South park: Plus grand, plus long et sans coupure
Prout-prout pipi-caca et nique ta mère, charge hilarante (chantée) contre les parents qui voudraient interdire aux enfants le plaisir des gros mots. Très très grossier, pas du tout vulgaire,... Tout lireProut-prout pipi-caca et nique ta mère, charge hilarante (chantée) contre les parents qui voudraient interdire aux enfants le plaisir des gros mots. Très très grossier, pas du tout vulgaire, à bas les ligues de vertu, et vive la résistance et le Canada ! [255]Prout-prout pipi-caca et nique ta mère, charge hilarante (chantée) contre les parents qui voudraient interdire aux enfants le plaisir des gros mots. Très très grossier, pas du tout vulgaire, à bas les ligues de vertu, et vive la résistance et le Canada ! [255]
- Nommé pour 1 oscar
- 7 victoires et 11 nominations au total
- Stan Marsh
- (voice)
- …
- Kyle Broflovski
- (voice)
- …
- Liane Cartman
- (voice)
- …
- Chef
- (voice)
- Ike Broflovski
- (voice)
- (as Jesse Howell)
- Ike Broflovski
- (voice)
- (as Francesca Clifford)
- Man In Theatre
- (voice)
- Woman In Theatre
- (voice)
- Bebe Stevens
- (voice)
- Dr. Gouache
- (voice)
- Conan O'Brien
- (voice)
- Brooke Shields
- (voice)
- Dr. Vosknocker
- (voice)
- Winona Ryder
- (voice)
- (as Toddy E. Walters)
Avis en vedette
All comedy aside, this is one of the most masterfully written movies I have ever seen. The songs are hilariously funny and the way that they incorporate all the individual songs into one masterpiece is sheer genius. Probably one of the best musicals I have seen.
As for the humor, don't watch this if you are easily offended, because you will be offended.
Funny, funny, funny. 10 stars.
I suspect those that hate this movie are generally those who hate the TV show, where those who liked it may not be those who watch the show. I'm a fan of the show but I not such a fan that I blind to the lack of consistency at times in the show some episodes are dumb and lack wit, trading on swear words and forced jokes. However I fell in love with this movie from my first time seeing it. The film is funny in the same sort of silly juvenile way that the series is. It has the same strange sense of humour witness Conan O'Brien having a `Judas' moment and throwing himself to his death!
However on top on this it is imaginative. How many other crude films would do it as a musical. I'm not saying that this makes it more worthy than gross out comedies like American Pie etc, but it is cleverer. The musical element adds to the film and helps it's stretched running time. The songs are all catchy and are better than some of Lloyd-Webber's stuff! They are choreographed well and just feel funnier due to the situation and the lyrics! For example Satan's song `Up there' is excellent but hilarious because of who's singing it and the sentiments he's expressing!
The irony of the film is not lost. The accusations levelled at the South Park Movie are those that the mothers in the film level at Terrance & Phillip. The story actually answers it's own critics while telling the story! It's not perfect and it does go a bit over the top and maybe begins to think that it is cleverer than it actually is.
The voice work is as excellent as always and Parker and Stone carry this the whole way home. Guest stars add some interest but really all I need is Cartman et al and I'm set!
Overall I am a South park fan and I really enjoyed this. Not just because of the elements of the show that are reproduced here but also how clever it feels (even if it isn't always as smart as it wants to be). This isn't a cheap TV spin off into a movie this is a film that is imaginative and funny. Haters of the show will hate this but this may win you over if you thought the TV show was juvenile and a waste of time.
For this movie, unlike the usual feature-length adaptation of a pop culture phenomenon, not only lives up to its pedigree, it wildly exceeds it. Yes, the movie does recycle many of the show's jokes, but it does so in new yet relevant contexts that keep the material funny if you are familiar with the South Park world. If you aren't familiar with that world (as I wasn't before seeing the movie), the gags are simultaneously accessible yet often subtle.
Subtle? Yes, many of the gags are. Indeed, one of the pleasures of owning a copy of the movie is having the ability to review the movie, in slo-mo if necessary, and discover throwaway sight gags that one has missed in the delirium of watching this anarchic satire the first time through. (And if you have the DVD, you can add subtitles to catch many of the songs' often elusive lyrics.)
Then there's the music. What is it about movie musicals that attracts great satiric minds? Not since Pynchon's "Gravity's Rainbow" has a work of art so subversively exploited the conventions of the movie musical as South Park. From the droll opening strains of Mountain Town, to the Disneyesque "Up There," to the Les Miserables spoof, "La Resistance," South Park simultaneously sends up the genre while paying homage to it, and still finds room to use the songs to score delicious points against its myriad targets.
One last thing: this movie is not cynical. Beneath the scatological humor, the cartoon violence, the scathing portrayals of Wynona Ryder et al, and the backdrop of adult xenophobia, sexual repression and political opportunism, is a sensibility that exalts childhood as an island of honesty and idealism, if also of id-like impulse and frequent selfishness. In this they share space on the shelf of great satires with "Candide," "Gulliver's Travels," "Tom Sawyer" and especially "Huckleberry Finn"--classics that, like BL&U, also exposed the hypocrisies of the adult world "through the eyes of a child."
Elvis Costello once sang, "I want to bite the hand that feeds me/I want to bite that hand so badly/I want to make them wish they'd never met me." That BLU was shut out at the Academy Awards (having only garnered a nomination for the relatively tame "Blame Canada", which lost, appropriately enough, to the execrable Phil Collins) only vindicates the film's take-no-prisoners send-up of nearly everything that annoys in this suffociatingly focus-group-tested, PC-policed, cynically sentimental, violence-ridden, love-starved modern world. See this movie, and see the persistence of hope and possibility sparkling like a diamond amid the pop culture detritus of a quiet little red-necked, white-trash, strait-laced, mesuggeneh, US mountain town.
Le saviez-vous
- AnecdotesTrey Parker, Matt Stone, and fans in general often joked that a majority of the people who saw this movie were under 17, but got into the R rated movie by buying tickets to the PG-13 rated Will Smith flop: Les mystères de l'Ouest (1999). The urban legend became so popular in 1999 that it would be spoofed in an episode of South Park (1997).
- GaffesIn the song "It's Easy, Mmmkay", Mr. Mackey tells the children "With bitch drop the t 'cause 'bich' is Latin for generosity". Actually, there's no such word as 'bich' in the Latin language (the most common translation of generosity is 'magnanimitas').
- Citations
Mr. Garrison: ...I'm Sorry Wendy, but I don't trust anything that bleeds for five days and doesn't die.
- Générique farfeluSaddam Hussein ... himself
- Autres versionsThe non-US/Canada versions of the film are distributed by Warner Bros. Pictures and replace the Paramount logo with the WB logo. This ruins the gag as the mountain in the Paramount logo morphs into a hill in South Park.
- ConnexionsFeatured in Siskel & Ebert & the Movies: That's Not All, Folks! (1999)
- Bandes originalesMountain Town
by Trey Parker and Marc Shaiman
Performed by Trey Parker (as Stan Marsh / Eric Cartman), Matt Stone (as Kenny McCormick / Kyle Broflovski) and Mary Kay Bergman (as Sharon Marsh / Sheila Broflovski)
Produced by Trey Parker, Matt Stone and Marc Shaiman
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- South Park - Plus grand, plus long et sans coupure
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 21 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 52 037 603 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 11 335 889 $ US
- 4 juill. 1999
- Brut – à l'échelle mondiale
- 83 137 864 $ US
- Durée1 heure 21 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1