Deux jours dans la vallée

Trying to compare Two Days in the Valley with Tarantino's Pulp Fiction is pointless. There is very little originality in the vast majority of modern movies; by and large within their particular genre most movies are variations on a theme. I've watched Pulp Fiction several times and enjoyed it every time and I'll probably watch it many times more. I watched Two Days in the Valley and never once thought about PF, because I enjoyed it and accepted it as just another variation on a theme that was worth watching....and I'll more than likely watch it again....for its entertainment value. The characters were believable in a many-threaded plot that finally knitted together in a way that did not seem contrived.

1st watched 2/5/2000 - (Dir-John Herzfeld): Interesting mish-mash of characters who all eventually fit together amidst violent crimes started by a man who seems to be used to this line of work. Despite the obvious muddle-filled lives we are able to pick out those that we route for and they seemed to win out in the end. Interesting small film with many big names.

Unfortunately, "2 Days in the Valley" didn't get a big audience. I saw it in theaters and enjoyed it very much, and now that I bought the DVD I still enjoy it very much! This is really a unique, original piece of work with echoes of Tarantino. Just like any Tarantino film, the characterizations are very well-developed and the dialogue is sharp, witty and full of observation.

The film is an ensemble piece that works on the same level as many others in the genre: We're approached with a series of characters and as the story develops, we watch how the situations all interweave. The result is a hilarious, drop-dead funny dark comedy that's entertaining from start to finish! The music by Anthony Marinelli perfectly accentuates the ironic, darkly comic setting.

One of the crucial elements to make a film like this work is, of course, the characters. Each character is quirky in their own respect, yet they're not caricatures. This is not a farce; this is a real comedy about real people who are really screwed up. We probably know some of these people in our personal lives. And the wonderful cast of multi-talented performers shine in each of their respective roles. Danny Aiello is definitely one of our best actors, with an intense screen presence. He blesses us with another memorable performance as a hitman-turned-pizzeria-owner, who takes a yuppie couple (Glenne Headley, Greg Crutwell) hostage. Headley is a mousey, ultimately naive woman who does everything for, yet ceases to please, her mate--Crutwell as an annoyingly snooty Englishman with kidney problems. You want to cheer in every scene Aiello yells in his face or punches him out. Former teen star Eric Stoltz is good in a quiet role as a rookie detective, who's a little held-back but knows what's right. Jeff Daniels is beautifully cast and outstanding as his partner, who's been in the business for a lot longer, but is a loose cannon and will do absolutely anything--including exposing the masseuses of a Japanese parlor for alleged prostitution--to protect the dear "Valley." James Spader has mastered the role of the yuppie serial killer, and reprises the role he was born to play. He's smooth as ever and sadistic as ever. That's the Spader we know! Charlize Theron is the sexiest in her debut role as Spader's seductive partner. If you want to see the beautiful Charlize at her absolute hottest--look no further! Paul Mazursky--who I've seen in other movies, but doesn't quite stick in my mind--has a nice little supporting role as a washed-up screenwriter. I'll probably have him better stored in my memory after seeing him in this movie, he really is terrific. Finally, we have veteran actress Marsha Mason as a nurse, whose half brother is Crutwell. And there we go--the characters interweave. Each character has an odd sense of irony, which is what's wonderful about this movie.

The only minor flaws are the sometimes-contrived ways of merging the characters into different situations and the excess of characters. There are tons of characters, and though they are all greatly developed in their own particular scenes, the running time prohibits us from getting to know the whole story on some of them--and that's a little bit of crutch, since we grow to love (or love to hate) all these characters. For example, I wanted to see more of Daniels' character and his story comes to a halt midway.

Nevertheless, I was laughing all the way through and never once felt that the film lagged. I was surprised to look at John Herzfeld's (the writer/director) filmography and see a group of TV movies, after-school specials and a few flops, including "Two of a Kind" with John Travolta and Olivia Newton-John. Herzfeld really has an ear for dialogue, and he can be the next Tarantino! I'm not kidding! And I love the way he captures the sunny California setting. So beautiful and picturesque. I know I'm using a lot of superlatives to describe this movie, but it's so darn good and so few people went to see it and I hope more people do. So I urge anyone who hasn't to check out this underrated gem! You won't be disappointed!

My score: 8 (out of 10)

2 DAYS IN THE VALLEY (1996) *** James Spader, Danny Aiello, Eric Stoltz, Jeff Daniels, Paul Mazursky, Teri Hatcher, Charlize Theron, Marsha Mason, Glenne Headly, Greg Cruttwell, David Carradine, Peter Horton, Louise Fletcher, Austin Pendleton. "Pulp Fiction" meets "Short Cuts" best describes this fun, exciting and leisurely paced comedy/crime thriller with a dozen characters crossing over into each others' paths during 48 hours of murder, suicidal tendencies and the usual California angst of the San Fernado Valley. Great ensemble cast all obviously having fun and one helluva cat fight between Amazonian Theron and buxom Hatcher! Oh mama!

Writer-director John Herzfeld's mining of the multi-layered, heavily populated neo-crime genre sparked by the popularity of Pulp Fiction is an above average, if workmanlike, movie that should satisfy most aficionados of the style. Weaving together the stories of more than half a dozen interesting denizens of the San Fernando Valley, Herzfeld makes the most of his situations, allowing talented performers like Danny Aiello, Eric Stoltz and Jeff Daniels to show-off their chops. Additionally, Paul Mazursky shines as the depressed, suicidal director Teddy Peppers and Charlize Theron delivers an electrifying turn that should have made her a big star.