Merci la vie

If you want to see something different, watch this movie.

If you can bear the first 15 minutes, then you will be able to enjoy it all.

I enjoyed every minutes of that movie. Charlotte Gainsbourg and Anouk Grinberg are great. I am usually very good at predicting what will happen next in a movie. But not this time. I had no idea where Bertrand Blier was going. And he was going there real fast. He plays with everything (the story, lighting, music, actors).

According to me, it's his best movie.

after seeing this movie for the 1st time on 'cuny' in nyc, & being a lover/francophile of french movies, i have to comment that this may have been the worst movie, us, french, etc, that i have ever seen. gainsborough's performance was gratuitous & only n movie due to father, the story line was ridiculous, & depardieu, but then again not only has he sold out, but has been embarrassed by the us movies he has appeared in, should be ashamed. besides that, joelle was beautiful!! this was french "new wave???, at its worst.

... and you get the film that made me understand what cinema was all about.

The simple story of two teenagers meeting at no time. The candid one, Camille, makes the audience, the more experienced one, Joelle, provides the story: in the 80s or 90s, a foolish lover decides to exploit her sickness (AIDS) to contaminate the male population of his provincial town and gain on the visits of his new patients... the clever man is a GP.

The story is made even more interesting when it suddenly jumps from one period of the 20th century to the other, France under occupation during the second world war. Whatever the period, the drama is the same.

What I liked so much in this film is the way Blier makes the last jump, when the film is no longer about the story but about the crew of the film. It is not only a simple effect, it goes on showing that life is a drama whatever the situation, that even if Joelle is an actress, still she can live the same drama.

The other great thing about this film is that you can't help comparing it with Blier's 'Les Valseuses', and read it as the story of friendship and liberty at two different times (70's for les valseuses). This is not just because of the story line, but is present at almost every shots. From the meeting of the two encounters to simple shots on the road, where both walk, one slower than the other, like an unbalanced pair.

When I first saw this flick, I thought it was 20 years ahead of its time. Nine years later, I'd like to review the "20" part of it. Say "30" instead. It was an important flick for me. A reflection on cinema, reality and time. I remember reading a "Letter to the editor" in the local paper (La Presse) in which the "reader" expressed his disgust for the film. Nothing is disgusting about it. "Challenging" maybe. "Disturbing". Never "Disgusting", unless one is disgusting by the story of a young woman spreading an imaginary mortal sexually transmissible disease for the local doctor to prosper.

Of course, since and before, other experiences were made, but this one is not to be overlooked. A must.

Bernard Blier's movie has many moments or remarkable cinema. Unfortunately, it is too complex to enjoy. The screen writer and the director play with the story line, jump time periods and change characters in a sophisticated manner. You keep on changing your mind about 'what the film is about'. It is never boring, just too complex to follow and really enjoy beyond the expert film making. Some of the great names of the French cinema star in this movie, as well as two of the hot female stars of the newer generation. Worth watching, but not for the commercial cinema fans. 7 out of 10 on my personal scale.