En 1863, Amsterdam Vallon revient dans le quartier de Five Points à New York pour se venger de Bill le Boucher, l'homme qui a tué son père.En 1863, Amsterdam Vallon revient dans le quartier de Five Points à New York pour se venger de Bill le Boucher, l'homme qui a tué son père.En 1863, Amsterdam Vallon revient dans le quartier de Five Points à New York pour se venger de Bill le Boucher, l'homme qui a tué son père.
- Nommé pour 10 oscars
- 50 victoires et 135 nominations au total
Alec McCowen
- Reverend Raleigh
- (as Alec Mccowen)
Lawrence Gilliard Jr.
- Jimmy Spoils
- (as Larry Gilliard Jr.)
Peter-Hugo Daly
- One-Armed Priest
- (as Peter Hugo Daly)
Cian McCormack
- Young Amsterdam
- (as Cian Mccormack)
Avis en vedette
It's so true what people say, that Daniel Day-Lewis doesn't act. He *becomes* the characters he portrays. It's simply astounding to see an interview with the soft-spoken, somewhat effeminate actor and then watch him as the terrifying, dominating Butcher in this, or Daniel Plainview in There Will Be Blood. Watch Gangs of New York for his performance alone and you won't be disappointed. That isn't to say the story isn't intriguing (it is) or Leo isn't good (he is) but really, Day-Lewis stole the show outright.
Gangs of New York was is an epic historical crime movie directed by Martin Scorsese and stars Leonardo DiCaprio, Daniel Day-Lewis, Cameron Diaz, Jim Broadbent, John C. Reilly, Henry Thomas, Brendon Gleeson, Stephen Graham and Liam Neeson in a special appearance.
The movie is a must watch classic which displays the birth of America and yes through bloody violence and brawls.
The movie displays the greatnesses of Martin Scorsese and his imagination and scope to take out the best from a simple revenge plot.
Acting should be appreciated by all the characters but Daniel Day-Lewis steals the show by his brutal violence in a gentle way.
The screenplay of the movie is slow but captivating and hold the viewers. Location of 1840 America is amazing and background music is good. It wouldn't be wrong to say that this is one of the finest piece of work by Martin Scorsese and a must watch for the viewers who like periodic movies.
The movie is a must watch classic which displays the birth of America and yes through bloody violence and brawls.
The movie displays the greatnesses of Martin Scorsese and his imagination and scope to take out the best from a simple revenge plot.
Acting should be appreciated by all the characters but Daniel Day-Lewis steals the show by his brutal violence in a gentle way.
The screenplay of the movie is slow but captivating and hold the viewers. Location of 1840 America is amazing and background music is good. It wouldn't be wrong to say that this is one of the finest piece of work by Martin Scorsese and a must watch for the viewers who like periodic movies.
Gangs of New York is just perfect entertainment. It is an enthralling, bloody, melodramatic epic that more than justifies its two and one half hour running time. In Gangs director Martin Scorsese spins another tale of the New York underworld but with a twist. Instead of the mid-twentieth century organized crime milieu of Goodfellas, Scorsese ventures back to the 19th century to show us the origin of the modern street gang.
It's the early 1860s and the notorious Five Points slum is ruled by the savage `Bill the Butcher'. The viciously nationalistic Bill terrorizes all the immigrant masses jammed into his slum but seems to harbor a particular hatred for the Irish population. Into this seething cauldron wanders mysterious young Amsterdam Vallon who soon works his way into the trust and affection of Bloody Bill. Amsterdam, however, has a past with the unsuspecting Butcher and sports an agenda not unlike a certain Prince of Denmark. Bloody vengeance and dark betrayal soon come to pass, all played against a backdrop of corruption and unrest that lead to up to the horrors of New York Civil War draft riots.
Daniel Day-Lewis is marvelous as Bill the Butcher. His Bill is both recognizably human and a full bore, moustache-twirling villain. Day-Lewis strides his savage and profane way across the screen and steals the whole of the movie. The only other actor to approach Day-Lewis' level is Jim Broadbent as William 'Boss' Tweed. Broadbent is Tweed's spitting image and he makes the grasping old pirate so winning we find ourselves rooting for Tweed against the gaggle of reformers that infest his domain. Though Leonardo DiCaprio is the nominal lead of the picture he is overshadowed by his co-stars. Large, slope shouldered and vaguely brutish looking, DiCaprio is physically perfect for Amsterdam. While he could have used some of the fire and rage of a young James Cagney, DiCaprio's acting is superior throughout the movie. The problem is that Amsterdam just isn't as flashy a role as Bill or Tweed and, as good as DiCaprio is; Day-Lewis operates on a whole other level. Cameron Diaz as the beautiful pickpocket Jenny, never convinces that she is a product of the slums. Despite having considerable screen time, Diaz fades into the background when compared to her more powerful co-stars.
Just as important as the actors are to Gangs is the period atmosphere that drips off the screen. The amazing old New York set has an air of lived in reality that you could cut with a knife. You can almost smell the vermin. Gangs is entirely free of the embalmed feeling you get from most modern period movies. The cast handles the period argot as if it were their true speech and wear their costumes like lived-in clothing. You come away convinced that this is how the world looked and sounded in 1862.
Scorsese does eschew all nuance and subtlety in Gangs. Instead he tells his tale in wide, bold, exploitive and melodramatic strokes that make the movies two and a half hours fly by. Be warned that if you are waiting to see Gangs on DVD you are making a huge mistake. Gangs has to be seen at the theater. The detail and scope of the film cries out to be viewed in all its wide screen glory. This movie is a fantastic achievement.
It's the early 1860s and the notorious Five Points slum is ruled by the savage `Bill the Butcher'. The viciously nationalistic Bill terrorizes all the immigrant masses jammed into his slum but seems to harbor a particular hatred for the Irish population. Into this seething cauldron wanders mysterious young Amsterdam Vallon who soon works his way into the trust and affection of Bloody Bill. Amsterdam, however, has a past with the unsuspecting Butcher and sports an agenda not unlike a certain Prince of Denmark. Bloody vengeance and dark betrayal soon come to pass, all played against a backdrop of corruption and unrest that lead to up to the horrors of New York Civil War draft riots.
Daniel Day-Lewis is marvelous as Bill the Butcher. His Bill is both recognizably human and a full bore, moustache-twirling villain. Day-Lewis strides his savage and profane way across the screen and steals the whole of the movie. The only other actor to approach Day-Lewis' level is Jim Broadbent as William 'Boss' Tweed. Broadbent is Tweed's spitting image and he makes the grasping old pirate so winning we find ourselves rooting for Tweed against the gaggle of reformers that infest his domain. Though Leonardo DiCaprio is the nominal lead of the picture he is overshadowed by his co-stars. Large, slope shouldered and vaguely brutish looking, DiCaprio is physically perfect for Amsterdam. While he could have used some of the fire and rage of a young James Cagney, DiCaprio's acting is superior throughout the movie. The problem is that Amsterdam just isn't as flashy a role as Bill or Tweed and, as good as DiCaprio is; Day-Lewis operates on a whole other level. Cameron Diaz as the beautiful pickpocket Jenny, never convinces that she is a product of the slums. Despite having considerable screen time, Diaz fades into the background when compared to her more powerful co-stars.
Just as important as the actors are to Gangs is the period atmosphere that drips off the screen. The amazing old New York set has an air of lived in reality that you could cut with a knife. You can almost smell the vermin. Gangs is entirely free of the embalmed feeling you get from most modern period movies. The cast handles the period argot as if it were their true speech and wear their costumes like lived-in clothing. You come away convinced that this is how the world looked and sounded in 1862.
Scorsese does eschew all nuance and subtlety in Gangs. Instead he tells his tale in wide, bold, exploitive and melodramatic strokes that make the movies two and a half hours fly by. Be warned that if you are waiting to see Gangs on DVD you are making a huge mistake. Gangs has to be seen at the theater. The detail and scope of the film cries out to be viewed in all its wide screen glory. This movie is a fantastic achievement.
Daniel Day-Lewis elevates this film from just "good" to "very good" or even "excellent." He is absolutely riveting, one of the most interesting "villains" I have ever seen on film. I am sorry Day-Lewis didn't win the Academy Award for his performance. He was just outstanding to watch. His facial expressions alone cracked me up!
Day-Lewis played "Bill 'The Butcher' Cutting" he is one nasty dude. However, there are no real "good guys" in this story. The supposed hero, played by Leonardo DiCaprio, is a revenge-seeking man with a ton of flaws himself. The rest of the characters are either thieves, gang members, corrupt politicians or corrupt policeman. Ah yes, another family-oriented film from that kindly director Martin Scorcese.
What Scorcese lacks in family values, he comes close to making up for in style. This is another fascinating visual film with great sets, costumes, color and camera-work. Other typical Scorcese touches are in here: Catholic-bashing and brutal language. (I question whether the f-word was used back in the days this film takes place.)
All in all, a tough film that could be too unpleasant to watch but for Lewis' outstanding performance and the spectacular visuals.
Day-Lewis played "Bill 'The Butcher' Cutting" he is one nasty dude. However, there are no real "good guys" in this story. The supposed hero, played by Leonardo DiCaprio, is a revenge-seeking man with a ton of flaws himself. The rest of the characters are either thieves, gang members, corrupt politicians or corrupt policeman. Ah yes, another family-oriented film from that kindly director Martin Scorcese.
What Scorcese lacks in family values, he comes close to making up for in style. This is another fascinating visual film with great sets, costumes, color and camera-work. Other typical Scorcese touches are in here: Catholic-bashing and brutal language. (I question whether the f-word was used back in the days this film takes place.)
All in all, a tough film that could be too unpleasant to watch but for Lewis' outstanding performance and the spectacular visuals.
7=G=
"Gangs of New York" mixes real American history with a weak fictional human drama and a thick coat of Hollywoodization resulting in an over wrought behemoth wannabe epic misfire. Scorcese pulls together bits and pieces of the Civil War conscription act, Irish potato famine immigration, Tammany Hall and Tweed corruption, race/slave issues, slum gangs, etc. and creates a milieu which has an off-target post-apocalyptic sort of feel and then tries to cram DiCaprio down our throats as a hero though he does nothing particularly heroic in the context of the film. The flick features blood and guts street riots reminiscent of "Braveheart", a romance which doesn't work, an evil guy over acted by Day-Lewis and little else save a whole bunch of filler to give us a taste of the times and milk the extravagance for all its worth. In spite of all that, "Gangs..." received several Oscar noms and a thumb and a half up from critical corners with so-so approval from the public. Okay for fans of the principals and others into Hollywood blockbusters. Not for the jaded or those looking for substance or sophistication. (B)
What Scorsese Film Ranks Highest on IMDb?
What Scorsese Film Ranks Highest on IMDb?
Cinema legend Martin Scorsese has directed some of the most acclaimed films of all time. See how IMDb users rank all of his feature films as director.
Le saviez-vous
- AnecdotesTo simulate Bill the Butcher's fake eye, Sir Daniel Day-Lewis had his own eyeball covered in prosthetic glass. Day-Lewis learned to tap his fake eye with the tip of a knife without blinking.
- GaffesWhen the competing fire companies arrive at the house fire, one fireman wears modern-day fireman's pants. He may be a real-life firefighter, in the scene as a safety precaution.
- Citations
Amsterdam Vallon: It's a funny feeling being taken under the wing of a dragon. It's warmer than you'd think.
- Générique farfeluNoises from the modern day New York streets play over the second half of the closing credits.
- Autres versionsScorsese's original cut of the film was 216 minutes (3 hours & 36 minutes) long.
- ConnexionsEdited into U2: The Hands That Built America (Version 1) (2002)
- Bandes originalesBrooklyn Heights
Composed by Howard Shore
Produced by Hal Willner
Recorded and mixed by Eric Liljestrand
Additional mixing by Tom Lazarus
Additional recording and mixing by Geoff Foster
Orchestrations by Jeff Atmajian
Conducted by Andy Brown
Solo counter tenor by Will Towers
Solo boy soprano by James Kanagasooriam
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- How long is Gangs of New York?Propulsé par Alexa
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- Was William Tweed a real person?
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Gangs of New York
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 100 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 77 812 000 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 9 100 000 $ US
- 22 déc. 2002
- Brut – à l'échelle mondiale
- 193 772 504 $ US
- Durée2 heures 47 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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