Les derniers jours

The thing about a film like "The Final Days" is that how much you enjoy the experience depends directly on your general interest in the subject matter. Myself, I'm not terribly interested in the character of Richard Nixon. This is one of several portrayals I've seen of the man, all of which I watched for alternate reasons (either the director, actors, or the general accolades directed toward it). I watched this film because I'm a fan of director Richard Pearce (Threshold, Country, The Long Walk Home, A Family Thing). Fred Murphy's cinematography is also very nice, though you'd hardly know it from some of the terrible VHS copies available.

There are certainly some great performances here. Lane Smith is totally believable as Nixon - a person who's honestly more of a caricature than anything else. David Ogden Stiers plays his role with a much stronger confidence than usual. The periodical approach of having a short paragraph of narration by various characters is engaging, giving you valuable insight. Eventually, the story begins to feel crushed under its own weight. At well over two hours, it demands a seriously engaged interest on the part of the viewer. Still, there are extremely powerful passages that keep it all together. Don't let the fact that this was produced for television fool you - Pearce creates a higher feeling that would be expected from such. If you're interested in the story of Nixon and Watergate, this is undoubtedly the film to see. All others pale in comparison.

Thirteen years before it was filmed as a TV-movie, "The Final Days" was the title of a bestselling book, whose 1976 publication "just happened" to coincide with the cinematic release of "All the President's Men" (based on an earlier book by the same authors). The Final Days book was noted for its complete reliance on anonymous sources, and for its witheringly negative portrait of Nixon and his personality, even including humiliating details about the Nixons' marriage. Shortly after it was published, Pat Nixon determined to read the book (against her husband's advice), and suffered a stroke within a day or two after she started on it. She was in hospital for about a month. All in all, TFD was probably the most sadistic literary attack ever leveled on a living ex-President up to that time.

With all that background, it seems very unlikely to me that Nixon, personally, sat through the TV-movie version of "The Final Days" when it came out in 1989. My guess is that he had one or more staff aides watch it; possibly Tricia/Julie and/or their husbands, but that he himself couldn't bear the thought of it. But who knows for sure. Nixon's office put out a press release at the time, saying that sponsor AT&T should change its slogan to "Reach Out and Smear Someone", which (IMO) was rather clever.

The movie itself was highly praised by William F. Buckley, Jr., who specifically singled out the performance of Lane Smith as impeccable. Despite misgivings about the source-material, I watched it (I think it was broadcast on ABC, if I remember correctly) and was mesmerized. The whole show was simply brilliant from start to finish. Smith's performance as Nixon is, indeed, flawless, and the overall atmosphere of the last 15 months of the Nixon White House was nicely judged, in my view. "The Final Days" is absolutely one of the small handful of TV- movies with an abundance of dramatic power and credibility, and with the ability to withstand repeated viewings.

The Watergate Affair, of course, is simply too complex of a story to be dealt with adequately in this format, so people who do not already know the ins-and-outs of that scandal should know that this is not the place to learn about it, except in very basic outline. But if the movie paints Watergate with (necessarily) broad strokes, at least those strokes were true, in my recollection.

A couple of minor details that seemed off-key: The Washington Post newspaper was renamed as the "Washington Herald" or something like that. I'd like to know why that change was made. Also, I have no complaint with David Ogden Stiers as a performer. But there's just nothing about the man -- in appearance or personality -- that resembles Alexander Haig. A curious casting decision.

With the impeachment of a president very much on the horizon as I write this, it was interesting to go back to the Nixon presidency with this movie. Many years ago I read the book of the same name by Bob Woodward and Carl Bernstein. It recounted, as you would guess from the title, the last, pathetic days of the Nixon presidency - and it did so in great detail. The movie, as you might expect, is less detailed than the book. It tends to move the story forward quickly through the use of short narrations offered by various characters and highlights only certain incidents, but it still offers a compelling portrait of Nixon, his family and his officials in the White House as they desperately seek ways to avoid the inevitable ending to the administration.

Lane Smith was superb in the role of Nixon and without doubt was the highlight of the movie. To me (and, admittedly I was only 11 when Nixon resigned, so my "memories" of him are largely from historical news footage) he really did become Nixon. The portrayal was eerie and fascinating - and even sympathetic. Yes, I started to feel sorry for Nixon as I watched this. He was such a complex man, and he had a sense of sadness looming over him - he was paranoid and isolated and introverted, and yet at the same time he was drawn to public life and had a seemingly desperate need to be liked and admired; to be popular. And yet in spite of being perhaps the most visible person in the world, he seems to have spent so much of his life and even his presidency alone. The impression I got from this movie (not an unfair impression from what I've learned about the man over the years) was that his only real confidante - the person to whom he was closest and who was most desperately loyal to him - was his daughter Julie. Otherwise, he kept even those closest to him (including his wife Pat and daughter Tricia) at a distance. Nixon comes across as a tragic figure in this, and at times, with its focus on Nixon's personality and with Watergate closing in on him, this movie is actually very heavy. I appreciated (about halfway through) the truly funny scenes between Nixon and Leonid Brezhnev, as the Soviet leader takes Nixon on a hair-raising car ride with a Lincoln Continental the U.S. president had gifted him with. That lightened things up a bit.

It was interesting watching Nixon's White House officials (especially Chief of Staff Alexander Haig, who was admirable portrayed by David Ogden Stiers) try to hold things together just to keep the government functioning with some sort of cohesion, and Nixon's lawyers are shown becoming increasingly frustrated as the impossibility of their task of defending him becomes increasingly clear. Viewers should be aware that this is really a study of Nixon the man rather than the Watergate scandal. There's actually very little about Watergate itself - just about the aftermath and the desperate attempts to find some way to get Nixon off the hook for his actions and decisions. For those with an interest in Nixon as a man and in the end of his presidency, this is a movie that should be watched. (7/10)

Just want to state early on that this film is indeed low-cost and the production quality reflects it. Except that point, this is one of the best political films ever produced. I have been interested and studied about Mr. Richard M. Nixon, his administration, and the Watergate affairs quite thoroughly. I can judge this film to be one of the most accurate, impartial, and humanly dramatized films out there. What it is done right in the first place is to approach the story and all of the characters with compassion. There is no Republicans, Democrats, Nixon lovers, or Nixon haters when it comes to a human tragedy. This is indeed a tragedy of power and people who are enslaved by it. Richard Nixon in this film has been portrayed not as good or bad, but as a humanly flawed and indeed tragic character. In "Nixon" and "Frost/Nixon" of later years and productions, we had to be dragged back into Mr. Nixon's younger years, so we could appreciate his agonizing thirst for power and success and to understand his subsequent behavior. This film does not need to do that. Just by showing the "real-time" Nixon in scene after scene, we can relate to his pains and agony of losing power. How he most desperately wooed people towards him in order to gain their support, respect, liking, or even love is almost unbearable to watch. I for one dread Mr. Nixon's negative impact to the world around him, and yet deeply sympathize this man to the core. Lane Smith became President Richard M. Nixon without any disbelief. He must have understood his character most deeply, otherwise such a performance could never have been conceived. Other characters of Alexander Haig, J. Fred Buzhardt, Leonard Garment, Pat Nixon, Rose Mary Woods, Archibald Cox, John Sirica, etc. never physically resembled whom they played, but we subscribed to all of them because of their flawless performances. Richard Pearce's direction is also without a missed fire. Too bad it is low-cost and meant only for television consumption, otherwise "The Final Days" would have been lauded as the gold standard of the Nixon films that came and will come.

Lane Smith who played Perry White on the Superman TV series is positively riviting as Nixon. He has Dickie's mannerisms down pat and is even better than Anthony Hopkins was in Stone's "NIXON". This is a great follow-up to All The President's Men and shows how it all fell apart around Dick at the end. The scene of Nixon & The Russian Premier in the Lincoln Continental at Camp David is priceless.