Fear of Clowns

More properly my fear of a sequel to this pretty damn dire little flick. It's the film only a mother could love, and indeed by the outpourings of the shills here it seems the film has more than a few apologists. Sorry guys, I'm sure you all love Mr Kangas, maybe even have vested interest in his career, but get a grip please. Here's a recommendation; if you liked "Snapped" you will probably like this. At times, yes it verges towards the so bad it's OK for what it is. It is however painfully overlong at that, and to be utterly frank comes off as the work of enthusiastic people reaching way, way beyond their abilities. Oh, and failing, because they don't have any real talent and they are somehow unaware of this stark fact. The guy that plays Shivers did a better job than the rest of the cast, and luckily as he was in make-up, it may not be the end of his career. The other actors were bad, and unfortunately are made to look EVEN WORSE by the awful direction. The scenes in the multiplex at the end were admittedly pretty comical for just this reason. Suspense and urgency had obviously been temporarily removed from the dictionary when those scenes were shot. All that said, I sat through it till the long awaited end. (Did I mention it was painfully drawn out?) I don't believe the director is a horror fan for a moment, but as one myself, and a fan of bad horror at that...I give it a 3.5/10 considering budget etc. There must be much more talented people out there for Lion's Gate to invest in though, so do them a favour Kevin, and go and do something you're good at. Making films is not what you were born for.

I saw this movie at the video store the other day and couldn't resist. The first five minutes of the movie do a great job of confusing the hell out of the viewer, which is an awesome start, but the editing nightmare is just beginning. The whole movie appears to be shot with a cheap camera with a "fisheye" lens effect. Also, the characters in the movie are so bafflingly stupid that one wishes for a shotgun with which to shoot the DVD. For example, there's a scene where the two protagonists are locked inside a room with the killer clown trying to break in. There is a fire extinguisher RIGHT BY the damn door, but what does the idiot boyfriend do? Picks up A MOP HANDLE! Yeah.... like a mop handle is going to be effective against a muscle-bound mental patient in clown make-up. Couple this with agonizingly bad acting, some of the worst camera work I've ever seen, completely fake reactions of the characters, and shoddy editing, and you have the masterpiece known as "Fear of Clowns."

Caught the premiere of this flick last week and really liked it, though it ain't the movie it appears to be if you watch the teaser. I was set up to see a gorefest with clowns running amok but there's more story and really only the one big clown who turns out to be more than scary enough.

It's about a woman suffering from fear of clowns--she's found an interesting outlet for her phobia by painting terrifying clown images. When a clown who looks a lot like one of the ones from her paintings shows up and begins killing off her friends, well, that's where the movie really starts. There's other stuff I can't really mention without giving away important details.

Obviously shot on a very low budget, it's got some good performances and some bad. The lead woman is very good and the clown also(and boy is it weird meeting him right after the premiere...he looked so different) but some of the secondary actors are clearly amateurs.

It's got some gore, some nudity, and some story so if you like B movie horror you'll probably have a good time with this one.

This is one of those rare movies where absolutely NOTHING was good!! Usually I can always point to one good thing (I.E. An actor who stood out, a particular shot, editing, something)I can't believe the director is actually brain dead enough to try and defend this embarrassment of a film.

The acting is junk, there's no effects (I.E. gore,awesome killings,NOTHING!!) The script/story is junk and I swear the guy who plays Tuck will NEVER get a role in any project not featuring this incompetent director!! He was FAR AND AWAY the worst actor in this movie.

I'm mad as hell at myself for not having turned off this dogs*it movie that seems like it was made by someone who rode the small bus to school...I usually don't try to be cruel but to actually try and defend this pathetic attempt to make a film just makes me sick!! There's NO WAY the director and just about everyone else involved in making this trash don't know how bad this is!! And that by trying to defend this speaks volumes on their mental capacity (Or lack of)

There's not enough minus stars to give this pile of crap your best bet is to avoid it!! It'll bore you to tears within the first 5 minutes.

Hey,

I've seen a lot of posts where you defend the hell out of this flick, but I've got to tell you, you can't blame shoddy writing and extremely poor directing on a lack of budget. I was on board to see a movie that looked like crap but had all the basic elements OK, because that's what a low-low budget film normally has. But this "film" is a piece of crap.

Here's the complaints:

ON WRITING: You claim to have a definitive love of horror films, specifically Halloween and Alien, yet you completely ignore the structure of these scripts. Each great horror film has its foundation in a strong psychological subtext (I.E. repression and return of the repressed, male/female archetypes and the overthrow of such, infiltration of boundaries, etc.). Your film has people talking in circles with crap lines like "Have you ever been spanked by a clown?". If childhood trauma were at the heart of the film, why not draw us more into it? Instead, you do what every other hack in this business does: you write B.S. dialogue that makes no sense because you don't have the first clue as to who your characters are.

In addition, the reason that this film is not scary is because you explain EVERYTHING. What's scarier: a psycho-killer who walks around in a mask killing for no reason and with no remorse or a psycho-killer who sits around saying, " Get BETTER, Get BETTER."? This is why Carpenter, Craven and Scott are geniuses, and well, you have this as your crowning achievement.

ON DIRECTING: Have you ever heard of the 180 degree line? You jump all over the place with mismatched reverse shots, and ever-changing screen direction, leaving us as an audience unable to settle. And since you've asked repeatedly why the editing is bad, I have one question: Do either you or your editor know what a beat is? There are no dramatic moments in this film because you are constantly cutting away from them. What could have been a nice introductory scene between your two protagonists becomes a confusing mess because you cut the living daylights out of it.

This "film" has no sense of mood or character whatsoever. I think the character that actually went deepest was Shivers, and that should say something about where your focus was. In your extremely self-important and self-indulgent "making of" segment, I found your attitude toward your actors appalling. First of all, DO NOT DIRECT A RESULT! This is the first rule of working with actors, taught in the most basic of classes. When you stood there and said to Mark something like, "I want to see a mixture of agitated and hungry" or something to that effect, my heart broke for all of the people who had to work under such conditions. And at one point you were yelling at people, and saying to the actors, "I just want to finish this f--- ing scene and go home." What does that say to them about your level of support, when they're the ones bleeding on film for you. Shame on you, my friend, shame on you. And on a sidenote: if the makers of the camera that you shot with won't let you release their name or logo in your "making of", doesn't that say something about the film?

Rent the movie "Overnight". You might learn a thing or two about the path you are traveling. That is, if you ever do get a shot, which I highly doubt. You should go into another field, or at least take some classes on writing, directing and working with actors.