Exposé

"The Statement" deserves far better ratings than critics have given it. In the first place, it's NOT about an ex-Nazi in flight. It's about a French collaborator, the Vichy Government, France's failure to confront the role its officials -- some still in power -- played in the Holocaust, and the efforts of right wingers in the Catholic Church to shelter the collaborator. Michael Caine is superb in the leading role, and Tilda Swinton and Jeremy Northam are excellent as the judge and army colonel who are trying to bring him to justice while those who formerly hid him seek to execute him, blaming a non-existent group of Jewish vigilantes. The supporting cast, which includes the wonderful Charlotte Rampling in a minor role as the collaborator's undivorced wife, is also quite good. I don't see how anyone can complain that this movie "drags." While there are legitimate criticisms that could be made about unexplained motives, the action moves at the appropriate pace given the complexity of the story it is telling.

After France fell to Germany in 1940 , the Vichy regime was set up under Marshal Petain . In 1943 , the Vichy government created a military force called Milice to carry out the Nazi occupiers . When the war was over many of those involved were prosecuted for war crimes . Some get away . A few rose to power . Pierre Brossard ( Michael Caine ) committed crimes against humanity and collaborated with Nazis in WWII . Today Pierre follows hidden by priests of Catholic Church that sheltered him during fifty years and is being protected by a strange sect called The Chevaliers of St. Marie . But a judge ( Tilda Swinton ) and a colonel ( Jeremy Northam ) are investigating his past . Meanwhile , a mysterious murderous ( Matt Craven) is pursuing Pierre to kill him .

This TV movie produced by Canadian television in association with BBC packs suspense , mystery , thrills , action and is quite entertaining . Jewison cast some largely known actors as Michael Caine , his wife well played by Charlote Rampling , the starring duo as Tilda Swinton and Jeremy Northam , and a remarkable support cast as Ciaran Hinds as Inspector Pochon , Alan Bates as Bertier , Frank Finlay as the Comissaire and several others . Atmospheric musical score by Norman Corbeil and appropriate cinematography by Kevin Jewison , director's son . The motion picture is professionally produced and directed by Norman Jewison . He is a prestigious and veteran filmmaker, his greatest film is of course Jesus Christ Superstar . He considers The Hurricane (1999) the last in a trilogy of racial bigotry movies he's realized, the first two being In the Heat of the Night (1967) and A Soldier's Story (1984).

The film terminates with an epilogue based on real events , that says the following : ¨At 5:00 am , on June 29, 1944, in Rilleux -La-Pape, France, seven Jews were executed ¨. The movie is dedicated to those seven men and the 77.000 other French Jews who perished under German occupation and the Vichy regime .

What I have to say is first a repetition of what most of the users have already pointed out:Michael Caine is an exceptional actor;even when the character is a b..... ,he almost makes us side with him.A collaborator in occupied France during WW2,he was responsible for the death of seven Jews and he was never punished for what he had done.Pierre Brossard puts his trust in God,and he's always praying Saint-Christopher and begging absolution from his crimes.Outside Caine,best performance comes from Charlotte Rampling ,who,as always,makes the best of an underwritten part.

But the screenplay is a novel transferred to the screen ,and it's a NOVEL.There are as many holes in the plot as in Swiss cheese.The judge (a woman of course)and the military man are cardboard characters (but we are spared the love affair between them,just for that,M.Jewison,thank you!!!),and actually we could easily do without them.One of the judge's uncles is a minister/secretary,no less! It's true that fundamentalist Christians have a tendency to support the far right.But making so many abbeys of the South of France a shelter for people like Brossard ,demands such an imagination...It seems that every priest, every monk and every nun of my country are here to protect those who killed the Jews !One often forgets that there are many of them who helped and saved children during those darker days of French history.

I have not read the book but I do not feel like doing it.A movie was made in the eighties about Beate Klarsfeld (TV).People complained because they chose Farah Fawcett to portray her ,but at least it was based on accurate historical facts (Klaus Barbie).

I dare say this film would have been much better received had it cast the film logically rather than have 'everybody's favourite Cockney' Michael Caine playing somebody called Pierre Boussard - I mean, Caine has never struck me as a "Pierre" somehow. And we can say for sure, that it couldn't have done any worse, a $22m financial loss is testament to that.

Of course I realise the book is in English, but there is a big difference between the two mediums and very rarely does a film pull off a stunt like this, see 'The Hunt For Red October' or Jude Law's Russian misfortune in 'Enemy At The Gates'. At least The Statement didn't slip into having Caine and co. adopt Gallic accents - that would have been too much to bare.

As for the film itself, it seemed a complete waste of police time to have half of the French PD chasing round after an OAP with a heart condition who'd been *ordered* to kill seven people 50 years earlier during German occupation. And for the film to set itself up as some sort of chase thriller, it very rarely gets past a stroll and the tension never really reaches the levels it should do.

All that said though, there are far worse films out there and this isn't an altogether bad way to spend 2 hours. 6/10

I rated this film a 7/10 - with some mixed feelings, because in many ways it was a downbeat film without any kind of neat "message" that would make me feel "a better person" for having seen it. But on second thought I realized that the finished film rather neatly reflects the moral complexity of Brian Moore's novel which it is based upon - and which Ronald Harwood's screenplay follows remarkably closely.

Brian Moore is one of my favorite late 20th century authors, whose work has provided the basis for several other memorable films, most notably "Black Robe." He writes in a Graham Greene-esque mode, his characters often anguished or guilty Catholics or ex-Catholics who struggle to live morally in a degraded and corrupt world. Moore himself appears to have known much about divided loyalties and twentieth century alienation. Although identified as a Canadian author, Moore was born in Ulster - and actually lived most of his later life in California and the South of France. He was clearly fascinated by questions of faith, of good and evil - and he boldly tackled these themes in "The Statement."

In France in the late 1980s and early 1990s there were several prominent cases of Vichy-era collaborators who were belatedly brought to justice by the French court system. Moore was clearly fascinated by the way in which leading members of the French governmental and bureaucratic system continued to hide unpleasant truths about their own pasts - and by the role of the Catholic Church in France in providing refuge and assistance to some individuals who had been involved in the persecution and round-up of Jews.

Michael Caine deserves a great deal of credit for taking on the role of a reprehensible character who nonetheless retains his full humanity. There's never any question in the film about his guilt - he clearly took part in the brutal murder of Jews during wartime. (He's also quite mean to dogs.) And yet he is not without a sympathetic side. It's clear that he's manipulative, but it's also easy to see why many intelligent and devout people of faith would be willing to assist him in his attempt to live "underground" hiding from justice. Caine isn't a caricatured film villain - not like Ralph Fiennes in "Schindler's List" or John Malkovich in "Ripley's Game." But in a real sense, it's all the more disturbing that he seems like "just another innocuous old man."

It was disappointing to me to see that fine performers Jeremy Northam and Tilda Swinton with so little to do in the film - other than looking bewildered as Caine's character continues to elude their grasp. On the other hand, it is quite enjoyable to watch their flirtatious glances with one another. There were many nice touches in the film showing the pleasures of French life - gourmet business lunches, for example, and the beautiful scenery of Provence. Even the supposedly seedy cafes look like they belong in a tourist brochure.