Un amour fatal

I actually taped this movie 8 years ago and watched it for the first time since I had originally seen it. I loved the movie and thought Molly did a great job doing Alison. Lee and Martin did a good job too. I think that the best line in the whole film is when Alison says that most people think that AIDS is some kind of punishment for either taking drugs and/or sleeping around. That to me could not be a better line. I would not say this is the best movie regarding AIDS but one of the first that really try to deal with it early on......

"Alison Gertz-The Role Model to All The AIDS Infectors." is the first and only sentence I speak out by the light of nature after I feelingly watched this great movie. Alison is a great character. She enjoyed everything like other girls in 20s. Having boyfriends and attended various public meetings or parties, she is a active, recognized-charming and little-unbridled lady. On the eve of her marriage, something shocking happened to her. What a shocking thing that can make her marriage waterloo ? The disease-AIDS !! Our character Alison was diagnosed a AIDS infector. Everything changed and she now just can stay in bed for endless time waiting the nurses helping her doing everything. What Alison undergo in the future of combating with AIDS and whether she become stronger are the common remained thoughts that will in watcher's mind. Leading actress Molly did a great job. She showed me how Alison-a infant AIDS Infector-grow with conquering and finally became a mature leader as the mentally successful conquer of AIDS which is a disease that changed her life. I very much appreciate the character Alison and Molly's great performance of this special and hard role. In the movie, the role Alison's Father, Mother and her best friend also very important. Their reflections to Alison's disease and the very moment that realizing she is a AIDS infector somewhat reflect the director's view about how people treat their family members, friends or best friends when they realized they are AIDS infectors. So, this movie is like a mirror where you can see what different people do in face of a AIDS infector who maybe their friend, one of the family members or loved one. Alison have three boy friends at different life periods. However, only one of them, a Israeli boy who give Alison a book called LOVE MEDICINE and HOPE, helped Alison by emotional cares. Other two all leave her away with disloyal excuses which made Alison deeply in sad for a long time. Directed by Mcloughlin, this is a movie with a perfect ending like Lost in Translation (2001). Different from Lost in Translation which is sad love story, the story line of Something to live for : The Alison Gertz Story is dealing with one person's experience towards something that is sad. The Alison Gertz Story is filmed and shown on TV in 1992, 13 years later the issue AIDS is still a serious case throughout the world. In America, in Europe, in Asia and in Africa specially, this monster (AIDS) eats up a great amount of normal people's normal life. Each AIDS Awareness Day, we remember them in heart. As South Africa's worldwide show 46664 held by former South Africa president Nelson Mandela, AIDS has been awared in the most stricken area-Africa. And, to us, REwatch Something to live for : The Alison Gertz Story (1992) TV is a great education that can affect on our ideology deeply towards the AIDS or potentially AIDS infectors. For the forever combat with AIDS, For the people around us, For AIDS infectors, For everyone, it worth rewatching this 1992-made TV movie as a great education !

Ever since I can remember I have had a massive crush on Molly Ringwald who in this film takes on the best role of her career as Alison Gertz a truly inspirational woman who died of aids in 1992. Molly and a great supporting cast show the true devastation that this disease causes on a person with (at the time of infection) no previous sexual experience, no drug taking past and no history of blood transfusion. The best line of the film is when Alison stands up and says "look at me, i am the face of aids" showing that despite some peoples misconceptions people with aids look no different to you and me.

The film makes good use of its lead characters and makes what could have easily been a typically preachy TV-movie into a viewing experience that (whilst sometimes unpleasant) is educating and informative whilst not being boring.

Molly received (quite rightly) an emmy award for her acting in this film and it is easy to see why as when you view this film you feel as if you are living the experience with her and a good performer should make you feel this way during any acting performance. This tele-film has affected me in a way that no other tele-film has done before or since. It has a stellar cast (Lee Grant and Martin Landau as the parents) its doesn't preach and doesn't pretend to be something that it isn't. If this had been a big Hollywood blockbuster then the story would not have been so well told and would have been padded out. This film should be shown in schools to educate young people of the dangers of aids.

What makes the film really magnificent is how it challenges people's beliefs about aids and presents a true story in a well written non-preachy and non-patronising way. Well acted and a true masterpiece thats very rare in TV-movie land.

If you would like to know more about Alison Gertz and pledge your support for aids victims then please visit www.loveheals.org thanks!

For the benifit of those not in the know this movie is called Fatal Love here in the u.k and is available on Odyssey video

This true-life story is based not only on the short life of Ms. Alison (Ali) Gertz (1966 - 1992) but also on the birth and its aftermath of ignorance concerning the then unknown disease AIDS. Contracting HIV (Human Immunodeficiency Virus) while only sixteen years of age, it was not until her early twenties that the AIDS virus (Acquired Immune Deficiency Syndrome or Acquired Immunodeficiency Syndrome) took hold.

While concentrating, here, on the fears and the unknowing of this disease, we see Molly Ringwald (Sixteen Candles (1984), The Breakfast Club (1985), Pretty in Pink (1986)), as an, in mind and spirit, healthy activist and forerunner of the dangers and possibilities of what may be lurking just around the corner, for anyone, from any class and social background.

Tom McLoughlin follows the slow deterioration of test after test, result after result with an atmosphere of dread, but in a positive light as possible and a determination to let the viewer down slowly, very slowly, as the final diagnoses is realised. By this time, as the end of act one is, too, realised, the light, at the end of the tunnel, is also slowly turned out; we are now entering a new phase in the life of an AIDS sufferer. Fatal Love was released some five months before Ms. Gertz's passing, and around the late 'eighties and early 'nineties her mother formed The Alison Gertz Foundation and "Concerned Parents for AIDS Research". Even in the early 'nineties this disease was slowly becoming less of a stigma, less of a taboo. Particularly with mainstream and Indie films themed on or around AIDS: Philadelphia (1993), And the Band Played On (1993), All About My Mother (1999) and 3 Needles etc, and with activists' such as Ms. Gertz, and films as Fatal Love, this is the result of the legacy that carries on after her.

Beautifully scripted and portrayed to the point beyond empathy, as seen with both parents Carol (Lee Grant) and Jerry Gertz (Martin Landau), and the agonising reality of a young candle blowing out so early. Lee Grant and Martin Landau's performance as these two souls in search of answers, in search of results and in search of help is highly commendable and the frustrations brought on by the sheer pressure of the mammoth task before them is one seen with pity, understanding and respect.

This production is of the highest quality and never does it feel dishonourable and judgmental in its approach to either victim or of those living beyond its consequence. Its narrative is delivered with such humble regards to such an extent that it raises the bar and highlights the fact that this disease is open to, once more, any social background. This friendly face of awareness here is also blameless on the side of the tracks where AIDS is most predictable and the "self inflicted lifestyles" of the drug addicts', homosexuals, for example, are too portrayed as human, as victim and as sufferers' of fate. It's almost a calming effect, with its light visual tones, its upper middle-class environment, but don't be fooled into thinking all is well behind the white-collar established elite. Its steady, but awakening narrative, is the friendly face of awareness that feels sanitised but also important and impossible to want to ignore.

It's Ms. Gertz's activities to, certainly not to preach, not to condemn, but to assist in the efforts' of a safe and healthy, prolonged, life. Told in flashback with the use of darkened and whitened fade-outs with a thumping heartbeat across the soundtrack and a emotionally stressed scenario that makes looking back at those times more of a retrospective of what may now seem like a Stone Age mentality that was the nineteen eighties. Tom McLoughlin's use of Molly Ringwald, essentially a child of the eighties herself as seen through the films of John Hughes (1950 - 2009); this was an exceptional and innovative move.

Molly Ringwald has finally grown-up and it is here we see her dependence of the love of her family and the, sadly inevitable, crumbling friendships, that come and go, building walls and breaking hearts. The "midnight bathroom scene" is immensely disturbing to witness as it is horrifying to try to understand her plight and anguish. Charles Bornstein's editing here and, again, Mr. McLoughlin's beautiful visual pacing and its light but heavy score brings home the reality harsher than one would appreciate. Then it is no small wonder too, that with this film comes an Edit Nomination Award for Best Edited Television Special for both Charles Bornstein and Sidney Wolinsky. These two editors have spliced a priceless work together, with the combined efforts of director, cast, writer et al. Considering its themes and contents here it has been done in a sensitive manner as it has in its delivery of themes of mistrust, paranoia, suicide and wisdom, death and hope.

I have just watched the film for the first time and I have been blown away. As a Gay man I have a huge love for the fight against HIV and AIDS. This film shows exactly what it is like even today with all the teachings about how HIV & AIDS are contracted. You will still find people afraid to shake the hands, use same toilet, drink from the same cup and even giving a hug because they are afraid they will contract the virus. If anyone reading this knows how I can get in touch with Alison Gertz please let me know. If anyone wants information on the HIV and AIDS virus please get in touch. An remember HIV and AIDS is not the gay persons disease which this film has been made to portray as well as the life of Alison.