Donnie Brasco

I read movie magazines regulary and I came across a review for "Donnie Brasco". I read it and thought "I would like to see that". It isn't really a well known film and I didn't remember it coming out in the cinema. So there I saw it, in my local video rental store, near the bottom shelf and just one copy. I rented it and I watched it. And I have to say it is one of the finest movies I had ever seen. It has drama, comedy, sadness and violence and continues to entertain the viewer until the opening of the end credits.

The beauty of the film is that although Pacino plays a member of the mob you end up with sympathy with him due to his loyalty to Donnie (Depp). Pacino plays Lefty well. The movie is very funny in parts and sad in others. Lefty is a very funny character and is hard not to like. Michael Madsen is my favourite actor and although you don't see enough of Sonny Black in contrast to his importance in the book, what you do see of him is enjoyable. Although the film ends differently to that in the book it shows the workings of the mafia well. A splendid over-looked movie with a great cast and an atmosphere that drags you in. Yet you have to read the brilliant book to get the full story.

Having read the book, the story of Joseph Pistone easily could have been made into two films with creative leeway, and giving more in depth look on how he infiltrated la Cosa-Nostra to the point where Lefty approaches him. I feel the uncut version fills in certain aspects that clarify other scenes in the theatrical release. Two years prior to the Sopranos this gave you a real look into low level made guys, in terms of dress speech and personalities..Not some fantasized version as depicted in The Godfather, and not high earning mob associates who weren't "members" in Goodfellas. Per the book and documentaries his infiltration was key in understanding the mafia structure so that the Feds could optimize the way they'd utilize RICO statutes and wiretapping. The acting was phenomenal but didn't really get into some huge scams that as an associate Donnie met with high level capo regimes, a few bosses especially in Milwaukee and Florida, most notably the Heroin/Pizza ring, Vending machines, and truck hijacking and Union connections. Pacino deserved an Oscar as did Jony Depp for there performance. Ignoring the few scenes with scams and violence and a criminal montage the movie creates an internal conflict and what amounts to a bromance, while providing a look at the different levels of sociopathic behavior and presentation amongst mafia members in the late 70s when the Commission was running the entire Northeast. Knowing the story, and how well this movie was executed by the director of 3 weddings and a funeral...in the hands of Tarantino, or Scorsese this could have bin a trilogy or 2 part saga...while not leaving out what was emphasized in the movie. E.G. after a year of becoming acknowledged as a "legitimate" associate there were members of Colombo and Bonnano families that tried to recruit him. And we saw frustration and helplessness as an agent, but not the fear and paranoia he had to experience magnified more than any "legitimate" associate...a wrong question, talking to the wrong person, showing that he can be a psychotic by knowing the rules. I loved the film but it was again primarily focused on Donnie Brosco's juggling his wife, the FBI, and staying in character...it didn't go into his accomplishments things he saw and big people he came in touch with not just in the Bonnano Family. Kudos to Michael Madison as well.

For some reason a Johnny Depp movie is always interesting. Whether it is a biopic about Ed Wood, a dark fairy tale about a man with scissors instead of hands, a movie about the greatest lover the world has ever known or a adventurous story about pirates, Depp's performance alone makes it worth seeing. Here he plays FBI-agent Joe Pistone who goes undercover using the name Donnie Brasco. He becomes a wiseguy with the help of Lefty (Al Pacino), who is sort of a loser wiseguy who desperately needs to be a mentor because most of his mafia family members look down on him. Donnie comes as a gift from heaven and it does not take long before Lefty trusts Donnie completely. The problem for FBI-agent Donnie is that he's starting to like Lefty as well.

The movie is a gangster movie but has its focus on the relationship between Lefty and Donnie and sometimes on other relationships. Donnie, or Joe, is married to Maggie (Anne Heche) who he hardly sees. He can not exactly tell her what he is doing and sometimes stays away for a couple of weeks. She pretends she is a widow to deal with it. We also learn about the relationships in the mafia family, including new boss Sonny (Michael Madsen).

The fact that this movie is more about the people and their relationships than about the events is a good thing. Sure movies like 'Goodfellas' are terrific but to see something a little different from time to time is nice as well. If you make a movie about people and their emotions you need to have some good performers to make the scenes believable. I already mentioned Depp but of course we have Pacino here as well. His Lefty is a memorable character and it is Pacino who makes sure that happens, but the fact that Depp is as good and especially believable as heavyweight Pacino says something. Of course we have Madsen who was probably the only right actor for the macho mobster Sonny.

Director Mike Newell seems to be a strange choice for this sometimes very violent and bloody story since he directed the terrific but sweet 'Four Weddings and a Funeral'. Fortunately it turns out he is the right man for this material, probably because its real subject is not gangsters but, like I said before, the relationships between the characters. 'Donnie Brasco' has enough to offer for people who like the gangster-genre, but even if you are normally not a big fan there is still a chance you might like it.

For a movie that's only three years old Donnie Brasco isn't something people talk about all that much. Not exactly setting the box office alight, it's further proof that great pictures don't always translate into great financial concerns.

Maybe it's the nondescript title - "Donnie Brasco" is hardly awe-inspiring and gives little indication of what the film is about. It turns out Donnie is the undercover name for Joe Pistone (Depp), a FBI agent investigating the Mafia. He makes a connection with "Lefty" (Pacino), which, while his initial integration into the group seems to lack conviction, soon builds up a watchable father-son relationship. Criticisms of the film - such as the forced nature of Pistone's behaviour becoming absorbed into the Mafia mindset - are largely irrelevant as this is a "based on a true story" outing.

Engrossing and eminently watchable, with first-rate lead performances and able back-up from Michael Madsen, this is an overlooked and extremely worthwhile film. The only complaint? Depp's first scenes, wearing the most fake-looking moustache in the history of the movies. But it detracts little from what is a highly skilled picture. So Fergeddaboudid!

On one level, "Donnie Brasco" might just look like another mafia movie. But it's not. It tells the story of FBI agent Joe Pistone (Johnny Depp), who in the late 1970s was hired to infiltrate the mafia. So, he got acquainted with hit-man Benjamin "Lefty" Ruggiero (Al Pacino). But lo and behold, Joe got too much into the mafia lifestyle, to the point where it dominated his life and kept him from his family. And no one ended up with a very good reward at the end.

Both Depp and Pacino are about as intense as we expect them to be, with good support from Michael Madsen, Bruno Kirby, James Russo, Anne Heche and Zeljko Ivanek. With his hair all greased back, Depp looks like the ultimate mafioso. I should identify that there are two scenes that will probably make your skin crawl: the leg scene, and what they do to the Japanese waiter.

But don't get me wrong. This is a really good movie. It's certainly a less glamorized view of mafia life than most of Al Pacino's movies, and Johnny Depp was certainly showing the same flair for acting that he has brought to the screen for the past 16 years. Very well done.