ÉVALUATION IMDb
7,9/10
11 k
MA NOTE
Ajouter une intrigue dans votre langueTwo children journey the long road to Germany to find the man they believe to be their father.Two children journey the long road to Germany to find the man they believe to be their father.Two children journey the long road to Germany to find the man they believe to be their father.
- Prix
- 12 victoires et 5 nominations au total
Stratos George o'Glou
- Orestis
- (as Stratos Tzortzoglou)
Avis en vedette
(1988) Landscapes In The Mist/ Topio stin omihli
(In Greek with English subtitles)
DRAMA/ ART HOUSE
Co-produced, co-written and directed by Theodoros Angelopoulos which the tone that is similar Michelangelo Antonioni's "L'Avventura" but there's a lack of rhythm or flow in terms of the structure centering on a couple of children going on an odyssey in search of their real father they had never met. There are way too many pause shots of them standing around doing nothing walking along the highway which can be metaphorically confusing and can frustrate the average impatient viewer, and it is those scenes that makes this 124 minutes quite long to watch. I never liked this film as I initially saw it, but as a result of reading and hearing other peoples interpretations I have grown to accept it. This is the third of three films of Angelopoulos's 'Silent Trilogy', even though they still can be watched without the others being seen. The other two are "Voyage to Cythera" released in 1983 and then "The Beekeeper" released in 1986.
Co-produced, co-written and directed by Theodoros Angelopoulos which the tone that is similar Michelangelo Antonioni's "L'Avventura" but there's a lack of rhythm or flow in terms of the structure centering on a couple of children going on an odyssey in search of their real father they had never met. There are way too many pause shots of them standing around doing nothing walking along the highway which can be metaphorically confusing and can frustrate the average impatient viewer, and it is those scenes that makes this 124 minutes quite long to watch. I never liked this film as I initially saw it, but as a result of reading and hearing other peoples interpretations I have grown to accept it. This is the third of three films of Angelopoulos's 'Silent Trilogy', even though they still can be watched without the others being seen. The other two are "Voyage to Cythera" released in 1983 and then "The Beekeeper" released in 1986.
10ABS-13
I saw this movie when it was playing in Berkeley in 1990. This is one of the most beautiful and haunting films I have ever seen. Filled with scenes of mythic beauty and magical realism. It is, on the surface, about two siblings search for their father, but it is also about the search for something both less obvious and more universal. It haunted my dreams for months and some of the images in this film have stayed with me to this day. If you are of a philosophical bent and are open to the experience, I believe you will enjoy this film very much.
A quest for an unknown father becomes an odyssey into adulthood for two illegitimate Greek children, traveling alone the length of their country in a hopeless attempt to trace the whereabouts of a man they know only from the bedside fairy tales told by their mother. The journey is often grim and brutal, but is also filled by occasional magic, transforming their search into a sometimes sweet, sometimes bitter reflection of childhood mysteries and adolescent pain.
The reticent screenplay and slow, deliberate rhythms will likely be tedious to anyone with a TV-damaged attention span, but the same understated detachment can sometimes have a devastating impact, for example during a rape scene made all the more chilling for taking place just out of view, and in total silence. Discriminating viewers able to avoid nodding off into their popcorn will find it a film of rare beauty, with an emotional resonance to match the often haunting imagery.
The reticent screenplay and slow, deliberate rhythms will likely be tedious to anyone with a TV-damaged attention span, but the same understated detachment can sometimes have a devastating impact, for example during a rape scene made all the more chilling for taking place just out of view, and in total silence. Discriminating viewers able to avoid nodding off into their popcorn will find it a film of rare beauty, with an emotional resonance to match the often haunting imagery.
10sleex07
Seen the movie in HK International Film Festival over 16 years ago and still could not stop crying whenever I think of the kids in the movie. Be prepare for a sad story. Yet, the whole movie was filmed so artistically and many scenes are so creative (esp. at the age of the production.) This is the only movie still linger in my brain from time to time. Still miss the kids in the movie and wish to be there to get them out of the difficult situations. It is the power of the movie, the power of the director/writer, the little actress and actor. No more description can replace the movie itself. To fill up lines - being a mom of 2 now after the years, I miss the kids in the movie even more.
10peedur
A hard film to watch but an unforgettable experience. I was deeply moved by the damage done to these children in the raw, emptiness of the world of this film. Running away through Greece to seek out their theoretical father in an imagined Germany, they experience confusion, violation and epic indifference to their real and imagined needs. Momentary relief and hope is found in the form of a young man traveling with a theater company, but it is fleeting. The sheer simplicity of their need remain together and to go to Germany is, by the end, all that they have.
Angelopoulos, like other artists/poets/philosophers in film, has a very specific vision of the world which he is relating. There are moments in Landscape In The Mist where our trained needs for (Hollywood) film conventions, story structure and even simple answers cries out. Yet this is far from his intent; as with poetry, the film strives to state itself with images and ideas which leave the viewer not simply awed by beauty but also perplexed and emotionally disorganized as to how or what to to feel. To judge Angelopoulos on the same standards as a showbiz product is to miss the point. He believes film is art and not necessarily entertainment. One may dislike that vision but one will invariably be enriched by the journey if one can spend the time watching it with an open mind. Angelopoulos finds funding for his films and makes them for those who care to extend themselves into someone else's vision, not to reward investors by meeting a market need. He is a powerful artist. There are reasons why his films are not well known in the US, but those reasons are also what makes them fascinating, brilliant and rare experiences.
Angelopoulos, like other artists/poets/philosophers in film, has a very specific vision of the world which he is relating. There are moments in Landscape In The Mist where our trained needs for (Hollywood) film conventions, story structure and even simple answers cries out. Yet this is far from his intent; as with poetry, the film strives to state itself with images and ideas which leave the viewer not simply awed by beauty but also perplexed and emotionally disorganized as to how or what to to feel. To judge Angelopoulos on the same standards as a showbiz product is to miss the point. He believes film is art and not necessarily entertainment. One may dislike that vision but one will invariably be enriched by the journey if one can spend the time watching it with an open mind. Angelopoulos finds funding for his films and makes them for those who care to extend themselves into someone else's vision, not to reward investors by meeting a market need. He is a powerful artist. There are reasons why his films are not well known in the US, but those reasons are also what makes them fascinating, brilliant and rare experiences.
Le saviez-vous
- AnecdotesAfter the scene of the hand surfacing out from the sea, the young actor says the sentence 'Who, if I cried out, would hear me among the angels' hierarchies?'. This sentence is from The First Elegy by Rainer Maria Rilke.
- GaffesWhen the truck pulls up at the truck stop, (at around 56 mins) there is a red and blue sticker in the bottom corner of the windshield. When it pulls over later on the side of the road, the sticker is in the centre of the windshield.
- Générique farfeluOpening titles: The band "The Last Drive" is heard from their Hitch-hyke records' "Underworld Shakedown" album (credit appears on the same screen with those for photography assistants).
- ConnexionsFeatured in Les enfants jouent à la Russie (1993)
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By what name was Topio stin omihli (1988) officially released in India in English?
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