ÉVALUATION IMDb
6,6/10
24 k
MA NOTE
Un professeur timide et d'âge moyen entame une relation amoureuse mais non physique avec une collègue malchanceuse en amour.Un professeur timide et d'âge moyen entame une relation amoureuse mais non physique avec une collègue malchanceuse en amour.Un professeur timide et d'âge moyen entame une relation amoureuse mais non physique avec une collègue malchanceuse en amour.
- Nommé pour 2 oscars
- 4 victoires et 11 nominations au total
Lucy Avery Brooke
- Felicia
- (as Lucy Avery Brooks)
Howard S. Herman
- Rabbi
- (as Rabbi Howard S. Herman)
Avis en vedette
It's unfortunate that so many people give this movie a low rating. Barbra Streisand and Jeff Bridges do a fantastic job in this funny and romantic comedy. This movie is for you if you like a sweet romance where the leading actress doesn't look like a 16-year-old model. Barbra looks great for her age and more power to her!
I just want to begin by saying that, yes, I am a Barbra Streisand fan. However I am not the type of fan that regards everything she does as perfect. For instance I can safely say that "Yentl", while a very good idea and a noble effort was overindulgent and in desperate need of editing. Now as far as this film is concerned I never went to see it because I was told that all it was about was some ugly Jewish girl who in order to get her man bleaches her hair and loses weight. But after a spontaneous rental I was surprised to find myself actually enjoying it. At the end I realized that it wasn't as "sexist" and "anti-woman" as I had initially believed. Instead, it took seeing the "made-up" Barbra for Jeff Bridges to realize how beautiful the "un-made" Barbra was. The film was well acted all around, and well directed by Ms. Streisand.
Indeed, I am greatly inspired by Rose's transformation, as I myself have never imagined that anyone may consider me beautiful, nor attractive in any manner. Until recently I have found myself to be rather plain, and yet, once noticed, have understood what the character of Rose may have felt. The music in the film is truly inspiring as well, and Barbra Streisand's singing is, as usual, wonderful. I do wish that she would do another film like this...and perhaps even with Jeff Bridges. It would be nice...
The mirror has two faces: Barbra Streisand and ... surprise! ... Barbra Streisand! More explicit: the funny Barbra Streisand and the divine Barbra Streisand. Well, this miraculous metamorphosis is of course kind of disgusting and I wouldn't be the first person to argue that Barbra Streisand has a tendency to fancy herself pretty much (and I myself was already able to tell so from the unnecessarily long ending of "The Prince of Tides" - a very good movie). But as annoying as it may sometimes be, this is an extremely well-done and multi-faceted movie. Let me try to tell you, why I voted "7".
It starts rather mediocre when Streisand and Jeff Bridges get to know each other, talk some silly stuff and behave like little children. From time to time it gives a number of very good lines to Lauren Bacall, who is perfect as Streisand's mother. By the time Streisand and Bridges get married you are tempted to say: "Yes, very nice, but it's crap actually, isn't it?" But you won't think of saying that in the end.
The movie is a romantic comedy - containing a couple of cliches, fine - but with a new, non-cliche structure. This is no kitsch, not at all, oh no! Instead, it's made up of very good lines and very truthful moments. These are connected in a way that makes our emotion rise but leaves us unable to tell which words, which gestures made it rise. How come? The romance doesn't develop in the way we would expect it and have seen it many times before, no, this romantic comedy goes the long way round: First there is only a small deal of attraction, then there is previously unknown disillusionment - a black hole almost - and then love enters the stage. The final romantic scene fits into romantic comedy conventions, but it also fits into the picture and Streisand and Bridges deserve it. What a wonderful movie!
Basically Barbra Streisand is a good actress, but she loves exaggerating. She is able to manage difficult scenes, but she tries to be funny where being funny can't work and sometimes she's just hopping through the scene like a twittering sparrow instead of performing the emotions required for that scene. And after her metamorphosis she's more interested in her make-up than in her character.
Lauren Bacall plays a mean, self-addicted and vain old beast with a heart and a vulnerable soul. The scene where mother and daughter talk openly in the kitchen is wonderful. Even Pierce Brosnan is better than I would have expected.
Finally, the movie shows us the great versatility of Jeff Bridges: you've never seen him so very soft before (rude as he was in "The Fabulous Baker Boys", cool in "Nadine" or smooth and evil in "Jagged Edge"). However, he is exaggerating, too: which man can act this untruthful and affected?! In the scenes from Streisand's and his marriage his character is almost eerie - may this be good or bad for the movie...
It starts rather mediocre when Streisand and Jeff Bridges get to know each other, talk some silly stuff and behave like little children. From time to time it gives a number of very good lines to Lauren Bacall, who is perfect as Streisand's mother. By the time Streisand and Bridges get married you are tempted to say: "Yes, very nice, but it's crap actually, isn't it?" But you won't think of saying that in the end.
The movie is a romantic comedy - containing a couple of cliches, fine - but with a new, non-cliche structure. This is no kitsch, not at all, oh no! Instead, it's made up of very good lines and very truthful moments. These are connected in a way that makes our emotion rise but leaves us unable to tell which words, which gestures made it rise. How come? The romance doesn't develop in the way we would expect it and have seen it many times before, no, this romantic comedy goes the long way round: First there is only a small deal of attraction, then there is previously unknown disillusionment - a black hole almost - and then love enters the stage. The final romantic scene fits into romantic comedy conventions, but it also fits into the picture and Streisand and Bridges deserve it. What a wonderful movie!
Basically Barbra Streisand is a good actress, but she loves exaggerating. She is able to manage difficult scenes, but she tries to be funny where being funny can't work and sometimes she's just hopping through the scene like a twittering sparrow instead of performing the emotions required for that scene. And after her metamorphosis she's more interested in her make-up than in her character.
Lauren Bacall plays a mean, self-addicted and vain old beast with a heart and a vulnerable soul. The scene where mother and daughter talk openly in the kitchen is wonderful. Even Pierce Brosnan is better than I would have expected.
Finally, the movie shows us the great versatility of Jeff Bridges: you've never seen him so very soft before (rude as he was in "The Fabulous Baker Boys", cool in "Nadine" or smooth and evil in "Jagged Edge"). However, he is exaggerating, too: which man can act this untruthful and affected?! In the scenes from Streisand's and his marriage his character is almost eerie - may this be good or bad for the movie...
Let me just say that despite mixed reviews and public jesting, if it weren't Barbra Streisand that made this movie and it were someone else, no one would make fun of it like they do. Everyone just likes to pick on Barbra. But this movie is actually good! This film, about a man (Jeff Bridges) who goes looking for a nonsexual relationship and finds it with a middle-aged dateless professor (Barbra Streisand). As the two leads, these actors shine immensely! Mimi Rogers and Brenda Vaccaro are equally good in their supporting and often comic roles, as is George Segal. But the star of this movie, I must say, is Lauren Bacall as Streisand's beautifully aging mother. Bacall, who is not really known for her comedy roles, took the role and ran with it, making her character hilarious at times, heart-pouring at others. She is terrific! As for the actual storyline of the movie, it is somewhat predictable in its final outcome, but the routes it takes along the way are always interesting. The music is terrific; who doesn't like Luciano Pavarotti's "Nessun Dorma"? A very delightful romantic comedy!
Le saviez-vous
- AnecdotesDudley Moore was originally cast in the role that went to George Segal. He was fired by Barbra Streisand for not remembering his lines. These were the first symptoms of Progressive Supranuclear Palsy, a brain disorder that would later kill Moore. Conversely, in the earlier Elle (1979), Segal was replaced by Moore.
- GaffesCamera operator visible when Rose rejects Alex.
- Citations
Gregory Larkin: But I love the old Rose! The one with no makeup and baggy clothes who loves 'the perfect bite'! She eats carrots now, isn't that tragic?
- ConnexionsFeatured in HBO First Look: The Mirror Has Two Faces (1996)
- Bandes originalesI Finally Found Someone
Performed by Barbra Streisand and Bryan Adams
Written by Barbra Streisand, Marvin Hamlisch, Mutt Lange (as R.J. Lange) and Bryan Adams
Produced by David Foster
Bryan Adams appears courtesy of A&M Records, Inc.
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- How long is The Mirror Has Two Faces?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Mirror Has Two Faces
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 42 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 41 083 864 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 12 210 868 $ US
- 17 nov. 1996
- Brut – à l'échelle mondiale
- 41 083 864 $ US
- Durée2 heures 6 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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What was the official certification given to Le miroir a deux visages (1996) in Italy?
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