Lorsqu'un homme d'affaires corrompu et le grotesque Pingouin complotent pour prendre le contrôle de Gotham City, seul Batman peut les arrêter, tandis que Catwoman a son propre plan.Lorsqu'un homme d'affaires corrompu et le grotesque Pingouin complotent pour prendre le contrôle de Gotham City, seul Batman peut les arrêter, tandis que Catwoman a son propre plan.Lorsqu'un homme d'affaires corrompu et le grotesque Pingouin complotent pour prendre le contrôle de Gotham City, seul Batman peut les arrêter, tandis que Catwoman a son propre plan.
- Nommé pour 2 oscars
- 2 victoires et 29 nominations au total
Avis en vedette
Batmust returns is the darkest batman movie to date. With a scary villain, and sneaky hero/villain and the dark knight himself. The penguin brings a dark look to the character. Tim Burton success from the 1st batman brings the success of batman returns, a very good storyline with good actors bringing the characters to life. Burton dark and Gothic scenes gives Gotham the reign of terror look, makes you believe that batman is needed in Gotham. A film that was ahead of it time. The audience of 1992 wasn't ready for this, but as time as gone on the film has become more liked, maybe the downfall of batman forever and batman and robin, everyone seemed to realise then that this film was very good and should of kept Tim Burton as the director. Never the less a brilliant film and 100% must see.
There were a lot of things that were excellent about this movie, like the cinematography and the performances, though it isn't as good as the first film. Michael Keaten is suitably brooding as the Dark Knight, better than George Clooney in Batman and Robin (considered as the worst out the franchise)though he is overshadowed by the villains, namely Danny DeVito as the Penguin, who looked as though he was having a ball, and brought a sense of sadness and grotesquesness to the role. Christopher Walken was effective also as Max Schrek. Stealing the show, with her flawless delivery of not-so special lines, is Michelle Pfeiffer as the sexy and manipulative Catwoman. The film looks lovely, with the sets and effects, and Tim Burton directs with detail. However the film does drag, and while there are some intelligent lines from the villains, the script could have been developed a little more. All in all, a dark and entertaining film. Whereas Batman Forever is funnier and more fast paced, Batman Returns is darker, but just lacks the sophistication of the first film. 8/10 Bethany Cox.
A nice follow-up to blockbuster fantasy epic that renewed Hollywood's faith in media blitzing. Batman returns contains a lot of noisy action ,thrills, chills and dazzling production design. The caped crusader is back in Gotham City, where even the criminals are afraid to walk the streets alone. There's a new breed of criminals in Gotham City led the the sinister the Penguin. While Batman (Michael Keaton) deals with a deformed man calling himself the Penguin (Danny DeVito) wreaking havoc across Gotham with the help of a cruel businessman (Christopher Walken), a female employee (Michelle Pfeiffer) of the latter becomes the Catwoman with her own revenge. From the Sewers of Gotham, and New Villain Emerges. From the Rooftops of Gotham, the Purrrfect Enemy Comes to Life. And the Only One Who Can Save this City, is a Creature of the Night. While She Craves a Romance She can Sink Her Claws Into, He Plots a Fowl Reign of Destruction, Above Gotham, Looms Its Greatest Hero.
This is a dynamic, fast- paced and entertaining movie. Full of action , it's complemented by violent images, thriller and breathtaking scenes with overwhelming fights and traditional FX along with brief computer generator special effects. The dark story is made believable and the script has more pace to it than former film Batman (1989). The picture relies on terrific flying sequences, impressive struggles, black humor and breathtaking pursuits. More of the same from director Tim Burton with Batman more of a supporting role overshadowed by provocative villains. With Danny DeVito cruely misshapen Penguin who seeks to role over Gotham City. Michelle Pfeiffer is the dangerous and exotic Catwoman who has more than a passing personal interest in Batman and Christopher Walken in the maniacal tycoon Max Shreck. Keaton is surprisingly good as the dual personality hero though Pfeiffer steals the show, she fares best in her wickedly sexy character and second-skin costume completed with bullwhip.
The motion picture was well directed by Tim Burton. Being preceded by ¨Batman¨ (1989) with similar cast : Michael Keaton , Michael Gough, Jack Nicholson , Kim Basinger , Robert Wuhl , Tracey Walter , Pat Ingle , Jack Palance. Followed by ¨Batman and Robin¨ (1997) by Joel Schumacher with Val Kilmer, Chris O'Donnell, Uma Thurman, Alicia Silverstone , Michael Gough , Arnie, Pat Ingle , John Glover. And ¨Batman Forever¨ (1995) by Joel Schumacher with George Clooney, Chris O'Donnell, Jim Carrey , Nicole Kidman , Drew Barrymore , Deby Mazar , Don Dragon Wilson, among others .
This is a dynamic, fast- paced and entertaining movie. Full of action , it's complemented by violent images, thriller and breathtaking scenes with overwhelming fights and traditional FX along with brief computer generator special effects. The dark story is made believable and the script has more pace to it than former film Batman (1989). The picture relies on terrific flying sequences, impressive struggles, black humor and breathtaking pursuits. More of the same from director Tim Burton with Batman more of a supporting role overshadowed by provocative villains. With Danny DeVito cruely misshapen Penguin who seeks to role over Gotham City. Michelle Pfeiffer is the dangerous and exotic Catwoman who has more than a passing personal interest in Batman and Christopher Walken in the maniacal tycoon Max Shreck. Keaton is surprisingly good as the dual personality hero though Pfeiffer steals the show, she fares best in her wickedly sexy character and second-skin costume completed with bullwhip.
The motion picture was well directed by Tim Burton. Being preceded by ¨Batman¨ (1989) with similar cast : Michael Keaton , Michael Gough, Jack Nicholson , Kim Basinger , Robert Wuhl , Tracey Walter , Pat Ingle , Jack Palance. Followed by ¨Batman and Robin¨ (1997) by Joel Schumacher with Val Kilmer, Chris O'Donnell, Uma Thurman, Alicia Silverstone , Michael Gough , Arnie, Pat Ingle , John Glover. And ¨Batman Forever¨ (1995) by Joel Schumacher with George Clooney, Chris O'Donnell, Jim Carrey , Nicole Kidman , Drew Barrymore , Deby Mazar , Don Dragon Wilson, among others .
I've enjoyed this movie ever since I was a kid and I still do. I also liked Batman forever back then but the real difference is that THIS movie didn't date when I grew up. I did notice a few scenes in this film that didn't make any sense like: 'Hhmm... the crowd is angry. Hey! Where did they get those tomatoes from?' Then I thought: 'who cares? This movie is not 100% serious anyway!'
The original Tim Burton Batman was great as well but it was a bit cheesy at some parts and I didn't like all the actors. This movie improved on almost every aspect with a wonderful cast, a more Gothic style and no involvement of Prince.
Nowadays, many fans of the Christopher Nolan movies dislike Burton claiming that the Nolan movies are more serious and therefore more loyal to the comics. I don't think this is entirely true: -There has never been an adaptation of the original concept of Batman which was a vengeful criminal killer with a gun. -Batman has taken many forms over the years peeking its silliness in the 60's (and a bit with Batman & Robin). A director is free to choose what kind of Batman he's going to portray as long if it's good.
My opinion: Batman doesn't necessarily have to be serious. It's about a man in a rubber suit with pointy ears. Burton managed to create a perfect balance between the silliness and the darkness surrounding the whole idea.
I just recently watched the Nolan movies and I love those ones as well (especially The Dark Knight). There's simply something about this movie that interests me more. Nolan's goal was to give the character much more depth and in doing so, he looked for an explanation of nearly every aspect of Batman. That's a bit too much for me, I'm a bigger fan of the more abstract version of Batman. The Burton movies are more theatrical and centered around the atmosphere.
My conclusion is that you shouldn't compare the Nolan with the Burton movies. They're just different and it's up to you to decide which one you like better. My respect is for both directors.
The original Tim Burton Batman was great as well but it was a bit cheesy at some parts and I didn't like all the actors. This movie improved on almost every aspect with a wonderful cast, a more Gothic style and no involvement of Prince.
Nowadays, many fans of the Christopher Nolan movies dislike Burton claiming that the Nolan movies are more serious and therefore more loyal to the comics. I don't think this is entirely true: -There has never been an adaptation of the original concept of Batman which was a vengeful criminal killer with a gun. -Batman has taken many forms over the years peeking its silliness in the 60's (and a bit with Batman & Robin). A director is free to choose what kind of Batman he's going to portray as long if it's good.
My opinion: Batman doesn't necessarily have to be serious. It's about a man in a rubber suit with pointy ears. Burton managed to create a perfect balance between the silliness and the darkness surrounding the whole idea.
I just recently watched the Nolan movies and I love those ones as well (especially The Dark Knight). There's simply something about this movie that interests me more. Nolan's goal was to give the character much more depth and in doing so, he looked for an explanation of nearly every aspect of Batman. That's a bit too much for me, I'm a bigger fan of the more abstract version of Batman. The Burton movies are more theatrical and centered around the atmosphere.
My conclusion is that you shouldn't compare the Nolan with the Burton movies. They're just different and it's up to you to decide which one you like better. My respect is for both directors.
Very rarely do movie sequels ever match the grandeur of the originals. BATMAN RETURNS however, does so with gusto. The sequel to 1989's BATMAN, BATMAN RETURNS neither milks the success of the first movie nor totally disregards it; it's a wonderful sequel and a spectacular movie in its own right. There's something for everyone in this movie - humor, high drama, plenty of action, and lots of cool things to look at. Of course, viewers have to get around Tim Burton's morbid and sometimes offensive sense of humor, but that shouldn't be too much of a problem in this era of SOUTH PARK and THERE'S SOMETHING ABOUT MARY. While the movie has many great moments, it also has its flaws. The plot seems rushed, stitched together. Danny DeVito tries his best as the Penguin but doesn't quite pull it off. Christopher Walken appears as a secondary bad guy, but his performance is lackluster compared to the others. And many of the action sequences, though breathtaking, seemed forced and are occasionally absurd. All that aside, there's all kinds of surprises in this movie - smart humor and dialogue, characters you can't help but love, lots of satire (Homer's Iliad, CITIZEN KANE, and the American political scene are all lampooned), and many memorable scenes that only serve as a testament to Burton's colorful imagination. I hope to get this movie on DVD, where I can enjoy it on my big screen TV in all its glory. Not exactly the best Batman film ever, but still a fascinating movie to watch over and over again.
Le saviez-vous
- AnecdotesBurgess Meredith, who played the Penguin on Batman (1966) and in Batman le Film (1966), was asked to play the Penguin's father in the opening of the film, but illness prevented him from it.
- GaffesWhen the Mayor of Gotham City says "Where is that insufferable son of a bitch?" you can see Commissioner Gordon mouthing his line.
- Citations
The Penguin: [while being bombarded by food] Why is there always someone who brings eggs and tomatoes to a speech?
- Générique farfeluOf the four films from the Tim Burton/Joel Schumacher Batman franchise, this is the only one in which the opening credits sequence does not feature/use the Batman logo or a variation on it.
- Autres versionsIn the UK the film was cut by 9 seconds at its cinema release. One cut was of a clown swinging nunchakus, the other was of Catwoman putting some spray-paint cans in a microwave to start an explosion at a department store. These cuts also applied to all pre-2005 VHS and DVD releases. In 2005, the film was resubmitted for the special edition DVD release. The BBFC downgraded the certificate back to the original 12 certificate (which was not possible in 1992, when the 12 certificate was cinema only), and waived the cuts to the chain-sticks scene, but the aerosol in the microwave scene remained cut on the grounds that it was a potentially dangerous imitable technique. Various extra features being rated 15 caused the overall category of the DVD to be 15. The resulting cuts meant that the audio commentary was dropped from the UK release (probably because it would have been out of sync), although it is still mistakenly advertised as present on the DVD packaging. All previous BBFC cuts were finally fully waived in 2009 for the Blu-ray release, and the film upgraded to 15.
- ConnexionsEdited into Batman Returns Heroes: Batman (2005)
- Bandes originalesFace to Face
Words and Music by Danny Elfman and Siouxsie and the Banshees
Produced by Stephen Hague and Danny Elfman
Performed by Siouxsie and the Banshees
Courtesy of Polydor Limited and Geffen Records
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Batman Returns
- Lieux de tournage
- Stage 12, Universal Studios - 100 Universal City Plaza, Universal City, Californie, États-Unis(Penguin's lair, demolished in 2020)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 80 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 162 924 631 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 45 687 711 $ US
- 21 juin 1992
- Brut – à l'échelle mondiale
- 266 941 512 $ US
- Durée2 heures 6 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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