Monsieur Schmidt

Of course we would hope that is not the case but watching a movie like this certainly puts the idea of life into question. This is a funny movie but looking back its probably not quite the kind of jokes you appreciate laughing at.

In the lead role as Warren Schmidt is none other then Jack Nicholson, with an already astute résumé, only further strengthens his long career with his subtle and charming performance. The charm never wears off with the audience as Schmidt's morals and interest for the most part stay in place in his heart and mind. Unfortunately in the tale of Schmidt in the film not only does his charm wear off but he is seen as a liability by those who he thought of as his loved ones. His life takes this crash when he retires from his career and an insurance agent. Soon after he realizes he may have wasted his entire life away. The downward spiral of his life and his sense of purpose hangs on the thread of a boy he has never even met.

As subtle as Nicholson's performance is, so is the writing. It is quietly very witty which almost inconspicuously gives off a whole lot of cynicism. Along with Alexander Payne writing the screenplay he directed the film as well. The movie is certainly not all style and why should it be when that could possibly be the only thing that could really hurt this film. The film is about humanity in a raw and complex way, sometimes the best method of showing this is through simplicity to the point where you are almost certain there is something else that lies behind the curtain of it all.

There is no doubt I would recommend this film but don't expect a pure comedy. Instead try and take a fresh and real look at the entire movie and the events that take place. Depending on who you are, you may find certain points of this movie to be either sorrowful and dejected or slightly uplifting and optimistic. Just don't make a heartless joke of it, because none of us want to think of our life as that; a joke.

About Schmidt is Forrest Gump through the lens of Sartre or Camus. Warren Schmidt has a handicap, but it's the same handicap most of the people standing on line at seven p.m. at your local Wendy's have. The real star (or anti-star) of About Schmidt is the mediocre architectural landscape of America. Every room or box Warren Schmidt enters in this movie is as devoid of caring and vitality as he is: the retirement banquet room, Warren's house, the tire store, the hired wedding reception room. Schmidt's director and production designer take care to place us in the same life-draining, cheap structures we inhabit and deal with everyday. No prettifying. This is the drab landscape of Fargo revisited, but without the irony. The steady doses of violence in Fargo allowed you an escape route. But there's nothing ironical about a wasted life and a 66 year old widower spinning his wheels in the same rut, now partnerless and foundering. The combination of Jack, this story and these settings is effective and compelling. The result would be, I think, inevitable. The tone and attitude is not consistently managed, even by Nicholsen, whose worn-out, mannered schtick pops up occasionally. Yet the final effect is impossible to fend off: mundane American hell with droll comedic diversion. We experience a downfall as poignant as the smell of bacon cooking in Denny's at eight a.m.

Like Forrest Gump, the film depends on extensive voice over narration, V.O'd by Nicholsen as letters to Schmidt's newly adopted six year old Tanzanian foster child. Through these ridiculous sharings of sextagenarian angst with an African boy, we register Schmidt's internal grievances - thoughts we would never know about otherwise without his commentary. The slow dragging score drains vitality from each transition, as if cinematic momentum would be antithetical to the point of the tale. Back and forth we rock from a single minor chord to a second one, getting nowhere. The mood, the landscape, the buildings, the people say it all: Schmidt's on the road, but he might as well be sitting home in his lay-z-boy. The cushy bucket seat of a 35 foot Winnebago makes a good substitute.

Casting Jack Nicholson may have been the only way this story could have come to the screen. I've racked my brain to think of one other actor who could have pulled Schmidt off. Tony Hopkins? Not with the same comedic finesse. Gene Hackman reprising his role in Coppola's The Conversation or doing his Tennenbaum hamming? Don't think so. Only Jack has the mix. He does some hilarious bits in this, but overall the mood is somber, glum, inert. Can this be how that other famous Warren from Nebransas - Mr. Buffet - lives?

I was confused, amused, depressed and wierdly disoriented by About Schmidt as I left the theater. I commented that it wasn't a film I'd go see again. Thinking about it a day later, I'd hold to that IF it meant returning to the theater and paying. BUT - were I to run across About Schmidt on cable, I doubt I could tear myself away from it any more than I could from a crack up at the Indy 500. And I think that chance encounter might happen more than once, maybe for years. After all, this is the America I know and mark time in myself. A recommended film going experience.

It is hard to recommend About Schmidt to anyone, without actually knowing that person. Not only does the story seem unconventionally uneventful to most of modern audiences, but it also moves with an unhurried patience that will let many viewers shift in their seats. It really depends on whether one can develop an interest to the film and its subject matter, which shows a retired man suddenly facing the void and meaninglessness of his existence.

About Schmidt moves slowly, but it moves with grace. The film's success is deeply in debt to Jack Nicholson, subordinating his personality to the character of Warren Schmidt. It must have been difficult for somebody like Nicholson to display the role's required lack of passion without letting Schmidt lose his human touch. Yet, his portrayal is excellent in its understatement, and his numerable supporting actors do not disappoint either. Fans of Nicholson will be assured in their belief, that their favourite is not only one of the best, but also one of the most versatile actors still working today.

Apart from the acting, director Alexander Payne's film is also well crafted. The somewhat saddened mood is only enhanced by documentary-like shots, constantly making us aware that what we witness is really an everyday-tragedy. The script shows intelligence, and although it contains many subtleties, most of them will not go unnoticed with attentive viewers. Even though About Schmidt is billed as a comedy, it really is a drama. Many of the humorous situations are more tragic than funny, and truly hilarious moments are rare occurrences.

I've often wondered whether the title of About Schmidt has been chosen with any clear intent. The German surname Schmidt equals Smith in English and is one of the most common. So about Schmidt could actually mean "About Everybody". Everybody can wake up one day and discover that everything he or she has devoted himself to, amounts to nothing. It's a frequent social phenomenon, that people suddenly wise up that their lives are almost over, without ever having fully lived them. Maybe that's how all the sea cruises and world tours of old pensioners can be accounted for. Like Schmidt, they are all making a desperate effort to catch up on a time that's long done and over with.

The film does not exactly give answers and, like in reality, does not end with any true revelations to escape all bleakness. But there is something it often likes to apply, namely the self explanatory power of irony. Like one time during the film, when Warren Schmidt decides to adopt a six-year old African foster child by mail. A cheque of twenty-two dollars, which he dutifully provides on a monthly basis, assures that little Ndugu can go to school, gets sheltered, fed and clothed. Yet, in one of his letters Warren writes to him: "What difference has my life made to anyone? None that I can think of. None...at all!"

Well, think again, Mr. Schmidt.

This film must be watched very carefully. If you're not paying enough attention to it, you would miss it (some did). It's in the frames, the atmosphere, the tiny details, the situations, the acting, everything. But it's not that obvious, unless you enter that world. Simple story? Sure. Life is simple. So is great art. All in all, "About Schmidt" is a really great film. Bitter humor, all-pervading lie, the infinite sadness of loneliness and failure, sincere egoism, everyday dullness, desperate and quiet hope - this is life, and in a non-blatant, nor melodramatic manner. But you're going to weep (and smile) at the ending (I did!). And one more question: is The Mulholland Man the greatest actor ever or not?

This is the saddest movie I've seen in years, maybe in my entire life. People who say it's comedy are dead wrong. It's a realistic, brutally true example of a failed life, and it's so tragic.

Nicholson plays Warren Schmidt, an insurance salesman, whose life crashes down on him when he retires. Nicholson, someone I've loved ever since I first saw him, gives his best performance since "One flew over the cuckoos nest". He's so subtle, so sad, so hollow. You don't doubt for a second that he is Schmidt. He has let his body age for the role, which makes him even more real.

Alexander Payne's direction is flawless. Everyone, simply everyone, does a great job portraying the various characters, from the hotshot newly educated young man who takes Schmidt's job, to the embarrassing buddy of Schmidt's daughter's fiancé.

This is a must-see movie. Even if you hate Jack in all his other movies, you will love him in this one. Don't expect a "hilarious comedy", though. This is a thoughtful movie and not "Anger Management".

10/10