Les essais nucléaires français irradient un iguane en un monstre géant qui se dirige vers la ville de New York. L'armée étasunienne doit poursuivre le monstre à travers la ville pour l'arrêt... Tout lireLes essais nucléaires français irradient un iguane en un monstre géant qui se dirige vers la ville de New York. L'armée étasunienne doit poursuivre le monstre à travers la ville pour l'arrêter avant qu'il ne se reproduise.Les essais nucléaires français irradient un iguane en un monstre géant qui se dirige vers la ville de New York. L'armée étasunienne doit poursuivre le monstre à travers la ville pour l'arrêter avant qu'il ne se reproduise.
- Prix
- 10 victoires et 13 nominations au total
Avis en vedette
Starting off relatively well, this turns into Jurassic Park as it felt like a dinosaur chase movie rather than focused on the mythical Godzilla. This new Godzilla also doesn't hold true to many of the original's traits such as what it eats and how it can be killed. Now on American soil of course Godzilla ravages Manhattan while the military try to take him down as they create a ton of (needless) damage. The media desperately looking for the inside scoop also create their own damage by stirring mass hysteria. One special scientist learns Godzilla is pregnant and warns that it's nest of eggs must be found to avoid hatching more of these beasts. As expected, this is full of explosions, destruction, roars, human ineptitude, light romance and heroics. Your typical Hollywood CGI fluff action monster movie with some notable plot holes.
"Godzilla" (1998) is definitely not a bad guilty pleasure movie. It has pretty good special effects, nice pacing and some good action sequences involving Godzilla himself. Well its not entirely a Godzilla everyone knows, its more of a dinosaur but still its a good looking creature, especially when it interacts with environment (city buildings in this case). The downsides of this movie were pretty lame script at the moments, zero chemistry between Matthew Broderick and Maria Pitillo (and her poor performance as well) and just the look of this movie - literally almost all movie time action takes place at night, sure because its much more easier (and cheaper) to make all the big special effects sequences in a bloody dark, but not so much fun to watch it.
Overall, "Godzilla" is a guilty pleasure. As a pure fun flick it does its job, nothing else and nothing more. A pure guilty pleasure.
I did love the idea of Godzilla though. There may be the odd hole here and there, but thanks to a quite riveting final half hour especially it remains interesting. The scenery is splendid, the editing is good enough, some sequences are entertaining and Godzilla while different is very well designed. The score is also memorable. And while there are flaws to Godzilla, I couldn't help being entertained. This film isn't Emmerich's best, but contrary to what others might say I don't think it is his worst either. Overall, it has a lot of problems, but I kind of liked it. 6/10 Bethany Cox
Le saviez-vous
- AnecdotesThis movie features more Simpson voice actors than any other project besides Les Simpsons (1989) itself: Hank Azaria, Harry Shearer and Nancy Cartwright. When the Simpsons later did a Godzilla parody called Homerzilla, they referenced that "Homerzilla" received a Hollywood remake that failed, a jab at this movie. The episode ends stating that Homerzilla will one day return just as soon as that "Zilla" film is forgotten.
- GaffesBased on the width and depth of the Hudson River, it would be impossible for a Los Angeles Submarine to navigate submerged, let alone make high speed turns.
- Citations
Apache Pilot: [after accidentally hitting the Chrysler Building with a missile, blowing the roof off of it] Aw, damn, uh... That is a negative impact. I repeat, that is a negative impact.
Radio Technician #3: Negative impact, sir.
Mayor Ebert: [shocked] Negative impact? That's the goddamned Chrysler Building we're talking about here.
- Générique farfeluA dedication to Godzilla creator Tomoyuki Tanaka appears towards the end of the credits.
- ConnexionsEdited into Les anges en Amérique (2003)
- Bandes originalesHeroes
Written by David Bowie & Brian Eno
Produced by Andrew Slater
Performed by The Wallflowers
Courtesy of Interscope Records
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Quái Vật Godzilla
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 130 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 136 314 294 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 44 047 541 $ US
- 24 mai 1998
- Brut – à l'échelle mondiale
- 379 014 294 $ US
- Durée2 heures 19 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1