Un responsable de la publicité très prospère décide de mettre son travail en attente après avoir été informé par son père que lui et sa femme sont divorcés et décide de prolonger sa pause ap... Tout lireUn responsable de la publicité très prospère décide de mettre son travail en attente après avoir été informé par son père que lui et sa femme sont divorcés et décide de prolonger sa pause après avoir révélé que son père était diabétique.Un responsable de la publicité très prospère décide de mettre son travail en attente après avoir été informé par son père que lui et sa femme sont divorcés et décide de prolonger sa pause après avoir révélé que son père était diabétique.
- Director
- Writers
- Stars
- Prix
- 1 nomination au total
Avis en vedette
Years later, I was finally saw "Nothing in Common" in its entirety on video, and while I liked some parts of it -- mostly b/c of its numerous Chicago location shots -- I thought the film's production value was a little bit low for a Hollywood film as it was produced and directed in such a way as to be reminiscent of network television soap operas and made-for-TV movies. The overlaid 80's soundtrack, for example, gave this movie a sappy feel and exuded tres gauche, maudlin schamltziness, IMO.
Nevertheless, Tom Hanks was great, as usual, in his reprisal of the sympathetic 'everyman' role that has now become his trademark, and I believe that this was Jackie Gleason's last performance. Sela Ward, however, is the number one reason to see this film, as she is from beginning to end the unequivocal scene stealer.
Not only is Sela Ward hot hot hot, Ward brought a certain amount of authenticity in her portrayal of a big-city advertising executive circa 1980s. This is because long before Ward became a model and began her acting career, Ward, who majored in advertising at Ole' Miss, was a real-life advertising copywriter and exec on Madison Avenue in NYC in the late 70's and early 80's. Regardless, Ward's drop-dead gorgeousness did not detract from her believability as the cutthroat yuppie executive, Cheryl Ann Wayne, by one iota.
Great Chicago references though, e.g., Wrigley Field, location shoots in neighborhood pubs, downtown scenes, etc.
Tom play David Basner, a talented, slightly arrogant Chicago ad-exec whose parents just split after 50+ years of marriage. Though he has left "the nest" and views his parents as a necessary evil to be dealt with as little as possible, he finds himself providing ever-increasing support to each parent, all the while discovering the frailty and human side of each of them, and discovering what his priorities should be.
A definite watch
Le saviez-vous
- AnecdotesRumor has it that director Garry Marshall would not go ahead with the making of this film without the inclusion of Jackie Gleason. In poor health, Gleason had grown tired of filmmaking, and wished to retire from the business. After several attempts to get him on board, Marshall finally called Gleason on the phone and insisted that if he didn't do this film, that the last film he would be remembered for was the box-office bomb Smokey and the Bandit Part 3 (1983). Gleason immediately accepted the offer on the condition that this would be his last acting role. In Marshall's 2012 memoir, "My Happy Days in Hollywood," he credits Ray Stark with asking Gleason the question about if he wanted "Smokey and the Bandit 3" being how he would be remembered.
- Citations
[last lines]
Max Basner: [to David] You're the last person I ever thought would come through for me.
- Autres versionsOne "unedited" print, formerly in HBO's library, removes the exchange between Max and David about their "best friends."
Meilleurs choix
- How long is Nothing in Common?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Nothing in Common
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 32 324 557 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 3 279 650 $ US
- 3 août 1986
- Brut – à l'échelle mondiale
- 32 324 557 $ US
- Durée1 heure 58 minutes
- Mixage
- Rapport de forme
- 1.85 : 1