Au hasard de l'étranger

In 1997, Scott Reynolds made an impressive writing and directing debut with "The Ugly", although his story was a bit too shallow and his direction a bit overly flashy. This time, with his compelling, perspective-shifting script and taut direction, he achieves moments of true brilliance - so many, in fact, that it's hard to pick just one (the little girl who witnesses a violent struggle but doesn't understand it? The sink that may not hold the weight of a man? The killer silently stalking his victim in the toilets, using an admittedly old trick?). This man could very well develop into the Hitchcock of the next generation - the movie even has its own McGuffin to propel the plot (the computer disk). The first half is essentially a mystery, with plenty of twists; when the truth becomes (somewhat) clear, the movie becomes a full-blown thriller, and it offers one absolutely astounding suspense sequence after another. Don't miss it. (***)

...and to put it shortly, it's not as intriguing as Pitch Black but far more enjoyable than Lantana on the other hand.

yes it's true, this is only B-grade low-budget suspense thriller where nothing is as it appears to be (speaking of immediate succession of events) but nonetheless I really liked Radha Mitchell in her role, I really liked the humble setup and I really liked the ending where the story bends into a full circle (well, almost).

maybe it's not an art film of the year with heart-breaking scenes where father and son meet after years of nerve-wrecking separation or something but it's quite enjoyable if you give it a chance. I did and wasn't disappointed.

7/10

A beatiful trip into the cinematographic nihilistic non sense of a story without real meaning, but tight, well written and with a cool music all around. This is a thriller how it should be done, without relaxation, always on the edge of something, full of surprises and with good acting for most of the leads. This is another good surprise from down under, thanks to the misunderstood genius of new-zealander Scott Reynolds, whose The Ugly was something of a miracle, a really disturbing tense horror, not very much appreciated. The female lead is the gorgeous Radha Mitchell (already seen in Pitch Black). What more can I say? Buy or rent this movie and you'll find your money well spent. Thumbs up!!

When Strangers Appear wasn't marketed very well to say the least - the trailer makes it out to be another Scream clone - and that's a real shame as this little thriller is an excellent film that really deserves to be more seen! New Zealand born director Scott Reynolds previously made the decent psychological thriller 'The Ugly', but with this film he really upped the bar. The beauty of When Strangers Appear is the fact that for most of the film, the audience never really knows what is going on, and that is exactly how a mystery thriller should be! The film starts off as we follow Beth to work. It seems like an ordinary (boring) day, until a strange drifter walks in. After giving him breakfast, he disappears when three surfers turn up. He claims that the surfers are following him and are also the reason for his stab wound. However, the trio of surfers have a very different story, as it transpires that the stranger appears to be a dangerous psychopath. After a shocking turn of events, Beth finds herself in the middle of an extremely dangerous situation.

This film works thanks to the way that Scott Reynolds builds the atmosphere and tension. The central character, Beth, is very easy to feel for; while the supporting cast are all mysterious enough to generate interest themselves. The film is topped off by a whole host of brilliantly tense situations that help to keep the audience on the edge of their seats. The bathroom scene is the biggest standout in this respect, and is positively nail biting! The isolated setting compliments the story excellently, and helps to build intrigue in its own right. The plot builds nicely throughout, and there's never a shortage of things happening. The fact that the film only features a handful of characters is certainly to its benefit too as it means that the film never loses its focus and this ensures that it's always easy to buy into the plot. It's true that When Strangers Appear isn't very substantial overall, but as a thriller it serves it's purpose well all the way up until the explosive ending and I see no reason why this film wont be enjoyed by anyone who takes the time to watch it. Very much recommended!

In an abandoned secondary road, Beth (Radha Mitchell) owns a diner and a motel inherited from her father. Every day she needs to walk on a lonely road from the hotel to the diner. One day, when she opens her diner, the starving and moneyless Jack Barrett (Barry Watson) arrives, and she serves a free meal to him. Soon three surfers - Peter (Josh Lucas), who is the leader, Stephen (Johnny Blick) and Roger (Eryn Wilson) - arrive at the diner and Jack hides himself in the kitchen. The trio asks for meal and Peter is nice with Beth. When they leave the place, Beth talks to Jack and takes him to a room in her motel. She finds that he is stabbed on the belly and drives him to her only friend in town, Dr. Eric Leonard (Steven Ray). She does not want to call the local Sheriff Bryce (Kevin Anderson), who raped her in the past, but when Dr. Leonard records a strange message in her answering machine, she calls Bryce and asks him to investigate his clinic. Bryce sees a notice saying that the clinic will be closed for a few days, and he does not enter the clinic. Beth meets Peter and asks him to go with her to the clinic, where they see blood everywhere and Dr. Leonard and Jack missing. When she sees Jack, he tells her that Peter and his friends killed Dr. Leonard and will kill them. Who is telling the truth?

"When Strangers Appear" (2001) is still a good thriller when revisited more than twenty-years later. The screenplay keeps Beth and the viewer without knowing who is telling the truth and the content of the CD. Despite the low budget, the film by Scott Reynolds is great since the cast is excellent. The music score is also top-notch. After the credits, there is a disappointing footage that I have seen only today. My vote is seven.

Title (Brazil): "Quando Estranhos Chegam" ("When Strangers Arrive")