Zatôichi goyô-tabi

Anyone giving Shintaru Katsu's Zatoichi (the original) anything less than 10 stars is ... well, let's just say you have to be a very special person to not like this: 1) incredible amount, 2) of consistent, 3) high-quality, 4) fast paced, 5) action packed, 6) character filled, 7) solid plot line entertainment.

You will not get better than this ever again. I own no DVDs but this one (the Collector's edition) I may buy.

I was a scifi fan, but since Hollywood doesn't make good scifi's anymore {a real scifi is the original The Thing, and Forbidden Planet, and The Day the Earth Stood Still. Today they make them all horror pictures (Alien) or feely-touchy soap operas (any Star Trek other than TOS)} that I had to look for something else. Japanese, note Japanese, samurai movies are just so solidly based. Korisawa is the top of the Japanese directors, but Zatoichi is the best of the best. BTW, I use to think that Korisawa's The Seven Samurai was the best samurai movie ever, but I have to finally admit, Zatoichi is better.

10+/10.

This was my least favorite Zatoichi film.

I adore Zaotichi, the character, the actor, the storyline, the swordplay, but the cinematography and directing in this film were the worst. While it's a must see because it is Zatoichi, expect horrible footage, terrible camera angles, and an overall lack of directorial maturity.

Only two more films before the end of a 25 entry series. You would think that after 11 years the final films would be tired and derivative but this film belies that assumption. While reusing some elements from previous films, the baby for example, this film is an excellent combination of humor, drama and action with the usual Zatoichi world view. It should be remembered that at the time these films would rarely get shown again so the film makers felt comfortable reusing themes. Soon after this Zatoichi moved to television where they really reused the stories and themes from the movies.

Zatoichi chances upon a pregnant woman who unknown to him has just been attacked and had her gold stolen. She goes into labor and Zatoichi helps deliver the child but the woman dies from her wound. Zatoichi goes to bring the child to his father and of course finds himself in the middle of a town being invaded by yakuza. Zatoichi is compelled to help the child's family and control the ruthless yakuza.

There's nothing unusual about the plot, it's the details that make this film so wonderful. The characters are all colorful and interesting. There an elderly constable and his good-for- nothing son, a group of wacky festival performers, a mysterious child who pelts Zatoichi with rocks, the required master swordsman to challenge Zatoichi and the sleazy yakuza. The film is well paced, but the first action is not until 30 minutes into the film. However it's well worth waiting for. Unlike the previous film that had Zatoichi caring for an infant (which is a very good film), he doesn't get attached to this one and it's pretty much out of the plot half way thru.

Recommended for all Zatoichi fans, newcomers might want to try an earlier film first.

Like an earlier Zatoichi film, "Zatôichi kesshô-tabi", this one starts with a dying woman and a baby that Zatoichi is to take to its father. Following the death of the mother, the credits roll and a singer who perhaps is well-liked in Japan begins singing--and the high nasal voice was really, really annoying. Perhaps it's just my Western sensibilities, but the song was tough to take. I think the singing is from Japanese Noh (a type of play)--but I am far from knowledgeable about those sort of things.

Once Ichi gets the baby to the proper town, he finds the child's aunt and gives it to her. Oddly, however, all along the route there a little boy has been following Zatoichi pelting him with rocks. When the father eventually comes to town and thanks the blind man for bringing the baby, the welcome is very short-lived. It seems that the brat who has been throwing stones at Zatoichi is the man's son--and he mistakenly thinks that Ichi killed his mother and stole her money (this WAS done but by a thief--not Ichi). However, when the father confronts Ichi, the blind man is not angry but agrees to help the family get the money--otherwise the aunt will be forced by the local boss into prostitution.

This leads to the very, very typical confrontation with the local strongman--a guy who naturally at first has his men attack Ichi, then pretends to be friends and then, ultimately, has an all-out battle with the blind man. In the final battle, the death tally is appropriately high and there are no huge surprises. However, the local constable was an interesting character and did give the film a few surprises. Otherwise, it's all very typical and familiar. Nothing extraordinary but another formulaic Zatoichi film.

Zatoichi at Large is the twenty-third entry in the Japanese franchise about the blind masseur, skilled swordsman and lowly yakuza with a strong moral compass whose words speak louder than his actions. It tells how Zatoichi meets a dying pregnant woman on the road who got attacked and robbed by an unknown assailant. Zatoichi helps her give birth to a baby boy but the mother dies in the process. With her last dying breath, she tells Zatoichi the name of the father. A child witnesses the woman's death, follows Zatoichi and occasionally throws rocks at him. Zatoichi travels to the father's hometown but only comes across his sister who reluctantly accepts to take care of the child with the help of an old family of eight children. Zatoichi decides to wait for her brother to arrive in town to bring him all the bad and good news. While he stays in town, Zatoichi witnesses how a rude boss suddenly arrives, pitilessly controls local businesses and brutally makes the local population suffer. Things get worse when the baby's father finally arrives and is told by the child who witnessed the mother's death that Zatoichi robbed and killed her. Zatoichi decides to stay to clear his name, find the mother's murderer and rid the town of its new boss.

The twenty-third film is an average movie of the Zatoichi franchise. On the positive side, the film's atmosphere is quite gloomy from start to finish which makes for a entertaining, fluid and intense experience. The idea to show how Zatoichi seems to be doomed to be misunderstood as that his good actions are so often misinterpreted as bad ones adds a tragic note to the movie and makes the protagonist even more interesting. The side characters are intriguing enough to make the viewers care about them, especially the dead mother's family. The final fight sequence is quite impressive as Zatoichi is attacked with burning ladders and needs to use all his skills to survive.

On the other side, the film's story is quite exchangeable. Zatoichi has already taken care of children of dying parents in Fight, Zatoichi, Fight as well as in Zatoichi Challenged. This movie's boss is also quite exchangeable and not a real threat for Zatoichi. The protagonists are overall much more developed than the stereotypical antagonists who remain shallow.

In the end, Zatoichi at Large will please to the franchise's collectors and fans of old date. It's interesting while it lasts but a movie you won't remember for a very long time. On the positive side, the film's gloomy atmosphere, intriguing protagonists and the final fight sequence justify watching this film. On the negative side, the antagonists remain shallow and the plot is predictable. Those who aren't familiar with the franchise yet shouldn't start here but rather watch the two excellent predecessors. Zatoichi at Large is of an average quality but a small step back after the brilliant Zatoichi Goes to the Fire Festival and Zatoichi and the One-Armed Swordsman.