Ajouter une intrigue dans votre langueA crime fighter dressed as a clown has helped out the police. The now retired clown returns when the German gold reserve is robbed by a criminal gang.A crime fighter dressed as a clown has helped out the police. The now retired clown returns when the German gold reserve is robbed by a criminal gang.A crime fighter dressed as a clown has helped out the police. The now retired clown returns when the German gold reserve is robbed by a criminal gang.
- Directors
- Writer
- Stars
- Prix
- 1 victoire au total
Oscar Ortega Sánchez
- Kameramann
- (as Oscar Ortega Sanchez)
Frank-Leo Schröder
- Leahs Chef
- (as Franz Leo Schröder)
Avis en vedette
I like to agree with Markus Schnitzler , it's a rock-solid action movie, made to watch just for fun, not to consider the worlds biggest problems ! The stunts are incredible, cars and motorcycles of course, but helicopters, and not only one, they crash 2 and just an airplane too.
And I like the split-screens too, they look good and they can give you a lot of information in a short time and the story rolls on.
Of course the story is not the best , I've ever seen, but it is so far OK, cause you don't go there to ask for logic and depth, right ?
If you like fast and breathless action, here you can get it ! It is certainly worth a try :-)
And I like the split-screens too, they look good and they can give you a lot of information in a short time and the story rolls on.
Of course the story is not the best , I've ever seen, but it is so far OK, cause you don't go there to ask for logic and depth, right ?
If you like fast and breathless action, here you can get it ! It is certainly worth a try :-)
I love both Eva Habermann and Xenia Seeberg for their incredible performances in immortal Lexx Series. But here I was so badly shocked and so much disappointed that no words can come in. The plot is a real obvious silliness - bad guys, Xenia is among them, are always plotting some bad actions, only to steal some big chunk of gold from some place. Good guys, including Eva and some mystical Der Clown, as a modern day Robin Hood, always hinder them on doing that. There are many cars exploded, some helicopters, some airplanes, some cycles, some bombs, some more... It all looks like a cheap remake f some Commando or Rambo films, only with poor play and cheap budget. Xenis does not play, she only makes effective poses and shows her legs galore. Eva is better by a hair width, she is always cool but then frightened and brave. I say, this is a brainless, light weight ditty, not a serious thought behind. Do not waste your time on that. But it is good for laughs.
Apparently based on a German TV series of the same name and with much of the same cast, "The Clown" moves at a somewhat rushed pace, especially in the first half, that makes it feel almost like an extended series episode; the story also has some questionable points (they find the bad guys' first hideout via a pizza delivery?), and the direction is at times overly gimmicky, overusing the slow-motion and the split-screens. In spite of all that, the film satisfies on its intended pure-action level. The stunts, explosions and chases are exceptionally spectacular, easily on the level of a James Bond movie if not better, and seemingly all done for real, without the use of CGI. It's a film that seems to have been made only for the sheer joy of action, and it transfers much of that joy to the viewer. And of course my comment would be incomplete without mentioning Eva Habermann (the good girl), who is very very beautiful and very very physical, and Xenia Seeberg (the bad girl), who looks a lot like Angelina Jolie, from the expressions to the pouty lips, and gets to fire hundreds of bullets, one of them right into the gut of a man she had just kissed passionately. (**1/2)
I don't know which film the writers of the other comments have seen, but I enjoyed the movie "Der Clown". You should not forget that this is an action film and this genre is not defined by a complex story or portraits of characters. An action film must contain action and there is a lot of it in "Der Clown". There are many difficult stunts, e.g. with a helicopter. Only very few people can fly a helicopter as it is shown in the film! Almost every big object explodes, not only cars ... The split screens are not silly, but a very interesting feature. They increase the speed of the film. There are quick changes between the different places of action. It fits very good to the genre of action films. Silly is in my opinion the discussion about the other technical stuff (video, red colour). I watch films because of their content and not as technician. I also appreciate the way in which the background of the story is shown. The Clown remembers how his former girl friend was killed by a gangster - a scene which he will never forget. During this flashback you can hear the song "Kein Weg zurück" (No way back) of the band Wolfsheim - a good combination of content and music! So, I can say that it is a good film which was made by professionals who knew very well what they did!
I saw this film right on the day it opened in a large theater and even though I wasn't familiar with the original German TV Series I at least expected decent action entertainment and hoped to experience some two hours of fun and adrenaline.
But even my lowest expectations were completely shattered. DER CLOWN is a vintage cinematic failure - which rates even more painful, as it is conceived to be the first cinema released film of the newly formed cinema division of Germany's production company ACTION CONCEPT.
This is even more lamentable, as the film presents its assets in a very loose and disadvantageous manner: even though it contains some extremely strong elaborate stunts, explosions (of choppers, cars and even entire planes) and shootouts, which certainly would be worthy of a true Hollywood action production, these supposed assets are not presented as eye candy at all. The actions sequences are framed and edited in a dull way, making them look average, boring and uninspired. The blown up 16mm to 35mm image on the screen looks awfully cheap, the ongoing use of grand camera moves and particularly the frequent split screens pretending some artistic merits are just annoying and do make no sense at all!
But it's not only the failure of technical aspects, which ads up to me feeling FÜR DUMM VERKAUFT at the end of the screening. The actors, the storyline and the governing VISION of this project seem to be dis comfortably stuck in the feeling of average German 90s television bonanza (no matter how successful it must have been at its time) - and this doesn't add a sense of missing aura and charming feel to the flick...
And finally: the producers really ought to be warned for their slated upcoming productions: if you tailor you next films after this model DON'T EVER ATTACH THE KIND OF CREDITS WITH FEELGOOD BACKSTAGE FOOTAGE AND BLOPPERS ... it's simply downright embarrassing, period (I had to cover my eyes).
Finally I really have to mention, that the best experience of this very evening was the preceding trailer of the upcoming film KAMPFANSAGE (an ACTION CONCEPT CINEMA production as well), which appears to be far more satisfying and in terms of story, look, style, music, characters, acting and directing. And I'm really looking forward to seeing it.
Rumors have it, that this guerrilla like film has been produced on a tight, little budget of EUR 300,000. Now, if there are guys who can make a supposedly appealing feature for such a tiny budget, why are other people of even the same production company (!) entirely unable to end up with something witty and gripping for an estimated budget of 8 billion Euros? That's a Gordian knot I haven't been able to untie yet...
A true and newly born German entertainment cinema is certainly about to appear on the spotlight - but DER CLOWN dosen't belong to it (... at least, that is what I hope!)
... I rated it 3 lame stars for some whacky pyrotechnics and for the hyped-up lips of German I-wanna-be-a great-star Xenia Seeberg ...
But even my lowest expectations were completely shattered. DER CLOWN is a vintage cinematic failure - which rates even more painful, as it is conceived to be the first cinema released film of the newly formed cinema division of Germany's production company ACTION CONCEPT.
This is even more lamentable, as the film presents its assets in a very loose and disadvantageous manner: even though it contains some extremely strong elaborate stunts, explosions (of choppers, cars and even entire planes) and shootouts, which certainly would be worthy of a true Hollywood action production, these supposed assets are not presented as eye candy at all. The actions sequences are framed and edited in a dull way, making them look average, boring and uninspired. The blown up 16mm to 35mm image on the screen looks awfully cheap, the ongoing use of grand camera moves and particularly the frequent split screens pretending some artistic merits are just annoying and do make no sense at all!
But it's not only the failure of technical aspects, which ads up to me feeling FÜR DUMM VERKAUFT at the end of the screening. The actors, the storyline and the governing VISION of this project seem to be dis comfortably stuck in the feeling of average German 90s television bonanza (no matter how successful it must have been at its time) - and this doesn't add a sense of missing aura and charming feel to the flick...
And finally: the producers really ought to be warned for their slated upcoming productions: if you tailor you next films after this model DON'T EVER ATTACH THE KIND OF CREDITS WITH FEELGOOD BACKSTAGE FOOTAGE AND BLOPPERS ... it's simply downright embarrassing, period (I had to cover my eyes).
Finally I really have to mention, that the best experience of this very evening was the preceding trailer of the upcoming film KAMPFANSAGE (an ACTION CONCEPT CINEMA production as well), which appears to be far more satisfying and in terms of story, look, style, music, characters, acting and directing. And I'm really looking forward to seeing it.
Rumors have it, that this guerrilla like film has been produced on a tight, little budget of EUR 300,000. Now, if there are guys who can make a supposedly appealing feature for such a tiny budget, why are other people of even the same production company (!) entirely unable to end up with something witty and gripping for an estimated budget of 8 billion Euros? That's a Gordian knot I haven't been able to untie yet...
A true and newly born German entertainment cinema is certainly about to appear on the spotlight - but DER CLOWN dosen't belong to it (... at least, that is what I hope!)
... I rated it 3 lame stars for some whacky pyrotechnics and for the hyped-up lips of German I-wanna-be-a great-star Xenia Seeberg ...
Le saviez-vous
- AnecdotesHolds a record for the most expensive German movie screenplay. During development, producers demanded constant rewrites from the original authors - who had to be paid for every single draft. Then, after the production had already spent around 250.000 Euro on the script, it was finally rejected and writer Timo Berndt started from scratch to write the script that ended up being used.
- GaffesEva Habermann has through the whole movie some cream boots except in the scenes where she sprang out of the helicopter on the roof of the building. There she had some terrain flat shoes in same color.
- ConnexionsFollows Der Clown (1996)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- The Clown: Payday
- Lieux de tournage
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 8 000 000 € (estimation)
- Brut – à l'échelle mondiale
- 422 173 $ US
- Durée1 heure 44 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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By what name was Der Clown (2005) officially released in Canada in English?
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