Trois destins

Did you know they had AIDS in China? It must be a closely guarded secret. However, in the first of three stories on the disease, we see Lucy Liu as a blood smuggler who buys blood for $5.00 a pint. In the process, a whole village becomes infected. It is a sad tale punctuated by her delivery of her baby alone in a field.

It then moves to Canada where a porn actor (Shawn Ashmore) steals blood from his father to hide his infection. After one of the required tests, the technician comes on the set to tell him his blood test shows that he has been dead for some time. He rushes home to find that his father was dead when he drew the blood. His mother (Stockard Channing) comes up with a solution to their problems that is quite original, and probably only possible in Canada.

The final segment involves some nuns in Africa. Olympia Dukakis, Sandra Oh, and Chloë Sevigny are sent to save souls before AIDS takes them to purgatory. The opening segment of the movie really didn't make any sense until now. It fits into this segment. I wonder why they didn't put it here. Maybe they didn't want to distract from Sevigny's naughty nun bit.

Sevigny is a novice that sees her mission as more than saving souls; she also tries to save lives. She involves the other nuns and they swipe money from the collection plate, but she goes way further. The plantation owner (Ian Roberts) wants tit for tat to help her. We did get to see her tit, and he got the tat more than once. Is that what God wanted her to do? Is saving lives just as important as saving souls, and is some sin allowed for the greater good? The cinematography in the film was incredible, and the music was also excellent.

3 NEEDLES as written and directed by Thom Fitzgerald (The Hanging Garden, The Wild Dogs, Blood Moon, Beefcake) is a powerful statement about the insidious spread of AIDS throughout the world, taking us to places we the viewers would rarely visit from the news media emphasis on the disease. The film is three stories in three countries told in tandem not unlike the technique so successfully used in BABEL, CRASH, and TRAFFIC. Employing cinematography of enormous talent and a cast of terrific actors, Fitzgerald manages to share his stories with such sensitivity that every viewer will feel involved in the tragedy that is rotting away our globe.

The film opens with a ceremony in Africa (supposedly South Africa) where young boys undergo ritualistic circumcision, learn the fighting tricks of manhood, and move into society as Men. This single portion of the film is intensely beautiful in its non-voyeuristic observation of an ages old ritual, so beautiful to watch that it calls for Pause/Replay! From Africa we go to rural China where Jin Ping (Lucy Liu, speaking Mandarin only) is the very pregnant force who runs an underground blood bank which while serving the donors with some cash also contaminates the population with HIV virus (we discover that Jin Ling is HIV positive, carrying a baby at risk, and supporting her HIV husband). The trials she encounters in her shady business are nothing to the moment of personal anguish when she delivers her baby without assistance in a cornfield.

Moving to Canada we meet Denys (Shawn Ashmore), a porn star who is HIV positive but steals blood from his ill father for his frequent 'tests' required by the porn director to hide his positive status in order to continue making porn movies to support his family. His mother Olive (Stockard Channing) discovers his status, hears about AIDS patients' ability to cash in on life insurance early, and infects herself so that she can take advantage of the early insurance cash to provide a life of comfort in the small time they both now have for herself and her now fatherless son.

And we return to South Africa where three nuns - Sister Clara (Chloë Sevigny), Sister Hilde Francis (Olympia Dukakis) and Sister Mary John (Sandra Oh) - set up a clinic to treat the villagers, finding only that acts of tremendous self-sacrifice can stave off the spread of the gore of AIDS. The Men we have watched in the beginning of the film walk into the life that faces a world crippled by HIV and the contrast is powerful.

3 NEEDLES' cinematographer Tom Harting deserves awards for the sheer magnificence of his images he captures on film, not only the majestic vistas of Africa and China but also the intimate moments such as Jin Ping's birthing. The musical score by Christophe Beck and Trevor Morris manages to find the atmosphere of each of the three stations of the cross Fitzgerald examines. The acting cast, both the gifted well-known actors as well as the smaller roles by unknowns in each location, is magnificent. If the film has a flaw it is in the unfortunate arena of avoiding preaching: watching and hearing the events is so very powerful that words of summation feel superficial and even insulting. But that is a small flaw in a film of wonder. Highly recommended. Grady Harp

Here is another film of which I knew nothing that - thanks to the recommendation of my video service - has brought two intensely entertaining and thought-provoking hours to my life. It comprises three tales of the worldwide AIDS epidemic each unique and impressive.

The first takes place in rural China where Lucy Liu plays Jin Ping - a woman who is a black-marketeer of blood products. She and her partners prey upon residents of small villages who are basically ignorant of the complexities and dangers involved in donating blood. The villagers are poor, and the promise of much-needed funds is the bait used by Jin Ping. A farmer who is unable to give blood uses his daughter as the donor in order to make a better life for his family. The farmer and his daughter are played by two extraordinary Chinese actors who bring humor and - in the end - great pathos to their parts. In this first of the three parts the film shows ruin and death brought to an entire village through greed and apathy.

The second tale narrower in scope but is the most fascinating of the three. It takes place in French-Canada and revolves around a porn star and his family. Stockard Channing plays the mother in what is one of the strangest and most fascinating roles I have ever seen. To tell more would spoil the film for anyone who might view it, but I can assure you that Channing has accomplished something special in her portrayal of a mother's reaction to the illness of her son.

The third story in the film stars Olympia Dukakis, Chloë Sevigny, and Sandra Oh as nuns who travel to Africa to assist at a clinic. They become involved in various ways with the workers and the large agricultural company for which most of the local villagers work. In this third tale the scenery is so beautiful and impressive that it is almost beyond comprehension. The viewer is struck that within all of this natural beauty, lurks a deadly disease destroying the population.

In most films in which the driving theme is the destructiveness of AIDS, you would expect to see at least some characters who are gay men. There is not one gay person in this film. That very fact enhances the film's powerful message that this epidemic is not one confined to a small segment of society but to the world's civilization as a whole. If you wish to observe disease, religion, avarice, politics, love, hate and still be thoroughly entertained, I recommend 3 Needles.

This film is about 3 groups of people in three different continents having to do different things in reaction to the spread of the HIV virus.

This film shows excellent cinematography throughout. It shows a lot of beautiful scenery, such as breathtaking waterfalls, beautiful sunsets, new moons etc. The film is already worth watching just for the natural scenery! The 3 stories are spliced into one another, making it difficult to follow at times. It does show many disturbing images, both visually and metaphorically. It examines moral dilemmas and the evil side of humanity, especially in the latter half of the movie.

In summary, the film is enjoyable, but it sometimes feels too long.

1st watched 4/3/2014 – 7 out of 10(Dir-Thom Fitzgerald): *reviewed version is Director's cut of app. 128 minutes* Powerful group of 3 stories centering around a spreading virus in three distinct cultures that isn't mentioned as being AIDS, but it's definitely implied. What makes this Canadian movie work is seeing the love displayed by the other folk who are watching the torment from the outside and doing whatever it takes to help ease the pain of the suffering ones. The first story doesn't actually begin until a prologue to what will eventually be the final story – but I think it is the strongest, with Lucy Liu playing a woman who sets up blood intake centers in an impoverished Asian nation only to find out that they are being infiltrated by sick donors who infect whole areas. A father played by Tanabadee Chokpikultong is the first one sick in his family, but ends up being the last survivor and performs amazing feats of sacrifice despite overwhelming feelings of sadness and sickness. The second story is about a male porn star who continues to work to support his mother and uncle despite the fact that he knows he is sick from something. The mother played by Stockard Channing decides to do her part after her uncle dies and she subsequently finds out what her son is doing and what he has. This part is set in Canada and involves an un-selfish action that is confusing that involves the mother but I believe the intent was to make her son's life more enjoyable while he is still alive. The final story attached with the prologue is narrated by a nun played by Olympia Dukakis giving it a slight documentary feel but is definitely slow going at first. It focuses on a group of nuns who are there to save souls primarily, but a younger nun played by Chloe Sevigny takes extreme measures on her own to keep a family together and safe from a local land owner. What these ordinary people do is not popular when you look at them from a legalized & moralized perspective but there is a greater good in mind by those who perform them. The movie ends by the asking the viewer if you could be one of those ordinary people(definitely not in a preachy way but in a compelling way). This film by Thom Fitzgerald is unique despite some slow parts primarily in the 3rd story and a slightly confusing 2nd story, but overall is a very good viewing, and worthwhile to the cause and to the moviegoer. ** Also viewed 125 minute Canadian version on 4/19/2014, still powerful but a couple of scenes cut out and edited differently where stories go back and forth more often, 2nd story is missing some important footage in this version, but it is closer to the original 123 minute Toronto International film festival version **