S.O.S. Sauvetage

(1) hire out your local family swimming baths for the day

(2) hire a bunch of pretend weapons, some balaclavas, and a bank of CCTV monitors

(3) get 30 random people off the street and divide them into 3 groups. Tell one group they'll be the terrorists, one group they'll be the swimmers/victims, and one group they'll be the cops.

(4) randomly walk among the groups and film them doing whatever they want for a couple of hours, then edit the footage down to about 90 mins

(5) find Rutger Hauer, put him in a small dark room and film him mumbling to himself for a while. Add that to the footage you got in step (4)

(6) get some generic 'important' sounding backing music with plenty of orchestral creschendos and marching drums, and play it non-stop over the whole thing.

et voila, your very own Blast. Enjoy!

Linden Ashby stars as a janitor (Okay this was done in Virtual Assassin and Nightsiege:Project Shadowchaser II, Enough with the kung fu janitors who used to be secret service agents or something!) who is an ex-secret service agent who protects the swim-team from terrorists looking to nuke the U.S (What terrorists aren't?) and of course our hero wades through the disposable terrorists with the help of a wheelchair bound Rutger Hauer. The cast alone shows promise; Linden Ashby, Rutger Hauer, Thom Mathews and Andrew Divoff. However their efforts are in vain as Pyun never figures out how to use them effectively. Mathews in particular is a good martial artist, so why not have him as one of the henchman, ensuring us a fight sequence between Mathews and Ashby. I mean it would be better then seeing him like a prissy swim coach. Blast however makes the worst mistake of being just plain tedious. Aside from the ridiculous finale that sees Rutger Hauer as a sword wielding paraplegic, Blast is the worst type of B.movie a brainless bore with no redeeming value. Still, Rutger Hauer's presence saves this from my lowest rating possible.

* out of 4-(Bad)

With "Blast", Albert Pyun presents us with his B-movie version of the "Die Hard" scenario. Aside from the stop-motion fighting sequences and familiar plot elements - even down to the hero's ex-wife being the terrorist's last hostage - the movie also featured deflated performances from Andrew Divoff and Rutger Hauer. Even as the leader of the terrorists, Divoff is given very little to say and even less to do. Walking fast and tough down hallways seems to be his character's primary ability. And what was with Hauer's legs having been blown off? Wow - not since Gary Sinise in "Forrest Gump" have I seen such a convincing leg amputee.

Tim Thomerson looked like he was trying his best to be invisible in his role as the police chief who only appears on a single set. And if you've got a keen eye, you can spot pre-American Pie and pre-implants Shannon Elizabeth as one of the swimteam hostages. Other than that, a couple bad computer animated explosions, bad guys who have the hero at point-blank range yet still wait for him to escape to the other side of a locked door, a seemingly unkillable hero, and not-so-subtle characterisations make "Blast" another serving from Pyun that one should definitely miss.

There isn't much to be said about this movie. Certainly nothing to add after all these comments. I wouldn't even consider bothering unless I've found a strange bonus.

That bonus is music score. This movie caught me as background curtain while writing some data on my machine. Momentarily I've detected excellent score from Anthony Riparetti.

Never even heard about this composer. Indeed movie offers nothing unseen in this genre. But Riparetti done his homework. And homework made with great aplomb. From the first sequence to the end, he follows, communicates and captures visual essence with superb dynamic of his music. It compliments every scene. No, he doesn't offer profiled theme like Mancina offered in Speed. But, it clearly shows that he is one capable composer, at least for this genre - for this be the first score I've ever heard from him.

In fact, I was sure there has to be some score/soundtrack available from this movie. Alas, no such luck. Low profile movie and it would be miracle to actually generate even one single available track.

Anyway, if you would like to learn how to superbly dosage electronic music in any action movie, this is the movie for you. Forget the story, ego-trips that such genre generates all the time. For sake of music, do watch it, you wont be disappointed in this department. Guaranteed!

It is a great irony for such prosaic movie to own such a fantastic score. This score would superbly compliment some A class action movie. But, life supplies such ironies all the time I'm afraid.

STAR RATING:*****Unmissable****Very Good***Okay**You Could Go Out For A Meal Instead*Avoid At All Costs

As soon as I had started watching the film and saw the opening credits roll,a banner come up indicating that this was A FILM BY ALBERT PYUN and alarm bells started ringing in my head.Worse yet,it didn't take itself long to assert itself as A FILM BY ALBERT PYUN.All of ol' Alberto's defining touches are there from the off-set:the weary looking production values,the hazily-handled filming style,the sloppy editing,not to mention deficets with the script and dialogue.DTV favourite Rutger Hauer is on hand,headbilled as the leading man,but not featured until about half an hour into the film.The virtually none-existent action scenes do little to help matters.

Oh,the story?What could have happened had the FBI not averted a terrorist attack at the Montreal olympics.But although it even brags as being about this at the beginning of the film,it's conveyed in such an unbelievable way,you couldn't possibly believe it.It's unbelievably uninteresting as well,so it should really be avoided on all counts,shouldn't it?*