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The Third Alibi

  • 1961
  • 1h 8m
ÉVALUATION IMDb
7,0/10
544
MA NOTE
The Third Alibi (1961)
DramaThriller

Ajouter une intrigue dans votre langueA married composer finds that his affair with his wife's half-sister has resulted in her death.A married composer finds that his affair with his wife's half-sister has resulted in her death.A married composer finds that his affair with his wife's half-sister has resulted in her death.

  • Director
    • Montgomery Tully
  • Writers
    • Maurice J. Wilson
    • Montgomery Tully
    • Pip Baker
  • Stars
    • Laurence Payne
    • Patricia Dainton
    • Jane Griffiths
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    7,0/10
    544
    MA NOTE
    • Director
      • Montgomery Tully
    • Writers
      • Maurice J. Wilson
      • Montgomery Tully
      • Pip Baker
    • Stars
      • Laurence Payne
      • Patricia Dainton
      • Jane Griffiths
    • 26Commentaires d'utilisateurs
    • 3Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
  • Photos1

    Voir l’affiche

    Rôles principaux25

    Modifier
    Laurence Payne
    Laurence Payne
    • Norman Martell
    Patricia Dainton
    Patricia Dainton
    • Helen Martell
    Jane Griffiths
    • Peggy Hill
    Edward Underdown
    Edward Underdown
    • Dr. Murdoch
    John Arnatt
    John Arnatt
    • Supt. Ross
    Humphrey Lestocq
    • Producer
    Lucy Griffiths
    • Miss Potter
    Olive Milbourne
    • Mrs. Booth
    Arthur Hewlett
    Arthur Hewlett
    • Marshall
    Annette Kerr
    • Cinema Cashier
    Cleo Laine
    Cleo Laine
    • Singer
    Sylvia Davis
    • Cinema Sales Girl
    • (uncredited)
    Max Faulkner
    Max Faulkner
    • Det. Sgt. Fred Smith
    • (uncredited)
    Garard Green
    • Patrol Car Policeman
    • (uncredited)
    Arthur Howell
    • P.C. Williams
    • (uncredited)
    Aileen Lewis
    • Sheila (Party Guest)
    • (uncredited)
    Dudley Moore
    Dudley Moore
    • Piano Accompanist
    • (uncredited)
    Richard Neller
    • Sleeping Man in Theater
    • (uncredited)
    • Director
      • Montgomery Tully
    • Writers
      • Maurice J. Wilson
      • Montgomery Tully
      • Pip Baker
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs26

    7,0544
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    10

    Avis en vedette

    7boblipton

    Half Sisters Aren't Loyal

    Laurence Payne is unhappily married to Patricia Danton. He's also carrying on an affair with her half-sister, Jane Griffiths. Jane coyly tells him she's enceinte. So he asks Miss Danton for a divorce. She refuses.

    Well, this is a problem. He works out an elaborate murder scheme with Miss Griffiths, involving a tape recorder and exact timetables. It's a perfect scheme, except that Miss Danton is listening behind a door. As a result, when Miss Griffiths is murdered, all the rest of the evidence points to him.... except for one crucial piece.

    It's a sick and twisted and very amusing murder mystery, with John Arnatt as one of those stolid, slow-talking and hardworking police inspectors. More like an expanded episode of THE ALFRED HITCHCOCK SHOW than anything else, it's a beautifully constructed, cheap little thriller.
    7ulicknormanowen

    Everything was timed down to the last second ,but...

    Its outline may remind you of "sudden fear" starring Joan Crawford,Jack Palance and Gloria Grahame : the victim knows her husband and his mistress are going to kill her for she eavesdropped on their conversation which revealed their ominous plans.Besides ,a tape recorder plays a prominent part in the plot.But it's a good murder mystery on its own :the screenplay (based on a play) is well constructed ,and even the manslaughter on the road has its raison d'être(the final picture packs a real wallop) .Even the title is well chosen .

    The sisters ' feud is a little derivative: it's once again the "my kid sister was spoilt , they had only eyes for her " well-known tale ;but the film is short , tense ,and there's never a dull moment .Directing is not very inventive ,but the suspenseful script will keep you glued to your seat till the very end.
    8Sleepin_Dragon

    A cracking little mystery, more twists then a roller-coaster.

    What a clever little mystery this is, it is incredible how many of these forgotten gems are out there. I would have imagined this was made as a low budget b movie, but it is fully deserving of praise. Very good performances all round, Laurence Payne and Jane Griffiths are both very good, but it's the performance of Patricia Dainton that stole the show in her final on screen performance, a truly natural beauty, she plays a very soft, frail and dutiful wife, who possesses more then is shown on the surface. I love how complex the plot is, it is full of knots, twists and turns, it's a film you watch and have no idea which way it's going to go, you are guessing until the very (shock) end. It features a small cameo for Cleo Laine.

    The plot is so good it could quite easily be remade into some cosy modern day mystery. It starts fairly slowly, and you could be forgiven for losing interest, but it's one of those that if you stick with you will totally get caught up in, the ending is so good too. I love a good mystery and this ticks all the boxes.

    I'm glad I found it, 8/10
    8S1rr34l

    A Classic Murder Mystery, Which Is Near Perfect...

    This is now one of my favourite films. As a writer, you come across a story once in a while that you wish you wrote... this is one of mine.

    Marriage isn't going well for Norman Martell (Payne), though his wife, Helen (Dainton), has no idea about how he feels. Norman is so discouraged that he has an affair with Helen's stepsister, Peggy Hill (Griffiths). Upon hearing the news that Peggy is pregnant he tells Helen he wants a divorce. Unfortunately for Helen, when he can't get a separation he and Peggy form a plan to kill her...

    Even though the twist is telegraphed early on it's not the climax, that you know is coming, that sells this film. It's the story, acting, and direction. All the cast give solid, credible and realistic performances. No one actor or actress is better than the rest. And even though the pace is steady throughout it's the combination of timing, writing, and great characterisations that makes the ending perfect. All the pivotal and important elements weave together at precisely the right time.

    One of the best things for me is the ending itself which is delivered like a punchline. Which is fitting, especially if you like dark humour and believe in karma. I admit to actually saying, "Oh Yeah," out loud, along with the closing line, which is really easy to figure out... with a huge grin on my face.

    I loved this film... actually, loved this film.

    It's with that affirmation in my heart that I recommend this murder mystery to all out there. If you don't enjoy it then there's summat up wit'ya.

    You even get a free song from the marvellous voice of Cleo Lane - you can't get any better.
    8rbrb

    A Spider's Web of Intrigue

    This is a super thriller!

    First rate story, with an excellent cast and a well devised plot, from beginning to end.

    A writer of musicals is in a troubled marriage, so he plots a way to get rid of his wife so he can continue his relationship with her sister.

    Some outstanding performances especially from the errand husband, his wife and the policeman in charge of the investigation.

    Modern film makers should study the way this movie is presented: no unnecessary sub-plots yet a spider's web of intrigue with a climax that is brilliant.

    Many of these so-called British B movies are far better than most modern-day new releases: 8/10.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Film debut of Dudley Moore.
    • Gaffes
      At 3 min Norman is driving Peggy home. Within the car they are pictured close together in a tight embrace. However, the view of the couple as seen from the outside looking through the front windshield has them sitting apart.
    • Citations

      Norman Martell: I want you to give me a divorce.

      Helen Martell: What!

      Norman Martell: Sorry. It's not all your fault. In a way I'm just as much to blame as you are.

    • Connexions
      Edited into Kraft Mystery Theater: The Third Alibi (1961)
    • Bandes originales
      NOW AND THEN
      Written by Don Banks and David Dearlove

      Sung by Cleo Laine with Dudley Moore (piano) (uncredited)

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    FAQ13

    • How long is The Third Alibi?Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • septembre 1961 (United Kingdom)
    • Pays d’origine
      • United Kingdom
    • Langue
      • English
    • Lieux de tournage
      • Walton Studios, Walton-on-Thames, Surrey, Angleterre, Royaume-Uni(studio: produced at Walton Studios Walton-On-Thames, England)
    • société de production
      • Eternal Films
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 8 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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