En arrivant dans une petite ville, un vagabond a rapidement des ennuis avec les autorités locales - et les femmes locales - après avoir volé une banque.En arrivant dans une petite ville, un vagabond a rapidement des ennuis avec les autorités locales - et les femmes locales - après avoir volé une banque.En arrivant dans une petite ville, un vagabond a rapidement des ennuis avec les autorités locales - et les femmes locales - après avoir volé une banque.
James N. Harrell
- Elderly Man
- (as James Harrell)
Avis en vedette
This film is great. The atmosphere, heat, casting, setting, plot, you name it. Everyone in the film is sweating up to the eyeballs, constantly mopping their brows, with stains all over their clothes, looking very hot and tense indeed. The seeds for a necessary release are sown! And sure enough, the pressure reaches boiling point and everything erupts. I don't want to give too much away, nor can I be bothered writing a proper commentary but this film is BLEAK in it's honesty with respect to it's (secondary/primary?) plot - all ideals are shattered: romance and (true?) love, freedom (whatever that really is) and so on. Some would call this a cynical work, I'll call it realistic - Sod's Law applies as heavily in the movie as it does in real life. Go on Dennis, more of this please!!
This is classic southwest film noir/romance novel brought to life. Although the plot is the standard lets kill a cuckolded, rich husband (with sex!) and take off with the new handsome stranger, the heat of this film lies in its characterizations. Don Johnson is almost perfect as the handsome stranger/used car salesman/bank robber/arsonist/white knight in shining (but obviously tarnished) armor. Jennifer Connelly's understated desperation at her situation is almost exactly balanced by Virginia Madsen's almost over the top vixen/gold digger. Other characters add the perfect backdrop to the action (Charles Martin Smith's "nose sniff" scene is absolutely classic). The twists and turns of the plot and revelations makes this movie constantly interesting.
It really doesn't get much better than this--Jennifer Connelly does a rare, for her, nude scene, as does Virginia Madsen, Don Johnson, and a bevy of strippers.
It really doesn't get much better than this--Jennifer Connelly does a rare, for her, nude scene, as does Virginia Madsen, Don Johnson, and a bevy of strippers.
This movie has someone for everyone to like and almost everyone to hate. Between Don Johnson, Virginia Madsen, and Jennifer Connelly, there's a romantic interest for both you and your sweetie. I've never lived in the South so I'm not sure you'd like the portrayals if you are from there, but even without the Southern setting, the deviousness and deceit are universal. After the first viewing, the plot twists may not surprise you anymore, but you'll appreciate even more how justice and irony come into play in deciding the fate of the players. Highly recommended.
The Hot Spot is directed by Dennis Hopper and adapted to screenplay from the Charles Williams novel, "Hell Hath No Fury", by Nona Tyson and Charles Williams. It stars Don Johnson, Virginia Madsen, Jennifer Connelly, Charles Martin Smith and William Sadler. Music is by Jack Nitzsche and cinematography by Ueli Steiger.
Dennis Hopper loves film noir, he has been in some bona fide classic neo-noirs, whilst also turning his hand to directing that style of film making. The Hot Spot may not be a total success as such, but it is a superb effort that lovers of all things noir can feast upon. Story pitches Johnson as drifter Harry Madox, who lands in a Southern state town, bluffs his way into a car salesman job, plots a robbery, and then finds that two local ladies - of very different qualities - are about to change his life forever...
I found my level and I'm living it.
Hopper turns in a honest and faithful tribute to the first wave of film noir, but armed with the fact this was his era of film making relaxations, he gets to sex things up. Blending noir with erotic thriller conventions allows Hopper to pile on plenty of sizzle, which comes in the form of Madsen, who as Dolly Harshaw gives neo-noir one of its finest femme fatales. Overtly sexual and on the surface a ditz, an easy lay, it's only when this part of noirville shows its hand - in true old school fashion - does the character become memorable still further.
On the flip side is Connelly's more straight laced Gloria Harper, who Madox coverts, yet there's baggage there as well (is she virginal?), baggage which adds more potency and trickery to this smouldering hot spot hot-pot. The girls are great, but so is Johnson, he broods and has a raw masculinity most fitting for this type of role. It's a shame he didn't do more neo-noir because he has the tools for the trade. Hopper brings sweat, sweaty close ups and noirville fans, while the photography and musical accompaniments are superbly compliant to the required atmosphere.
The editing is a let down, so many scenes needed to have the linger factor, but it's not enough to kill this fine slice of noir pie. A sexy guy in over his head, devious machinations from both sexes, robbery, arson, deaths, ignorance and stupidity, The Hot Spot is far from being boring! The deliberate slow burn pacing has alienated the casual "crime/erotic thriller" film fan, but for those who love and know their noir, the fireplace cinders approach is a joy because the pay off delivers all that we hoped. 8/10
Dennis Hopper loves film noir, he has been in some bona fide classic neo-noirs, whilst also turning his hand to directing that style of film making. The Hot Spot may not be a total success as such, but it is a superb effort that lovers of all things noir can feast upon. Story pitches Johnson as drifter Harry Madox, who lands in a Southern state town, bluffs his way into a car salesman job, plots a robbery, and then finds that two local ladies - of very different qualities - are about to change his life forever...
I found my level and I'm living it.
Hopper turns in a honest and faithful tribute to the first wave of film noir, but armed with the fact this was his era of film making relaxations, he gets to sex things up. Blending noir with erotic thriller conventions allows Hopper to pile on plenty of sizzle, which comes in the form of Madsen, who as Dolly Harshaw gives neo-noir one of its finest femme fatales. Overtly sexual and on the surface a ditz, an easy lay, it's only when this part of noirville shows its hand - in true old school fashion - does the character become memorable still further.
On the flip side is Connelly's more straight laced Gloria Harper, who Madox coverts, yet there's baggage there as well (is she virginal?), baggage which adds more potency and trickery to this smouldering hot spot hot-pot. The girls are great, but so is Johnson, he broods and has a raw masculinity most fitting for this type of role. It's a shame he didn't do more neo-noir because he has the tools for the trade. Hopper brings sweat, sweaty close ups and noirville fans, while the photography and musical accompaniments are superbly compliant to the required atmosphere.
The editing is a let down, so many scenes needed to have the linger factor, but it's not enough to kill this fine slice of noir pie. A sexy guy in over his head, devious machinations from both sexes, robbery, arson, deaths, ignorance and stupidity, The Hot Spot is far from being boring! The deliberate slow burn pacing has alienated the casual "crime/erotic thriller" film fan, but for those who love and know their noir, the fireplace cinders approach is a joy because the pay off delivers all that we hoped. 8/10
If you are like me, you might have turned on HBO late the other night, and thought.... "Damn, a Don Johnson movie". Luckily I gave this film a chance and found a real winner. Don's performance is not just good, but I think it is his best ever. Jennifer Connelly is just perfect in the role of the frail and beautiful girl next door. But Virginia Madsen steals the show. She is that woman you just love to hate, but just can't keep your hands off of. Just watch the flick to see what I mean.
As the credits rolled across the screen at the end, I realized that Dennis Hopper directed this "Red Rocks West" like film. No wonder I enjoyed it. I give it a solid 7 out of 10.
As the credits rolled across the screen at the end, I realized that Dennis Hopper directed this "Red Rocks West" like film. No wonder I enjoyed it. I give it a solid 7 out of 10.
Le saviez-vous
- AnecdotesDirector Dennis Hopper once said of working with star Don Johnson on this film in a 1990 interview with 'The Guardian': "He wasn't that bad. He has a lot of people with him. He came on to this film with two bodyguards, a cook, a trainer, ah let's see, a helicopter pilot he comes to and from the set in a helicopter, very glamorous let's see, two drivers, a secretary, and, oh yes, his own hair person, his own make-up person, his own wardrobe person. So when he walks to the set he has five people with him."
- GaffesAfter Harry and Dolly come out of the pond after swimming and climb to the top of the tower Dolly is shown in an open shirt and white cotton panties. After she jumps off the tower and into the sand pile she is shown nude from the waist down.
- Citations
Dolly Harshaw: There's only two things to do in this town. You got a TV?
Harry Madox: Nope.
Dolly Harshaw: Well then, you're down to one. Lotsa luck!
- Autres versionsUK and US DVD versions are cut.
- Bandes originalesThe Stroke
Written and Performed by Billy Squier
Courtesy of Capitol Records
By Arrangement with CEMA Special Markets
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Détails
Box-office
- Budget
- 13 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 1 293 976 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 112 188 $ US
- 14 oct. 1990
- Brut – à l'échelle mondiale
- 1 293 976 $ US
- Durée2 heures 10 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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