Sweeney Todd: The Demon Barber of Fleet Street in Concert

I love Sweeney Todd, but I did not love this concert version. I did not care for Patti LuPone and I really abhorred the way it was taped. During the Judge's Song (Johanna), the camera kept panning back and forth from Johanna to the Judge. Towards the middle of the song, there were brief and idiotic shots of Johanna's chest, hands, and face that were timed with crescendi in the music. Cornball! It took away a lot from Timothy Nolen's wonderful performance because the viewer becomes too aware of the camera. The director is saying: "Look at how the camera moves! Aren't I ever so clever?" Aside from that, I did enjoy the extras on the DVD: a short documentary on the genesis and making of the concert versions of Sweeney Todd, plus interviews with Sondheim, George Hearn, Timothy Nolen, Victoria Clarke, Lisa Vroman, Neil Patrick Harris, Patti LuPone (blech) and unfortunately, the execrable Lonny Price (good stage direction; bad TV direction). If you love Sweeney Todd, you'll want to see this no matter how badly the camera is directed.

For me, Sweeney Todd is not just Stephen Sondheim's best musical but also one of the greatest musicals full-stop. Of the 1982 production, the 2007 film and this 2001 concert production, it is difficult to say which is my favourite of the three as all three have so many great merits to them. There is not much to fault at all with here, and it does the score and musical justice. The camera work is choppy in places and while Davis Gaines characterises beautifully and gets much better later on- I do think generally that he has a beautiful and rich voice- he starts very off-pitch(not just slight, this is can't hear the music sort of quality), which wasn't pleasant on the ears, he is also too old I agree for Anthony but that wasn't big enough an issue. The costumes and sets are hugely effective to the atmosphere and the lighting is wholly appropriate to the dark, minimalist look to the visuals. The stage direction has the ability to be witty and harrowing, nothing about it came across as dull and distasteful to me, the chorus are directed quite interestingly but not in a way that jars. The orchestral playing is superb throughout, giving the magnificent score its full impact(Epiphany just made me go wow!), while the chorus are well-blended and involved in the drama. George Hearn is a complete revelation as Sweeney, his voice has lost none of the power it had nineteen years earlier, which helps give Epiphany the power it has, and he is both sympathetic and chilling. Patti Lupone's Mrs Lovett compared to Angela Lansbury is broader and played with a straight deadpan approach, which considering it was Lupone playing to her strengths worked, she doesn't have the best voice- like Gaines she has moments where she is pitchy- but still sings with terrific gusto and character. Timothy Nolen's Judge Turpin is creepy and sinister with a very strong voice, thank goodness that Johanna was included because it adds so much to the character and is just hair-raising here and in any production I imagine that includes it. Neil Patrick Harris is very charming and sings with a very pleasant tone as Toby, while the Johanna of Lisa Vroman is a vast improvement over that of her 1982 counterpart(especially in Green Finch and Linnett Bird, a very difficult song to get right), instead of shrill and strident her voice is clear and vibrant. Victoria Clark is also great as the beggar woman. So overall, a terrific concert production of a musical masterpiece. 9/10 Bethany Cox

This is a wonderful representation of this brilliant musical. The performances are all at peek energy and perfect characterization. Patti LuPone's voice and new spin on the classic character of Mrs. Lovett is the highlight of this concert, for me. She is moving, hysterical, coy, and her voice is always beautiful. George Hearn gives a wonderful reprise performance of the role he played so many years ago. All other performances are wonderfully acted and beautifully sung by both Broadway and opera singers. Lonny Price's new vision and direction for this concert is just about perfection. He uses minimal set, props and costumes, but still creates the atmosphere of the show. Also, the opera ensemble and symphonic orchestra only adds to the magnitude and beauty of the piece. This is a must-have for any Sweeney fan!

I have seen 3 versions of Sweeney Todd: the 2007 movie by Tim Burton, the 1979 version with Angie Lansbury, and this. I became a fan of Sweeney after seeing the wonderfully amazing 2007 version (I WILL review that), and this was the 2nd Sweeney I've seen, and I've never been disappointed yet except for the atrocious camera work in the 1979 version.

Now you guys already know the plot, so I won't give anything away. But anyways, here's my breakdown of some of the cast: GEORGE HEARN as SWEENEY TODD: Awesome!!!!! He was much better than Johnny Depp... and Depp's my favorite actor (Depp did an amazing job in the movie though, keep in mind). I couldn't believe my eyes and ears. His singing is perfect, and so is his acting! PATTI LuPONE as LANDLADY MRS. LOVETT: The best Mrs. Lovett I've seen. She did an amazing job. Throughout she kept me captivated, and I loved it.

NEIL PATRICK HARRIS as TOBEY RAGG: Good performance, especially in "Not While I'm around".

DAVIS GAINES as ANTHONY: Great performance! Especially when he sings "I have sailed the world and seen its wonders...", that's when you know he's awesome from the beginning.

VICTORIA CLARK as the BEGGAR: Great!!!!! I felt like they actually used an actual beggar for her role.

I will leave the rest for you to see, but I was amazed by this Sweeney adaptation. Watch it!

"Sweeney Todd: The Demon Barber Of Fleet Street" In Concert, which aired Halloween night on PBS, is a truly splendid sight for those who know songs like "Worst Pies In London," "Pretty Women," and the show-stopping "Little Priest" by heart. Stephen Sondheim is a musical Renaissance man, and Jonathan Tunick's orchestrations are magnificent. George Hearn is a wonderful Sweeney, and Patti Lupone, even though she looses her British accent in a few places, is lively and attractive as Mrs. Lovett. Everyone else, including Neil Patrick Harris and his surprising singing voice, is wonderful! The style of the production - everyone dressing in black, the blood-red sheet, etc. - are very appropriate for the show. See this show! Only thing this reviewer would inquire is that they could've included more of Hugh Wheeler's clever dialogue. Otherwise, "Sweeney Todd" is a show that needs to be seen more by anyone looking for a good time, and to have their ears blessed by Stephen Sondheim's definitive score! "God, That's good!"