ÉVALUATION IMDb
5,5/10
34 k
MA NOTE
Lorsqu'une simulation en réalité virtuelle créée à l'aide des personnalités de plusieurs tueurs en série parvient à s'échapper dans le monde réel, un ex-flic est chargé de mettre fin à son r... Tout lireLorsqu'une simulation en réalité virtuelle créée à l'aide des personnalités de plusieurs tueurs en série parvient à s'échapper dans le monde réel, un ex-flic est chargé de mettre fin à son règne de terreur.Lorsqu'une simulation en réalité virtuelle créée à l'aide des personnalités de plusieurs tueurs en série parvient à s'échapper dans le monde réel, un ex-flic est chargé de mettre fin à son règne de terreur.
- Prix
- 1 nomination au total
Gordon Jennison Noice
- Big Red
- (as J. Gordon Noice)
Miracle Vincent
- Christine Barnes
- (as Miracle Unique Vincent)
Avis en vedette
For the most part, "Virtuosity" is basically another virtual reality-themed movie so full of action that it almost hurts. But interestingly enough, there is a little bit of a plot here. Denzel Washington plays Lt. Parker Barnes, who has to help find SID 6.7 (Russell Crowe), a virtual serial killer who has escaped into the real world in 1999 LA.
Yes, that certainly sounds like it could degenerate into the kind of garbage that Hollywood usually turns out. Much of the movie is in fact vaguely reminiscent of movies like "Demolition Man". But maybe we can interpret the movie as looking at the dangers of letting technology get too powerful, like what "2001: A Space Odyssey" looked at. Obviously, this isn't even remotely in the same league as that one, but given that it was released in 1995, it almost seems like a prediction of how computer-centric the world would become.
Not a masterpiece by any stretch - both Washington and Crowe have done much better work (and now they're both Oscar winners) - but worth seeing, if only once.
Yes, that certainly sounds like it could degenerate into the kind of garbage that Hollywood usually turns out. Much of the movie is in fact vaguely reminiscent of movies like "Demolition Man". But maybe we can interpret the movie as looking at the dangers of letting technology get too powerful, like what "2001: A Space Odyssey" looked at. Obviously, this isn't even remotely in the same league as that one, but given that it was released in 1995, it almost seems like a prediction of how computer-centric the world would become.
Not a masterpiece by any stretch - both Washington and Crowe have done much better work (and now they're both Oscar winners) - but worth seeing, if only once.
This movie from mid 90s holds up pretty well all things considered.
The main characters and quite compelling if also well over the top.
The support cast is all over but not really a problem.
I feel the FX held up well and the plot as short sighted as it is works.
Don't get me wrong this is very much a flash over function flick.
Can't say much without giving away the plot.
It also has the distinction of having UFC fighter doing non ufc things in the future.
Not sure why but sensationalists really went hard on the blood sport thing back then.
If you have not seen it do there are a lot worse ways to waste 1.5 hours.
The main characters and quite compelling if also well over the top.
The support cast is all over but not really a problem.
I feel the FX held up well and the plot as short sighted as it is works.
Don't get me wrong this is very much a flash over function flick.
Can't say much without giving away the plot.
It also has the distinction of having UFC fighter doing non ufc things in the future.
Not sure why but sensationalists really went hard on the blood sport thing back then.
If you have not seen it do there are a lot worse ways to waste 1.5 hours.
The first great film for Russell Crowe, and a very interesting film to say the least. Cyber culture is rarely ever depicted in movies, but this was one of those films which brought some of these underground tendencies to light. What was even more interesting was how evil Sid 6.7 was. Crowe did an excellent job of portraying the demented cyber villain. I especially liked Denzel Washington, who always manages to be believable in his role when he doesn't try to be a soul brotha.' Granted, the cinematography was pretty average as well as the music, but then again, the performance of the two main stars really made this film a winner.
You can't help but like Crowe's gleeful portrayal of a schizophrenic nano-bot serial killer in this ridiculous film, and with futuristic fascists, pervey programmers and a bucket loads of virtual reality cyber nonsense, this should really be a winner in the style of The Demolition Man or the Robocop series. But where other films in the genre have used such tools as wit and plot to keep the more intelligent of the viewers amused, this film, um, hasn't.
The script is terrible. The acting (excluding Crowe, who only gets away with it thanks to a camp smile and some fortunate direction) is wooden. And the plot is illogical and frustrating.
The script is terrible. The acting (excluding Crowe, who only gets away with it thanks to a camp smile and some fortunate direction) is wooden. And the plot is illogical and frustrating.
In the near future, Parker Barnes (Denzel Washington) is an ex-cop who has been sent to prison for murder. The circumstances surrounding his crime are disheartening and elicit empathy. Now, he is offered a chance at freedom from prison. Parker must hunt down and destroy a murderous cyborg, SID 6.7 (Russell Crowe), who is menacing the general public after jumping out of a virtual reality program. The chase takes on many twists and turns as SID terrorizes, shoots and kidnaps victims in his path. Can SID be stopped?
It may not be a science fiction masterpiece, but this film is worthwhile and intriguing. A second viewing may be required to truly understand and appreciate its complex plot. Then, too, the marvelous special effects enhance the look and feel of the film. It is not Denzel Washington's finest hour (he is adequate); however, Russell Crowe is positively gleeful in his portrayal of the ultimately designed killing machine. There are some humorous moments, somewhat lessening the overall dark and somber tone. On the down side, the ending may be a little too pat and leave a few loose ends untied. Recommended for science fiction and action movie fans who are on the lookout for lesser known films that may satisfy them for an evening.
It may not be a science fiction masterpiece, but this film is worthwhile and intriguing. A second viewing may be required to truly understand and appreciate its complex plot. Then, too, the marvelous special effects enhance the look and feel of the film. It is not Denzel Washington's finest hour (he is adequate); however, Russell Crowe is positively gleeful in his portrayal of the ultimately designed killing machine. There are some humorous moments, somewhat lessening the overall dark and somber tone. On the down side, the ending may be a little too pat and leave a few loose ends untied. Recommended for science fiction and action movie fans who are on the lookout for lesser known films that may satisfy them for an evening.
Le saviez-vous
- AnecdotesAccording to Kelly Lynch, she and Denzel Washington were supposed to kiss. However, Washington had the scene dropped because he felt an interracial love scene would hurt the film's box-office chances.
- GaffesAfter Sid's hand is blown off by a security guard's shotgun in scene at the fight arena: He jumps the fence to escape the ring after he spots Barnes, and you can clearly see the fact that a 'hand' is still present by the way the actor (or stunt double) uses that hand to help hop the fence.
- Générique farfeluAt the end of the credits when the producers thanks technology companies for providing tools, one tools is listed as HSC Kal's Power Tools. This is a typo, since the product is Kai's Power Tools. They typo is even archived in TCM's movie information database (http://www.tcm.com/tcmdb/person/7915492%7C0/Hsc-Kal-S-Power-Tools-Bryce/)
- Autres versionsDespite the "Not under 18" rating, the German video version is heavily edited to reduce violence. The uncut version is available only on DVD (it was approved by the juristic commission of the Head Organization of the German film industry (SPIO)).
- ConnexionsEdited into Twizzlers: The Movie (2015)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Virtuosity
- Lieux de tournage
- Gas Co. Tower - 555 W. 5th Street, Downtown, Los Angeles, Californie, États-Unis(fight scene near the ending)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 24 047 675 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 8 309 869 $ US
- 6 août 1995
- Brut – à l'échelle mondiale
- 24 047 675 $ US
- Durée1 heure 46 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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