Ajouter une intrigue dans votre langueJoseph Svenden is a middle-aged school-teacher who lives on a farm with his dying mother. In his simple life there are no excitements, even in long-time relationship with a widow. However, w... Tout lireJoseph Svenden is a middle-aged school-teacher who lives on a farm with his dying mother. In his simple life there are no excitements, even in long-time relationship with a widow. However, when seventeen-year-old beauty enrolls in his class, Joseph would soon end up in her arms. ... Tout lireJoseph Svenden is a middle-aged school-teacher who lives on a farm with his dying mother. In his simple life there are no excitements, even in long-time relationship with a widow. However, when seventeen-year-old beauty enrolls in his class, Joseph would soon end up in her arms. After that, Joseph is torn between the passion and feeling that he is doing something wron... Tout lire
- Pastor
- (as James Harrell)
Avis en vedette
okey.. a middle age man looks at a 17 year old. he wants her.
okey. WHAT. exactly could a 17year old see in a middle aged man? why would a 17year old girl be wanting a middle aged man? mmm..must be the gray hair,the beer-stomach..
ehem..this is just a ridiculous film,made by people that want a legitimate reason to be looking at young girls.. im disappointed in mr.Hopper,doing a movie like this.. its so obvious why he,and other actors,take this roles in movies..
i give it 1 out of 10,just for the hilarious script..
i mean..
seriously??
This tale of a mid-western, self confessed 'mediocre farmer and schoolteacher' having an erotic affair with a 17 year old student, and the effect it has on his life, especially his long standing, but now somewhat inert relationship with his fellow teacher, is really about taking risks in life, even bad ones, and how we need those to stay alive.
I like and admire that the film neither fully condemns or approves of anyone or any action. Everything is complex.
Sadly, Amy Locaine as the girl, while stunningly beautiful, isn't at the acting level of her older co-stars, nor his her character written with the same kind of insight and precision, which hurts the overall effect. And some of the writing is a little overly poetic and theatrical.
Still, it's an unique film, dealing with sex, aging, morality, fear and self-image in a far more complex, mature way than most American films, and for once treats mid-western farm folks as just as complex, intelligent and tortured as their big-city counterparts.
"Carried Away" is the sort of film loved above all others by a certain type of audience. There's guilt, tragedy, alienation, and most of all - sex. "Carried Away" is the sort of film that always feels like winter, even if made in the middle of summer. It probably takes place in the 1970s, though that's never specified. This is not normally the sort of film I like. But there's a number reasons why it is so good. Mainly, the actors. Dennis Hopper is every bit as impressive as he's ever been, playing a character of painful reality and depth. Hal Holbrook, Julie Harris, and Gary Busey are all quite welcome as well. Amy Locane is interesting, playing on a complex level of childishness and convincing sexuality.
I got a lot of "Carried Away", because it has a lot put into it. The humanity is a basic thing, the details of ordinary actions, the observation of a slow day. In the end, the film is a little too hard and cold for its own good. It wants to make you feel cold in the summer, but that's just an illusion. Like black & white in colour. This could have been a bright, vivid film to even greater effect. But that's just a minor complaint.
"Carried Away" is a great and erotic romance directed by Bruno Barreto, about a middle-aged man that has a romance with a seventeen-year-old teenager. The midlife crisis of the lead character, Joseph Svenden, is very well explained by the script. First, it is hard to resist the beautiful body of the Lolita Amy Locane, no matter who you are. His affair makes him think about his boring and routine life in the countryside. The nude is not vulgar, but beautiful, and the sex scene between Amy Irving, who was Bruno Barreto's wife in 1996, and Dennis Hopper, is delicate. My vote is seven.
Title (Brazil): "Atos de Amor" ("Love Acts")
Busey was excellent when he's usually too much. Hal Holbrook was solid.
The story was one that middle-aged men are frequently (more often than we may expect) confronted with. This was the most unsensational, honest, and thoughtful presentation of the conflict I've ever watched. Great flick for the thoughtful.
There was a very sexual content - but never was it gratuitous. Every scene had a purpose. It was a rare film in that if you wanted to be entertained, it did that. If you wanted to provoke thought, it did that, too. How involved do you want to be?
If you enjoy movies that leave you taking more than one position, and arguing with yourself about what is "right" this is the kind of flick you'd enjoy.
Le saviez-vous
- Anecdotes"It was the longest night of my life," Amy Irving exclaimed, laughing, in reference to the nude sex scene she has with Dennis Hopper and directed by her real life husband Bruno Barreto. "It wasn't just getting naked. It was a woman getting naked beyond nakedness. It was finding a place in which I, as an actress, was able to act without feeling self-conscious of the 30 crew members, and making love in front of my husband. I don't think any two actors took better care of each other than Dennis and I did that night. It was very intense, surrealistic. You block out everything, and you just see each other, and I think that helped to bring the intimacy between Dennis and me even closer." She revealed the scene was edited but in reality it was longer and very explicit. "You wouldn't believe what was cut. There were moments when Bruno would say. 'Now I think we should try this.' And I like..." Irving rolled her eyes. "Sometimes I couldn't believe what he was asking me to do." But she said having explicit sex on set did not make her uncomfortable, "We're not making porn films here," she asserted. "We're expressing human nature in a very real, very strong, moving way."
- GaffesWhen Catherine's parents come to Joseph's house, the hall clock reads 8:35. When Catherine shows up just after her parents leave, the same clock now reads 7:35.
- Citations
Doctor Evans: Looking back you never regret the ones you did, only the ones you didn't.
- Bandes originalesCRAZY
Written by Willie Nelson
Published by Sony Tree Publishing Co., Inc. (BMI)
Performed by Willie Nelson
Courtesy of Capitol Nashville
Under license from CEMA Special Markets
Meilleurs choix
- How long is Carried Away?Propulsé par Alexa
Détails
Box-office
- Brut – États-Unis et Canada
- 290 978 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 35 416 $ US
- 31 mars 1996
- Brut – à l'échelle mondiale
- 290 978 $ US
- Durée1 heure 49 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1