Wycliffe

That is not to be critical of non British crime series.

No plot spoilers.

This is a 1990s detective series set in Cornwall ,which is a poor rural area in the South West of England.

The setting is important to the series,the landscape of moors and rocky coastlines are like a character in the episodes.

The plots seem realistic with references to problems with drugs,poverty and holiday homes.

The cast is great,the 3 leads are excellent.

I do wonder what happened to Helen Masters who is just wonderful.

Since Wycliffe was made there have been similar series set in rural Wales.

As a Scot it surprises me that Scottish crime series are never set in the Highlands

If you decide to track down Wycliffe you might find it a bit slow and the smaller parts are not well cast but this was a proper regional production in the days before ITV became a monolith.

After binging 20+ seasons of Midsomer Murders, Wycliffe was the perfect show to go into next. Instead of the quirky, usually fun, but for sure brighter, HD widescreen presentation with a much more modern formulaic episode, we get a much more realistic, drawn out portrayal of policing/detective work.

Just wrapping up the last episode of season 5. What's unfortunate is that it had probably at least 2 more seasons in it, and I put all the blame on ITV. Anyway, for my experience, the first three seasons are much different than the last two, and that's not a bad thing. While those first seasons draw more from the Wycliffe books and that same format, season 4 and 5 started having several long reaching arcs that were woven well into the mystery of the week.

One of the things that might throw some people off (but if you've seen Taggart, especially those early years) is that when the case is done, many times the episode just ends on what seems to be an awkward note - still, it doesn't take long to get used to it. Today, we seem to want, or feel that we deserve, some kind of resolution for everyone, even the secondary characters.

An underlying theme of the show that becomes more prominent is certainly the conflict between the "man on the ground" and the bureaucracy calling the shots from their ivory tower, usually concerned more with politics, procedure and press releases than the actual job. This is incarnated typically in Michael Attwell's DCC Stevens, who does a wonderful job of bringing to life a character that makes you want to punch him in the face every time he is onscreen.

It's not until later in the show's run that we start to get better glimpses into the personal lives of Wycliffe, Doug and Lucy, but the common theme of trying to have a life outside of the job is what is emphasized. With Wycliffe, what starts out with just phone calls home to Helen or even one or two with his son David, eventually give way to more nuanced and fleshed out scenes with his entire family, as he struggles constantly with being there as a husband and father to two teenagers. At the same time, Wycliffe also has the benefit of having a fairly stable home life. Doug and Lucy have their own issues just trying to find and maintain any kind of lasting relationships.

The Cornish setting is a nice change,not only from other British cop shows I've watched, but from police dramas/mysteries in general. The rural-ness and for the most part what I'd consider today as low middle class to working poor as many of the supporting characters brings a different kind of gravitas to these stories as the villager or upper crust elites of Midsomer do. There's a certain feeling of despair that seems to be integrated into the personalities of so many characters on the show.

The show takes its time telling the story. There's definitely a slow burn to many episodes. Sometimes an episode will start and it doesn't make much effort to hide whodunit, and other times I was completely surprised. Over the course of its run, Wycliffe finds this odd combination between Columbo (where you know from the start who did it and you watch the heroes struggle through trying to figure out how to prove it) and the typical mystery which when well-written, leaves you guessing right up until the end.

To reference my title, it's certainly a show that wouldn't get the greenlight today. If it did, there would be probably massive changes to the scope and characterization on the show. Probably in regards to Lucy and Doug does that seem most evident. Lucy has some moments during the show where reality hits her hard, and the show doesn't hold back because she is a woman. She is forced to acknowledge that in certain situations she thought she knew more than she actually did, and it gets her into a couple of pretty rough situations because of it. If anything, the writers actually wrote Lucy as a wonderful character who struggled, had a real character arc, learned, and showed vulnerability. In other words, she was actually written as a woman, instead of the current day trend of taking a male character and just changing the pronouns. Jimmy Yuill's Doug would probably have been written off the show after the first season if Twitter was around back then, because some rando on there would have their sensibilities offended or triggered or something. While he and Wycliffe were both of the old school, Doug's struggle with adjusting to the change not only in policy but underlying culture was definitely more prevalent - and unlike Sgt Troy from Midsomer, who seemed to mellow and broaden his viewpoints somewhat over time, Doug Kersey staunchly stuck to his guns and didn't mince words over his displeasure. It's the kind of characterizations we need today in current American TV.

It is certainly a show I'd recommend. I feel like I rambled, but my coffee has worn off and I need to take a nap.

"Wycliffe" is a windswept and rain-sodden Police drama. It is set in Cornwall, the most westerly county in England. Standard dress for plain-clothes detectives appears to be a scruffy grey polo-neck sweater and waterproofs.

The series centres around Detective-Superintendent Wycliffe, whose family life occasionally intrudes into the plots, and two subordinates: a woman Detective Inspector who has been pushed too fast into a senior rank, and a disillusioned male colleague.

Even looking piratical, the Police appear to be intruders into a comparatively isolated community. Some of the office politics which occasionally feature, deal with Wycliffe's aversion to the latest fashionable management trends from London being foisted onto his force.

"Wycliffe" is well worth watching the series for the scenery alone, and hearing the slow local accents.

Wycliffe uses a dull knife of plodding detectery to pry these mysteries out of the gray sea and apparently endless you've-seen-one-you've-seen-them-all moorish landscapes. In almost every one the perpetrator and plot ending are revealed long before the hour is up. Revealed to the audience, that is. Wycliffe and his team take a bit longer. These are the bog-standard fare for older British detective series -- not much originality, not much emotion except the occasional bark of the boss when he is discommoded, lots of old ratty hotels and fusty pubs with less-than-winsome barmaids. A lot of the scenes consist of a couple of the detectives nursing beers in a bar in the evening, fussing about which direction the case should take next. They never agree. I'm watching almost all the episodes because I've already watched every other British mystery series a half dozen times. This is one of the least of these, my brethren.

A thoughtful series that uses the scenery of Cornwall with great effect. Jack Shephard has acted many roles in British cinema, the first role that made me notice him was in the hammer horror, Dracula. Wykliffe gave him an opportunity to show his range of acting skills and demonstrate hi well honed jazz skills. Jimmy Yuill and Helen Masters perform well together and spark off one another with good effect. Jimmy Yuill in particular has gone on to act in other TV dramas that has shown his range of skills. The slow moving tempo of the series and the way it takes its time to develop characters makes Wykliffe one of the best police drama series. It is eminently watchable.