Maigret

There are two great Maigret adaptations available online or in DVDs from the 1990s, the British version done by Granada for two seasons in 1992, starring Michael Gambon, and the Dune French version that lasted from 1991 until 2005 with Bruno Cremer. Both have strong qualities, although in many ways they are completely opposite. Gambon's Maigret is affable, poetic, emotional, sympathetic, and works in close concert with his men; his Paris (Budapest) is sunny and bright. Cremer's Maigret is taciturn and intense, preferring to wait silently while people reveal themselves, riding his men hard at times, especially the often incompetent officers he encounters outside of Paris; and his Paris (Prague) is always gray or pitch black, dark wet streets, his pipe glowing. In many ways the visual look of the shows are opposite, with the British series relying more on the romance and nostalgia of Paris, while the French series is a showcase for the dark psychological mysteries of Simenon. The French series hews more closely to the original stories, and also has the advantage of the episodes being 30 minutes longer; it is also a more complete canon, with nearly 5 times as many stories. In the Gambon series, Gambon is more pleasant, his men work with him as a clever team, and we see much more of Mme. Maigret, who appears in nearly every episode, but the humor and the characterizations are typically British, which can be somewhat disconcerting. The Cremer Maigret varies in quality with the directors, but he is almost always brilliant, playing his hunches and guiding his investigations with a deep psychology that truly honors the original Simenon novels. And it goes almost without saying, the French version pulls no punches and has a much darker way of exploring aspects of the French character that the heart of Simenon; Cremer spends a lot of time listening to people and asks questions which seem strange but reveal hidden truths. Gambon's Maigret does more of the talking and seems to succeed more through luck and teamwork, which may be failings of the shorter format and the transition from French to English storytelling. I'm fond of them both, but the Cremer Maigret is one of my favorite television programs, with plenty to love, at over 75 hours. It is also possible to watch the Cremer Maigret's over and over, picking out new clues and details, but there is no such depth to Gambon's Maigret.

In 1992/1993 I was busy trying to make a career and did not see much of this series.I have seen some repeats but was delighted to buy the dvd boxed set.

It seems I had seen hardly any of the series. People are critical of this saying it is a British version of a French tale,fair comment but it is a well written and well cast and watching makes me want to win the lottery and move to Paris. There are 12 episodes and of course some are weaker than others but the acting is always good even in the small parts and it looks great.

Budapest plays Paris. I like the recent,Rowan Atkinson version of Maigret but this version is bigger budget and a better view of Maigret and his team in a more sinful Paris.

The plots assume than viewers would be willing to invest some effort into some complicated stories but this is less true nowadays

The Michael Gambon Maigrets are very good realisations of the Simenon novels. If you haven't read the books you should know they are less 'whodunnit' than 'whydunnit'. This is what, for my money, gives Simenon the edge over other crime writers. Uncovering the criminal is almost an aside to stories of envy, greed, fraud, petty criminality and the hatreds and resentments in the everyday lives of ordinary people. "Maigret sets a Trap" is an excellent example of this and it makes a great final episode for the first series.

The series was filmed in Budapest which makes a very good 1950's Paris (although Maigret worked from 1930 to 1972 in the novels, by which time he would have been about 88) and spares us establishing shots of the Eiffel Tower every two minutes.

My only criticism is that the episodes would have worked better with a slightly longer running time, maybe 80 minutes. This would have given more time for the development of the characters (we need to know their motivations for Simenon's stories to work) and the atmosphere in which Maigret has to work. In 'Maigret Goes to School', for example, everyone in the village is against him. All we get in the film is a few minutes of abuse and antagonism from a couple of characters in the local bar.

Otherwise this is good, enjoyable TV detective work.

We have been having our daily dose of watching Maigret over the past month. We started with the Rowan Atkinson version which is very good but this Micheal Gambon version is far more approachable and likeable. He is intense but caring. The stories are a bit transparent but when taken as a "who dunnit" it is a good watch. I am looking to reading some of the books now that we have exhausted the series and seeing if they are equally as good as an escape.

If you like the British mysteries then I think you would enjoy Maigret and would recommend it. It is very British and make no attempt to embody French mannerisms, accents, or style. It does nicely capture the style of what we expect 1950's Paris.

Filmed I think in Budapest, it has the shabby, faded look of the 50s. Writing, directing and acting are all top-notch. Many respected thespians pass through: Peter Blythe, Edward Petherbridge, Betty Marsden, Toyah Wilcox, Anne Todd - yes, that Anne Todd. Like the Simenon novels, the episodes are thick with atmosphere and explore the seedy realities of life. The characters are not nice middle class people who appreciate classical music and whose children go to good schools. They are a spendthrift playboy in a mouldy chateaux, or a stripper with - not a heart of gold but a few moments of tenderness. They are dentist's assistants, schoolboys, mendacious antique dealers, toyboys, prostitutes. See it if you can. xxxx