Encore les vieux grincheux

This movie is downright hilarious with tons of good one-liners. Walter Matthau and Jack Lemmon (may they both rest in peace) are two of the funniest actors in history. No one else could have played Max & John. Sophia Loren is still one of the most beautiful women in movie history! One of the funniest scenes is when she says "Holy moly" after being kissed by Max. Watch this movie. You will enjoy it, if you have a sense of humor!

Sequels are rarely half as good as the original film. Matthau and Lennon would prove this at the tale end of their film partnership with THE ODD COUPLE PART II. But it has happened. ANOTHER THIN MAN is as good a film as THE THIN MAN. Vincent Minelli's follow up to FATHER OF THE BRIDE may lack the satire of weddings the original had, but FATHER'S LITTLE DIVIDEND is well made and entertaining in it's own right. And then there is this film. Of the first movie, GRUMPY OLD MEN, I have made a comment elsewhere. GRUMPIER OLD MEN is a neat follow-up, as we find how Max Goldman (Matthau) finds his new mate, Maria Ragetti (Sophia Loren). It also settles the future of Max's son Mayor Jacob Goldman (Kevin Pollak) and John Gustafson's (Lemmon's) daughter Melanie (Darryl Hannah), and gives a bitter-sweet farewell to John's father (Burgess Meredith).

I think the reason the sequel works is that there is a sense of time and continuity here that is not usually found. In GRUMPY OLD MEN, the reactions of Lemmon and Matthau to the death of their close friend Chuck (Ossie Davis), who had only recently been their rival for Ariel (Ann-Margaret) showed them to be human beings - not just two good comic actors trading insults for yucks. Here, it is watching the final scenes of Grandpa Gustafson (ironically Burgess Meredith's final role - and a fittingly good one for that fine actor). In the first film Meredith was always acting like a wild authority figure: over ninety years old, but threatening to tan the hides of the middle aged Matthau and Lennon like they were still kids when he stops them fighting. Here we see him in several guises. He is a loving grandpa - he is seen telling Allie (Katie Sagona) the story of Goldilock and the Three Bears (with his own modern interpolations), and then singing "Dream a Little Dream of Me" to put her to sleep. He is vulgar, but in a loving, sensible way. When Allie swallows a quarter, he suggests that it is normal - all kids swallow or try to swallow coins - and one only should worry if the kid excretes two dimes and nickel. He loves sexual encounters (in the first film he suggests that if Lemmon and Matthau can't get Arial he can!). Here he meets somebody to romance (Anne Gilbert), and they have a nice time together. But it is a brief one. Having reached 95, God finally comes for Grandpa, and his death manages to bring the other characters from cross purpose quarrels to sanity. It also brings the sweet image of Gilbert depositing a rose over the spot that Grandpa's ashes are scattered.

The continuity theme is also in the portion about "Catfish Hunter" the local lake legendary catfish. Grandpa tells John, at one point, that the catfish was old when he was a boy (which begs the question, why did they name the catfish after a major Yankee baseball player of the 1970 teams? - long after Grandpa's youth). The locals all hope to catch the fish and mount it on their walls. We see it at one point jumping late at night, alone, into the air and back into the late in the glorious moonlight - the monarch of the lake. But at the end, when the catfish is caught by Matthau and Lemmon together, Lemmon (probably influenced by Ann-Margaret, who did the same thing in the first film) gets Matthau to agree to return the catfish to the lake, where it can join Grandpa's ashes. So the legend is returned to it's base.

Even in the final moments of the film, with another marriage and a joke reminiscent of the first film's conclusion, suggests continuity. So there is a type of structural vigor in the two films, that strengthens their stories and increases the viewers pleasure watching them. Yes indeed, this is one sequel that works very well.

A sequel to the thoroughly enjoyable Grumpy Old Men, 'Grumpier Old Men' is A Sweet Film, with Lively Performances. The sequel has the spirit of its prequel & the amazing cast, led by the impeccable talents of the Late/Great Jack Lemmon & the Late/Great Walter Matthau, are in full form!

'Grumpier Old Men' Synopsis: John and Max resolve to save their beloved bait shop from turning into an Italian restaurant, just as its new female owner catches Max's attention.

'Grumpier Old Men' works well as a romantic-comedy, as it has moments of humour & subtle romance. I loved the prequel & I must say, the sequel doesn't fail to deliver. The film has sustained its energy & wit, that one would expect from it.

Mark Steven Johnson's Screenplay is entertaining, although initially the pace is slightly slow. Howard Deutch's Direction is top-class. Tak Fujimoto's Cinematography is good. Editing also is ably done.

Performance-Wise: Lemmon & Matthau shine all through. Its their sheer on-screen chemistry, that alone is worth watching the entire film. Sophia Loren is top-notch. Ann-Margret is impressive. Kevin Pollak & Daryl Hannah leave a mark. Late/Great Burgess Meredith is memorable in his part.

On the whole, 'Grumpier Old Men' is a smooth, relaxing watch.

The best part about "Grumpier Old Men" is Burgess Meredith's character. He's even funnier here than in the original...and I love his version of "Goldilocks and the Three Bears"! As for the rest, it's pretty much what you got in the first film...though with an emphasis on a new character (Sophia Loren) and the upcoming nuptials of two other characters (John's daughter and Max's son).

The story picks up some time after the first film. John is married to Ariel and he and his nemesis, Max, are getting along better. Much of this might be because their kids are getting serious and talking marriage. Plus they have something else to unite them in the story...their hatred of a new lady, Maria (Loren). Why? Well, she bought their old bait shop and is turning it into a restaurant....and the pair do a lot to try to sabotage the place. These scenes are pretty funny. However, later, Max and Maria start dating....and the kids have a breakup. What's next? See the film.

This is a cute and enjoyable film. Nothing life-changing or super original but still fun and occasionally funny. Worth seeing if you liked the first one and better than most sequels.

John and Max resolve to save their beloved bait shop from turning into an Italian restaurant, just as its new female owner catches Max's attention.

We often expect sequels to be weaker than the original. But sometimes we may be pleasantly surprised. In this sequel, the "grumpy old men" are still up to their old tricks, going after each other and teaming up to close down a restaurant. Some of it may be a bit far-fetched (in real life, a store owner would get the cops involved) but it's good fun.

Sadly, the film has the distinction of being Burgess Meredith's final film. On the plus side, he really goes out with a bang. His acting and delivery of witty lines is top notch, and the film does a great job of hiding his Alzheimer's. You can really feel the talent in his character.