Affaires internes 2

INFERNAL AFFAIRS II is a prequel to the smash-hit movie about undercover operatives and their parallel lives in the Hong Kong police and Triads. This one explores the early lives of the characters played by Tony Leung and Andy Lau in the original, the actors replaced by newcomers Shawn Yue and Edison Chen respectively (Yue and Chen had bit parts in INFERNAL AFFAIRS).

The problem with this prequel is that it feels hurried and unnecessary, lacking almost all the qualities that made the first film so good. Leung and Lau were engaging actors who brought subtle nuances to their roles, but Chen and Yue feel bland and too fresh-faced in comparison. Realising this, the film-makers spend a lot of screen time with rivals Anthony Wong and Eric Tsang instead, but you can't help feel but the plotting in this one is redundant in contrast to the life-or-death stakes of the gripping original.

There's a distinct lack of emotional involvement in the film as the story develops, and although the technical qualities are strong, the twisty-turny plotting isn't. There are the requisite betrayals, executions and bombings, but they have a slightly tired quality to them. This isn't a bad film by any means, but it's one that's easily lost and indistinguishable during a decade in which Johnnie To made seemingly endless variants on similar themes.

Thought the first one was one of the finest Cop thrillers in recent years and the follow up is equally brilliant - for obvious reasons its a prequel set in 3 time periods leading up to the events in the first movie. This time round Ming(Edison Chen - Andy Lau last time) and Yan(Shawne Yau - Tony Leung last time) are more peripheral characters - the main action concentrates on Inspector Wong(Anthony Wong) and his struggles against the Triads. The leader of the major gang has been murdered and his son Hau(Francis Ng) has taken over - he is a more ruthless boss and intends to take over all the territory that other leaders currently control. These include Sam(Eric Tsang) and its interesting how close Wong and Sam are before the events that end so tragically later - Wong would rather have Sam running things and it appears that Wong has conspired with Sam's woman Mary(Carina Lau) to have Hau's Father killed - only to see the son become worse than the Father. To complicate matters Yan is Hau's half brother who as a cop is willing to infiltrate Hau's gang but whose loyalty is put under pressure when he realises that Wong(who he is working for) had a hand in his Fathers murder.Meanwhile Sam is grooming Ming to become his mole in the HK Police(although Ming's attraction for Mary does complicate things).

How this all pans out and leads to the events in the first film I shall leave but its an excellent film - a little complicated at times as you have to work out all the dynamics buts worth the effort - as mentioned the most poignant part is the relationship between Wong and Sam - they may be on opposite sides but have a closeness that will prove to be the central point of the story later.

There is a fantastic scene where Hau contrives to have himself held in Police custody whilst the other gang bosses are murdered and the way the film cuts between his interview(where he reveals how he knows who killed his Father) and the other bosses being wiped out is worthy of comparison with Coppola's Godfather - the series has that whole epic feel and the way it culminates with the handover of power to the Chinese in 1997 with new bosses on both sides of the conflict coming to power is very well done.

For once a sequel that lives up to the original........I shall be interested to see if Scorcese's remake can come close.

This film is a good example for the fact that good and fertile story is the key of film making. "Infernal Affair II" shows how to inherit an original story and expend its scope in a reasonable, even creative way. It is a very good experience watching this film, the actors are good, the directing is skilled and the sequences are intensive, and the climax is stunning, but meanwhile, it always makes you have some ideas connecting to the Godfather series. No matter its epic scale and clues of scenes, you can feel their respect to(or, borrowing from?) the Coppola's legendary film(maybe only the first two...) that's a good try, but not an original one.

a very important work of Hong Kong Cinema in the 90s

Worth watching, especially with the original "Infernal Affairs" 7/10

Set before events in Wu Jian Dao, the murder of the head of the Ngai family see his son, Hau, stepping up – immediately upsetting the power balance in the region. Small time boss Sam has a close relationship with officer SP Wong both of whom wish to see the Ngai family removed from the scene. Meanwhile, triad Lau Kin Ming is sent to infiltrate the police force and gradually work his way up with help from Sam while Wong sanctions Chen Wing Yan (the half brother of the Hgai family) to infiltrate the triads and work his way up to Hau.

I approached this film wondering what it would do – how would it manage to be interesting given that we already know (from part 1) how it goes. I also expected it to be roughly the same as the first film in terms of being an enjoyable thriller – however this was not the case and it was hard to get into the film for what it was. The story is not really about Yan and Ming so much as it is about the leading figures behind them – this film belongs to Sam, Wong and Hau and this was a bit of a surprise but one I was able to get over quickly and settle into a pretty interesting story where we see the shift of power in the HK crime families – unsurprisingly framed by the shift of political power from Britain to China. However interesting it is the film lacks in several areas. Firstly the praise for the first film seems to have got to the makers' heads and part 2 is a much more overblown affair that injects every scene with a sense of overblown drama that it tries to create as oppose to earn. This is a little tiring as it seems to be forcing us to accept the film as some sort of epic where it would have been much more effective to underplay the story and let it stand on its own. Making this more annoying is the fact that the script doesn't really help the audience much and only the sharpest viewer will make it through the first 20 minutes without struggling to get hold of the story and work out who everybody is.

In stark contrast to the tight thriller of part 1, this film is a much bigger story and, as such, occasionally struggled to keep me emotionally involved. Sure, the politics of crime were interesting and produced plenty of good stuff but only occasionally did I get behind the characters and struggle to know who to support like I had in part 1 – in fact the film could have easily lost Yan and Ming without losing much story. However it is still worth seeing as it does manage as a bit of a twisty crime story (but not a thriller) but even as this it doesn't really stand out as being that great. The loss of the great performances from Lau and Leung is a massive hole that neither Chen or Yue ever get close to filling – the fact that the material gives them no help either is not their fault. As before, Wong and Tsang are both good and they benefit from being the focus of the prequel. Ng is a good addition as Hau and he is suitably professional, cold and has a powerful presence suiting his character – it also helps that he was very easy on the eye too! As with the prequel, the female parts are pretty thin and the potential to use Lau's Mary better is not taken.

Overall this is not a bad film by any means; in fact it is an OK story of crime between the ruling families (as shown by a few individuals) however the film hurts itself by trying to force itself into the shape of a 'sprawling crime epic' when nothing in the material actually justifies this aim. The poor use of Yan and Ming is a problem that is only slightly helped by the increased focus on Sam and SP Wong. An OK film but not a scratch on the original and not even necessary viewing to enjoy that better film.

Sequels are often a bad idea. If a second story is integral to our understanding of the first, it would have been included within it. Often, sequels seem like a cheap way to extract more life out of popular characters, by forcing the through fresh adventures which they either do not fit without contrivance, or which merely copy their previous escapades. 'Internal Affairs 2', however, is an exception. The first movie in this series was a complex thriller that was presented as the end game in a long battle between the Hong Kong police and criminal gangs; but the back story was only hinted at. This movie, actually a prequel, tells tells that story in such a way that it stands completely alone, and remains interesting although the audience already knows the ultimate ending; indeed, is arguably even more interesting because we know where the tale must end. One reason it works is because the film has different ambitions to its predecessor: that was a straightforward thriller of the highest order, whereas this film (no less good) is more character driven, and takes a wider perspective on Hong Kong society in general. Although the first movie was compared by some to Michael Mann's 'Heat', in fact it is this film that better bears the comparison as a tale of adversaries on opposite sides of the law, and it stands up to that comparison well: the subtle behaviours of the heroes and villains alike more interesting than the macho posturings of the gangsters and cops depicted in American movies. The only disappointment is the absence of Tony Leung from the original cast; but it's rare that two movies in a series are as complementary, and as good, as these two.