Un ancien agent de renseignement américain indépendant cherche à retrouver un mystérieux paquet recherché par les Irlandais et les Russes.Un ancien agent de renseignement américain indépendant cherche à retrouver un mystérieux paquet recherché par les Irlandais et les Russes.Un ancien agent de renseignement américain indépendant cherche à retrouver un mystérieux paquet recherché par les Irlandais et les Russes.
- Prix
- 1 victoire et 4 nominations au total
Amidou
- Man at Exchange
- (as Amidou Ben Messaoud)
Avis en vedette
Ronin is defined as a Japanese Samurai who has lost his master and must search for work as a sword for hire or reduced to banditry. A group of experts are gathered in Paris by Deirdre (Natascha McElhone) who is looking to steal a mysterious suitcase. The group (Robert DeNiro, Jean Reno, Stellan Skarsgård, Sean Bean, Skipp Sudduth) don't know each other and don't trust each other. The plan is very sketchy, and Deirdre won't tell them what's in the suitcase.
Director John Frankenheimer shows that he still has a bit of juice left in him. The best thing about this movie is the class of acting talents he is able to get. Robert DeNiro is superbly brilliant. Jean Reno is absolutely solid, and Sean Bean puts in a nice turn. The objective is almost unimportant. This is about a bunch of great actors playing around with some mysterious characters. Each of whom may turn out to be something less than reliable.
Director John Frankenheimer shows that he still has a bit of juice left in him. The best thing about this movie is the class of acting talents he is able to get. Robert DeNiro is superbly brilliant. Jean Reno is absolutely solid, and Sean Bean puts in a nice turn. The objective is almost unimportant. This is about a bunch of great actors playing around with some mysterious characters. Each of whom may turn out to be something less than reliable.
A pretty decent action outing for Robert De Niro and John Frankenheimer. Good photography of some of the seedier neighborhoods of Paris and other French cities. This film is quintessential De Niro, and he gets all the good lines. There is an interesting revelation at the end, which I will not reveal here. The case everyone is after, is a complete McGuffin, what Hitchcock called that plot device, the thing which everyone wants, and it doesn't really matter exactly what that is. I think that Frankenheimer may have been paying homage to Hitchcock on this, as what is in the case is never revealed. Apparently David Mamet was the script doctor on this film, and it ended up OK. I am of two minds on Mamet, having liked "The Untouchables" a lot, and disliked "Glengarry Glen Ross" and loathed "Oleanna". I also liked Natascha McElhone, who I had never heard of. She is a beautiful and accomplished actress. Some people complained about her brogue. OK, she's not Meryl Streep. But then again, who is? A lot of actors won't even try. I look forward to seeing more of her.
Oh, yeah, and some of the car chases were really, really cool, almost McQueenian.
Oh, yeah, and some of the car chases were really, really cool, almost McQueenian.
A great movie that you can't just watch with one eye. It starts slow, laying a strong foundation, and if it's on TV, it's easy to get lost by not paying attention at the beginning. However, it's an outstanding film, exploring the characters with a huge action movie in the background.
It's visually interesting and doesn't ever let you know the things you think you need to know, but by the end you've forgotten that you wanted to know them in the first place. Robert DeNiro gives a strong performance and doesn't get lost in some of the showiness he can deliver when he's making up for a weaker story, and the supporting cast is full of familiar faces, many of which blend so well into the characters they play that, again, you can become lost in the story (although this time, it a good way).
It's visually interesting and doesn't ever let you know the things you think you need to know, but by the end you've forgotten that you wanted to know them in the first place. Robert DeNiro gives a strong performance and doesn't get lost in some of the showiness he can deliver when he's making up for a weaker story, and the supporting cast is full of familiar faces, many of which blend so well into the characters they play that, again, you can become lost in the story (although this time, it a good way).
Every once in a rare while comes an action movie that is also a genuinely good film. This is one of those movies. What makes these uncommon movies what they are is simple: plot. No movie can compromise that and in recent years Hollywood has been doing just that to show off it's million dollar special effects and two cent story lines. This film has both pulse pounding breakneck action scenes and developed and interesting story.
The story starts when mercenaries are hired to retrieve a secret silver briefcase with mysterious contents. The mission goes awry with betrayal and we soon find out that everyone has their own motives and goals with the mysterious silver case.
The cast is good and the direction is smooth and keeps the story flowing and it'll keep you guessing right up to the very end about just exactly what is going on and who everyone is. Then, there are the car chases and they are awesome. Truly awesome and even legendary by now. Just like classics like 'Bullitt' and 'The French Connection' and goofy camp films of the seventies (like the original 'Gone in 60 Seconds') this film uses no hyper-crazy CGI in its action scenes and that proves all for the better since it is an action movie, but it cannot lose all it's credibility for the sake of some cars crashing. A thrill needs to be at least partly believable, otherwise it won't be thrilling. In fact the whole film has a more realistic feel to it with the relentlessness of the action being not over the top, but still enjoyable for fans of the genre. Then there are the characters who much more real as they don't snap wise cracks while shooting bad guys square in the head one handed with a pistol at 30 yards.
All in all, this is a very good entry in the action genre and Hollywood should take note. 8/10
Rated R for violence
The story starts when mercenaries are hired to retrieve a secret silver briefcase with mysterious contents. The mission goes awry with betrayal and we soon find out that everyone has their own motives and goals with the mysterious silver case.
The cast is good and the direction is smooth and keeps the story flowing and it'll keep you guessing right up to the very end about just exactly what is going on and who everyone is. Then, there are the car chases and they are awesome. Truly awesome and even legendary by now. Just like classics like 'Bullitt' and 'The French Connection' and goofy camp films of the seventies (like the original 'Gone in 60 Seconds') this film uses no hyper-crazy CGI in its action scenes and that proves all for the better since it is an action movie, but it cannot lose all it's credibility for the sake of some cars crashing. A thrill needs to be at least partly believable, otherwise it won't be thrilling. In fact the whole film has a more realistic feel to it with the relentlessness of the action being not over the top, but still enjoyable for fans of the genre. Then there are the characters who much more real as they don't snap wise cracks while shooting bad guys square in the head one handed with a pistol at 30 yards.
All in all, this is a very good entry in the action genre and Hollywood should take note. 8/10
Rated R for violence
I picked up this DVD in Asda's a few weeks ago and seeing it had Robert De Niro starring convinced me enough to buy it. Then seeing in the credits it starred Jean Reno, Sean Bean and Jonothan Pryce too made me realise I was watching a winner here.
I wasn't wrong either, this film is brilliant. The beginning is slow and tense; dark, clear colours in the picture sets the mood perfectly. From then on most of it is pretty much action.
Five mysterious men of various backgrounds (ex-CIA, KGB etc) meet in Paris, France for a job headed by a Northern Irish woman. The job is to steal a case from a group and return the case to their as yet unknown employers. Just as things seem to run smoothly, one of them is a double-crosser.
Now for some of the best bits, the car chases. These are shot magnificently as Peugeot's, BMW's and Audi's tear through the streets of Paris. These chases are the most thrilling chases I have ever seen. And when you get chases, you get crashes. Think on-coming traffic chases and you might get the picture.
This is a must see film. 8 out of 10.
I wasn't wrong either, this film is brilliant. The beginning is slow and tense; dark, clear colours in the picture sets the mood perfectly. From then on most of it is pretty much action.
Five mysterious men of various backgrounds (ex-CIA, KGB etc) meet in Paris, France for a job headed by a Northern Irish woman. The job is to steal a case from a group and return the case to their as yet unknown employers. Just as things seem to run smoothly, one of them is a double-crosser.
Now for some of the best bits, the car chases. These are shot magnificently as Peugeot's, BMW's and Audi's tear through the streets of Paris. These chases are the most thrilling chases I have ever seen. And when you get chases, you get crashes. Think on-coming traffic chases and you might get the picture.
This is a must see film. 8 out of 10.
Le saviez-vous
- AnecdotesA total of 80 automobiles were destroyed during filming.
- GaffesJean-Pierre claims that "All 47 of them committed Seppuku," but in fact only 46 did. The 47th Ronin, Terasaka Kichiemon, had a different mission. He was later pardoned. When he died at 87, he was buried along with the other 46.
- ConnexionsEdited into Ronin: Alternative Ending (1999)
- Bandes originalesTime To Say Goodbye (Con te partirò)
Composed by Francesco Sartori
Lyrics by Lucio Quarantotto
English lyrics by Frank Peterson
Performed by Sarah Brightman featuring Andrea Bocelli
Courtesy of Angel Records
Under license from EMI Music Special Markets
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Sát Thủ Tự Do
- Lieux de tournage
- Blue Sky, Rue des Trois-Frères, Paris 18, Paris, France(restaurant in opening sequence)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 55 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 41 616 262 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 12 697 641 $ US
- 27 sept. 1998
- Brut – à l'échelle mondiale
- 41 616 262 $ US
- Durée2 heures 2 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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