe on this man's face throughout the picture also add to his believability. He was mesmerizing with his haunting expressions. Dustin Hoffman and Alan Rickman provide "name" actors the film but it's Wishaw's movie, all the way.
I can only recommend this movie to those who share similar interests in cinematography and who like a "different" story but there are so many things in here - especially the ending - that could offend so many people, I would be hesitant to recommend this to the general viewer.
I'm going to go look for the book at our local library. I'm curious how that version compared to the screenplay.
I had the chance to watch a preview of "The Perfume" tonight and I was very surprised: this movie is really good! Okay, it can't actually make you smell all the scents and odours, but the images and the music allow you to experience the atmosphere and the emotions Grenouille is feeling when he takes in the scents of his environment. You couldn't have done this much better without the use of real scents at theatres.
Although much of the story is told by a narrative voice (mostly quotes from the novel), the movie is still thrilling and exciting all the way. It's a very good adaption of Süskind's novel, sticking to the original plot concerning the major events, leaving away unnecessary subplots (although it's a pity that funny "lethal gas"-plot was cut out!) and shortening long passages. The result is well-constructed movie that is worth seeing.
The actors, especially Whishaw who plays Grenouille, have done a very good job. Like in the novel, Grenouille is an ambivalent character and you never know whether to love him for his genius talent or to hate him for his cruel murders. Whishaw's half-crazy, scary gaze made me shiver. Dustin Hoffman as old and unsuccessful parfumeur Baldini was very convincing... I loved the way he talks to Grenouille arrogantly although he recognizes how much more talent the young man has. Baldini is always good for a laugh.
The only thing to criticize is that the movie is not as brutal as the novel. I think they wanted to avoid the FSK 16 rating and so didn't show much violence, which in my opinion would have been necessary if you wanted the movie to have the same shocking impact on the audience as the novel. For example I was really shocked by the end of the novel - in the movie you hardly see what happens.
However, it's really a thrilling story visualized excellently - go to the movies and watch "The Perfume"! You won't be disappointed.
Unfortunately, much of the book had to be skipped in the interest of time much of Grenouille's childhood is glossed over and the bit after the cave visit is completely omitted.
Despite this, the atmospheric sets and brilliant acting (with the exception of a disappointing Mr. Hoffman, who really does not have the stature of a master Parisian perfumer) kept me completely enthralled.
As in the original book, there is quite a bit of nudity, which is tastefully done, but I will be interested to see how this is swallowed in America it will probably get an 18 rating or be cut down, which is a shame, it was given a 12 rating in Germany.
In summary, a really great film, but probably best if you have read the book beforehand..
Le saviez-vous
- AnecdotesThe production team scouted eight different countries in Europe looking for the best place to represent eighteenth century Paris, before settling on Barcelona, Spain.
- GaffesThe method of enfleurage that Grenouille is first seen practicing is called cold enfleurage - placing live botanicals in a layer of lard or tallow set in a frame. However, this method of enfleurage was not developed until the 1800's. The movie is set in the mid 1700's.
- Citations
Narrator: He still had enough perfume left to enslave the whole world if he so chose. He could walk to Versailles and have the king kiss his feet. He could write the pope a perfumed letter and reveal himself as the new Messiah. He could do all this, and more, if he wanted to. He possessed a power stronger than the power of money, or terror, or death - the invincible power to command the love of man kind. There was only one thing the perfume could not do. It could not turn him into a person who could love and be loved like everyone else. So, to hell with it he thought. To hell with the world. With the perfume. With himself.
- Bandes originalesTarentelle
(Traditional)
Performed by Saboï and its Members
Asta Coulomb, Christian Coulomb, Sebastien Coulomb, François Hecquet, Bertrand Mercier, Nicolas Pillard,
Edo Pols, Jocelyn Raulet, Simon Staelens, Remi Tran-No
By arrangement: Christian Coulomb
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- How long is Perfume: The Story of a Murderer?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Perfume: The Story of a Murderer
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 60 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 2 223 293 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 37 079 $ US
- 31 déc. 2006
- Brut – à l'échelle mondiale
- 135 039 924 $ US
- Durée2 heures 27 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1