Fantasmes

Dr Joan Allenby is a successful sex therapist whose book and radio show has captured the imagination of free-minded Americans. In her own love life things are great with lover Simon Ward but, when a cancelled flight sees her return home unexpectedly, she learns that Ward is seeing another woman. Planning her revenge, Allenby offers to act out a fantasy of being a call girl for Ward. Meeting him in a bar in a wig and provocative clothes she gets the dual benefit of enticing him while also convincing witnesses that Ward paid a woman for sex. Back in his room she shoots him and then slips back to a corporate party unseen to keep her alibi up. Columbo is put on the case and starts to follow up the leads, although he can't help but be interested in the world of sexual therapy that he is suddenly exposed to and something about Allenby and the murder just doesn't ring true.

As with many TV film series (such as Perry Mason), if you like one or two of them then you'll pretty much like them all. This entry in the Columbo series pretty much follows the usual formula – we know the killer and the "perfect" plan but then watch Columbo follow his hunch and gradually starts to pick holes in the story he is told before eventually finding enough to prove his suspicions. Saying this is not a spoiler – it is simply what happens in all the films. With this strict adherence to formula it is usually down to several factors whether or not the Columbo film stands out or if it is just average. With this film though, I wasn't sure what I was going to get because this is the first of the "new" Columbo's that I had seen and I wasn't sure if it was going to be a good thing or not. The opening set-up to the crime doesn't have the feel of a Columbo film but it is more down to the feel and look of the film rather than the material. The plot unfolds as per formula but the comic asides (the tuba etc) don't fit in very well and they tend to break up the development of the case.

Part of the problem is the direction of the actors and the performances themselves. Falk appears to be playing Columbo rather than being Columbo; it is a difficult distinction to describe but it is occasionally quite off-putting and this is far from being his best performance (I'm not sure if this is the case with all the modern films). Crouse is pretty average, both by herself and also in her ability to play off Falk. She is all a bit bland and certainly not the flamboyant and eccentric type of character that the story suggested she would be. Support is roundly unimpressive except for a nice turn from the barman with a good eye. The direction of the film is so-so but the weakest place is the music – it is seedy and unimaginative and lacks the class that the delivery of the series in the 1970's had.

Overall this has just about enough going for it to keep Columbo fans happy but don't think for a minute that this is of the standard of the series made in the seventies because it isn't. The delivery is off, the plot is OK but the additions don't always work and, surprisingly, the performances are not all they could be and even Falk seems to be lacking something in his delivery.

SEX AND THE MARRIED DETECTIVE was one of the first outings for TV detective Columbo after an eleven-year hiatus for the show. It's certainly a return to the classy days of old, with strong production values, an effective soundtrack, and an above-average script which has a ball with the unusual premise.

Guest star Lindsay Crouse plays a sex therapist who discovers that her boyfriend is cheating on her. She decides to commit the perfect murder by disguising herself as another woman and bumping him off - only to have the crumpled sleuth turn up in an attempt to solve the crime. We're in cosy territory here with a very familiar format, but the sex angle of the screenplay allows for plenty of funny moments where we see Columbo actively embarrassed for once.

In fact, there's a noticeable comedic angle to the whole film, and Peter Falk seems to be having a ball with it. The scene where he has a go at playing the tuba is a particular delight. Crouse is an effective star and the two have some great interplay. And it's not all comedy - the set-piece scene with the briefcase is a masterclass in building suspense to great effect.

Successful sex therapist Dr. Joan Allenby (Lindsay Crouse) spies her boyfriend David Kincaid (Stephen Macht) cheating on her. She murders him with what she assumes to be the perfect plan dressed as the woman in black. Police detective Columbo (Peter Falk) takes it apart piece by piece.

This is the standard howcatchem from Columbo. It is fun to see Lindsay Crouse deteriorating from smug to harried. A lot of Columbo is about seeing the next guest star doing a villain turn and Crouse is always great at making the turn. Stephen Macht is the second star although he only has a limited role. This is good.

Columbo playing the tuba? Yes, that's one of the highlights of this delightful and funny adventure, in which a famous sex therapist crosses wits with our hero. Another great moment is Peter Falk giving advice to a bunch of psychiatrists! This really is one of the best outings for Columbo and will delight fans, both old and new.

I am quite surprised at how many negative reviews I have seen here. I happen to think this is one of the best Columbo episodes around. I personally don't like the choice of music, because it is synonymous with cheesy sexual films. Other than that, however, I think this episode is first rate. Lyndsay Crouse does a superb job as the murderer. Columbo is not turned into a senile caricature, as in some of the later episodes. He retains his dignity throughout, with the occasional comic responses and scenes. The brief bathroom scene, and the longer scene in which he plays psychologist are both hilarious, and his embarrassed expressions and comments when the topic of S-E-X comes up are very endearing, and in line with his old-fashioned character. As for those critics here who have pointed out the incredible 'luck' in finding clues, I don't think that is the case at all. He finds them primarily because of his extraordinary awareness and astute recognition, not because of luck. Most other people simply would not notice a tag hanging from someone's clothing. His cat and mouse games with the suspect are highly enjoyable. As always, he accords respect for an esteemed person even after he suspects them of murder, and is more apt to put off any direct suggestions of guilt until he pretty much has it all in the bag. Finally, his manner of setting her up in the final scene, as well as her concerns regarding what he thinks about her and his eloquent and sensitive response, introduce an interesting psychological layer to the story. Thoroughly entertaining and absorbing.