Sealed with a Kiss

I decided to watch this movie based on the fact that I love John Stamos and I love Annabeth Gish, though I didn't expect to enjoy the movie since I don't usually watch Romantic Comedies. But I loved this movie. Despite that the plot was a little predictable, I found it still fun and original. John Stamos was excellent and Annabeth Gish was wonderful and adorable as always! I found myself smiling as I watched the movie. It was really cute and I'd definitely suggest it to a friend!

Sealed With a Kiss is a wonderful romantic comedy starring John Stamos (Full House's Jesse Katsopolis) and Annabeth Gish (Double Jeopardy). A Boston businessman, Bennett Blake (John) is engaged to his boss's daughter, Christina Ethridge (Jane Sibbett). Bennett gets a chance for a major client, and a chance for partnership. He has to play golf in North Dakota with the client, the catch is, he has to let the client win. However, for some odd reason, the ball turned on the green, giving Bennett a hole-in-one. He won the game, but lost the client, and therefore giving him a bad reputation with the company. A few days later, Bennett and Christina mistakenly received a letter from Robbie (Annabeth), who is trying to save the Longfellow museum in Boston. The letter was supposed to be sent to Robbie's ex-lover Richard. Christina asked Bennett to return the letter to Robbie on the day of the meeting at the museum. Robbie, however, thought he was from Washington, coming to shut them down, and sent Bennett out. Later, she realized he wasn't against them, and made friends with him. But Bennett started to like her. While all of this was going on, he was still in bad shape with the company, and of course, he was engaged to the boss's daughter. All of this put together is about to turn Bennett's life upside down. This is absolutely a terrific movie for anyone who likes romance comedies. John and Annabeth make a great team, because both are wonderful actors.

John Stamos plays Bennett, a financial consultant for a large Boston firm who loses an oddball client for his firm due to an action out his control. Annabeth Gish is Robbie, a curator of the museum home of the poet Longfellow which is desperate for funding.

Robbie needs closure with a previous boyfriend who has dropped out of her life. She writes him a letter asking for closure. The letter, do to a mix-up, is delivered to Bennett's apartment where he and his fiancé read the letter. In returning the letter Bennett meets Robbie.

The movie is mainly about Stamos's character as he is the one who undergoes a transformation in the movie. After losing the client Bennett starts to question his life. He doesn't know what his life is about but he feels what he has is not what he wants. He also decides he wants a child.

Bennett is engaged to be married to Christina, a professional career woman on the verge of getting a great job for Deutsche Bank working in Germany. Bennett and Christina live together but her passion is only for her job, not their relationship or in having a family.

Christina and Robbie represent the two paths in life that Bennett has to decide to follow. Christina represents his career and the pursuit of money and appearances without knowing why. A soulless life.

Robbie represents the stay-at-home mom and a purposeful life. A single woman naturally can't sit around home waiting for her Prince Charming so in this movie she has a job of curator for the museum HOME of Longfellow.

Christina doesn't need Bennett as she is doing quite well without any help or input from him. Robbie, on the other hand, needs Bennett's help as the Park Service has the Longfellow home under review for closure due to lack of money and interest in the home. It would appear Robbie isn't doing an adequate job in manging the home. Bennett helps Robbie and puts a financial plan together for the Longfellow home in an effort to save it.

In working together Bennett and Robbie develop an attraction to one another. But he is engaged. For Bennett and Robbie to be together he would have to break off his engagement to Christina and leave his fancy lifestyle behind.

The movie is amiable, but has problems in areas that could persuade one to overlook its predictability. It has the career woman as being very harsh and passionateless. She is attractive but cold. We are rooting for Bennett to leave her, not because she is mean but because she is too focused on her career.

Gish seems miscast as Robbie. She didn't seem to know what to do with the role, or perhaps didn't believe in the role. She looked the part of an administrator or of a career woman, and certainly seemed good in berating Bennett when she mistook him for someone else, but she didn't seem to know how to portray a woman needing closure or a woman falling in love. Gish fails to provide gestures, or looks, or emotion in her eyes.

Bennett's and Robbie's romance is just as passionateless as his romance with Christina. It is a difficult role as Gish needed to convince the audience of her attraction to Bennett without appearing to be stealing him away from Christina. I thought of Bennett and Robbie more as good friends or brother & sister than I did of them as romantic partners. Stamos looked too young to be having a "mid-life" crisis and Gish looked too old for Stamos.

The movie even realized this problem as Robbie gives an odd "if this were a movie" speech at the end as a way to explain her feelings and thoughts on how their relationship should work.

The movie works better if one focuses on Bennett and his search for a more meaningful life. The movie was written and directed by men and they seemed more comfortable with the Bennett character than the romance. It may be also why the career woman was negative and the non-career woman was shown in a positive manner.

Another problem: references were made to this being in Boston, but I got no flavor of the city. Initially I thought the movie was set in Chicago or some Midwestern city.

I saw this movie on TV with the title of "Love Comes First". A bland title, but one that seems more appropriate than "Sealed With a Kiss". I can't remember anyone in this movie passionately kissing anyone else.

The script is beyond embarrassing, it's even embarrassed at itself. "This is the sort of scene you see in movies," the characters say to one another as if they are setting us up for some kind of twist or variant on the old cliches, but also no... the cliches stand untwisted. The handsome young businessman needs to choose between the arrogant boss's attractive but steely daughter on the one hand and the adorable girl whom he meets by chance on the other hand. There is the blowhard client, the simple and goodhearted black woman... a complete roster of stereotypes. But for the most part, the actors manage to sell the situations and especially the characters. Even the voice-overs sound convincing. Hey, when is Annabeth Gish ever going to get a break big enough for her talent?

This is a film that both our daughters and sons need to see. We found this film, and I don't know why it is not available in either/both DVD/VCR, to be both rewarding and full of the hope of what might/should be.

It gives the viewer a real understanding, which in our view is more than ever necessary, a clear understanding of what constitutes 'love' and merely having a positive feeling towards another.

It's the conversations and all the other things aside from the bedroom that determine if this is the real thing or just another ship passing in the night.

So films like this, while admittedly are fiction, that can pave the way for more discriminating choices in life.

Yes; I am and proud of it, forever a romantic.