Passions d'automne

Set in the 30's, The Grass Harp is a story about an orphan boy who is sent to live with his eccentric aunts. The story follows the plight of social "outcasts" with humor and insight.

On the surface this story is about love and our connections to others - both living and dead. Yet underneath run themes of social injustice, racial inequality, religion, morals and the struggles of social conformity vs. individual expression - but the film never preaches. It just reveals.

Director Charles Matthau accomplished the near-impossible task of adapting Truman Capote's classic book into a beautiful rendered film. Wisely, he approached this multi-layered story with a light touch, allowing the material and talent to shine. Matthau skillfully captures a myriad of complex relationships and emotions, allowing the characters to live and breathe without placing judgment on who they are.

The boy's coming-of-age story is entertaining, humorous and poignant. As the film unfolds, Collin encounters a diverse group of characters, from which he gains valuable insights about life. Now an adult he looks back (as the narrator) reflecting on this formative time.

Each character is uniquely distinct and true-to-life. The entire all-star cast is at the top of their game.

This is the best performance of Piper Laurie's career. She is delicate and mesmerizing as the fragile Dolly Talbo. Her scenes with Spacey and Matthau will break your heart.

For those of you who have only seen Walter Matthau in grumpy curmudgeon roles, you are in for a treat!

Matthau is wonderful as a Judge Cool, a Southern gentleman struggling to find meaning in his retirement years. As Piper Laurie's love interest he is tender and charming yet dignified. A man of integrity and honor, Judge Cool is the only "accepted" towns person with compassion for the outcasts.

As a collective, the ensemble cast captures the social pecking order with uncanny accuracy.

Jon Don Baker is great as the Sheriff, Nell Carter is a hoot as the eccentric housekeeper and Sissy Spacek is an amazing blend of steely resolve masking her conflicted feelings of vulnerability and insecurity.

Roddy McDowell is the delightfully sarcastic barber. Jack Lemmon and Mary Steenbergen are great fun as cons on the run. Mary as a traveling cowgirl evangelist out to save souls - never mind that she is a single- mother of fourteen kids…all by different fathers! She pulls it off with comic charm and sad poignancy. Lemmon is a "chemical engineer" (read quack potions salesman) with a scheme to get his hands on Dolly's herbal potion. Even though both Lemmon and Steenbergen are devious cons looking to score, they too are well-developed characters and oh-so-human in their desperate schemes to survive the Great Depression.

There is also one of the most delightful casts of furry creatures ever assembled: a host of cats, dogs, fish, and a scene-stealing Rooster named Ralph. It looked to me like Ralph was huffing around wishing he had more lines. I'd be all for him getting his own sequel.

This is a technically perfect adaptation of Capote's stunning story based upon partially on his own experiences. Laurie is all things Dolly should be: ethereal, giddy, of understated intelligence, committed, etc. Spacek had to stretch to play the cold-hearted sister, but that's what great actors do. It is leisurely paced, but that's totally in keeping with the story. Music, sets, and all are done with precision and with plenty of soul. Matthau and Lemmon have no scenes together, and for a change, Matthau plays the ethically superior character. Edward Furlong is perfect as the story's protagonist, and Mary Steenburgen steals each scene in which she appears.

I recommend this movie highly to all who enjoy character development and Southern-US Americana.

...based on a short story by Truman Capote, and is mainly set in 1940. The film meanders at times, and the sad ending (right from the story, probably) is a bit of a letdown, but its still worth seeing for an excellent cast and graceful staging.

As the story begins in a prologue set in 1935, a young boy (Edward Furlong) is sent to live with his two spinster aunts following the death of his parents. These aunts might be sisters, but they are decidedly different; one is a hard-nosed businesswoman who owns many of the shops in town (Sissy Spacek), the other (Piper Laurie) is gentle and childlike, keeps house, and makes a homeopathic dropsy cure. After a few years pass, the two sisters have a falling out over taking the homeopathic cure into a factory setting, Laurie, Furlong, and maid Nell Carter decamp to the woods while waiting for Spacek to change her mind.

That is the main thrust of the plot, but there are all sorts of familiar faces in here as well: Walter Matthau as a retired judge and suitor for Laurie, Mary Steenburgen as a tent revivalist with 15 children, and brief cameos from the likes of Jack Lemmon, Roddy McDowell, Charles Durning, Scott Wilson, and Doris Roberts. This film is very little known, but it's worth tracking down for Laurie's performance especially.

"The Grass Harp" (1995) will remind a lot of viewers of "To Kill a Mockingbird". Not a huge surprise given that both stories involve Truman Capote's childhood (Harper Lee based the Dill Harris character on Capote). Both films also use small Alabama towns for their locations.

Capote loosely based his 1951 "The Grass Harp" novella on the eccentric maiden cousins of his childhood. For the film Piper Laurie plays good Aunt Dolly and Sissy Spacek bad Aunt Verena (who is even less likable than Pollyanna's Aunt Polly). Spacek gets to do something out of character and nicely underplays this one. Laurie gets to have even more fun and turns in a joyful performance. She is a little too good to be true but Laurie manages to sell the character with a remarkable performance. In the 1950's Laurie was an extremely pretty (and hot) young starlet but it is obvious from this and her performance in "Carrie" (playing Spacek's mother) that there was a lot of substance in that pretty package.

Edward Furlong (best know as John Conner in "Terminator 2") avoids the "Pollyanna" trap and is pretty easy to take. The coming-of-age side of the story works quite well.

"The Grass Harp" is a bit underrated, probably because the screenplay fails to capture the lyrical quality of Capote's storytelling, giving the viewer a surfeit of sentimentality compounded by a too sweet score. The title is a reference to the musical sound of blowing grass, a metaphor about intergenerational connections and the primary theme of the story.

The film would have benefited from a little more restraint. This is not a fatal flaw but the film would have been more powerful with Mockingbird's toned down production design and less colorful characters; maybe even going so far as to release it in black and white.

Those looking for action adventure and hot romance should look elsewhere. But there are a lot of "Mockingbird" fans out there who should really enjoy "The Grass Harp".

Then again, what do I know? I'm only a child.

After watching The Grass Harp I felt I had just experienced a feast! If you are tired of the McDonald's diet of recent Hollywood formula movies than you will welcome this gourmet quality film!

Based on Southern writer Truman Capote's boyhood, the story reveals the nuances of small town life with humor and wit. The lush visuals and lyric pace create a leisure mood befitting the 1930's when life was simpler. The golden sepia tones of the scenes subtly transport us into the memories of Collin, through whose eyes the story is told. The Southern ambiance, social graces and simple pastimes of a bygone era are beautifully recreated in the world surrounding the characters.

I love the barbershop scenes, where locals gather to socialize and get the latest news. You just want to hang out in the shop and shoot the breeze with Walter Matthau and Roddy McDowell. Joe Don Baker is the perfect southern sheriff and his sidekick Ralph (a rooster) adds a hilarious touch of eccentricity to his tough good-old boy demeanor. Charles Durning is hilarious as a self-righteous preacher that can't wait to kick Mary Steenbergen and her brood of a dozen kids out of town.

Piper Laurie is the heart and soul of the movie as Dolly Talbo. The timid and ethereal Dolly has been living under the thumb of her overbearing sister (Sissy Spacek) but manages to create a unique life of meaning for herself. Edward Furlong plays their teen nephew Collin who comes to live with them.

Dolly and her housekeeper (Nell Carter) take Collin under their wing and try to help him adjust to life in this small southern town. As Dolly advises Collin about the girl he has a crush on, she too falls in love for the first time in her life.

Piper Laurie glows like a young girl around the young-at-heart Judge Cool (Walter Matthau). Their scenes together are sweet and heartbreaking.

The movie is beautiful, both visually and emotionally. It is funny, sad, and touching. Don't rush this viewing. Sit down with a glass of wine and savor.

The Grass Harp is a feast for the eyes and soul!