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It is best not to know much about this movie before seeing it. It is sufficient to know that it is about a women who disappears and a man's obsession to try and find out what happened to her. This is not a sappy love story and it bears little resemblance to the pale American remake. Reading more about the story will ruin how it unfolds. It was well filmed and well acted. The ending is a shocker. I think reviewers who write a synopsis of the movie's plot do a disservice to people reading the review. The movie's story should unfold before a viewer. The enjoyment is in how the story is told. This is all the more true regarding "The Vanishing".

SPOORLOOS (THE VANISHING) has been categorized as a horror / thriller / suspense film for the most part. Having watched it several times over the years, I consider it to be a tragedy with a bleak atmosphere of building dread, all leading to a horrific finale. This is a tale of love, loss, and the maddening effects of the unknown.

Young couple, Rex Hofman (Gene Bervoets) and Saskia Wagter (Johanna ter Steege) are on a holiday trip, when Saskia goes missing. Thus begins a three year ordeal for Rex, who, in addition to being shattered by the incident, is also obsessed with solving the mystery of Saskia's disappearance. His entire life is geared toward finding out what happened to her, to the exclusion of all else.

Enter Raymond Lemorne (Bernard-Pierre Donnadieu), who is shown as the prime suspect from the very beginning. Rex and Raymond are on a fateful collision course, driven by each man's desire to "know".

Much foreshadowing at the start of the film -including Saskia's revealing of her greatest fear, a symbolic dream, and the couple's almost ritualistic use of a pair of coins- make what follows as mystical as it is heartbreaking.

Along the way, we also learn much about the character of Lemorne, making him a far more nuanced villain than in most such works. While we may not be able to relate to his motives, we do gain understanding of why he does what he does. In the end, we feel the results of his actions.

SPOORLOOS is a masterpiece of darkness and sorrow...

This is not a token 10 out of ten to try and inflate the ratings for a movie I like. This is one of the few perfect movies I can honestly say I have ever seen.

I'm a huge horror fanatic and I put off seeing this despite it being recommended time and time again because the subject matter is so mundane. This move is the only horror move I have ever seen move that transcended scary to downright shocking to my very soul.

It was a very unique experience that no movie has ever duplicated before or since. Once it was over, i actually just sat there for about 10 minutes thinking about what I had just seen, it was only after pondering it for a bit that i realized that the pacing and just sheer implications of what i had just seen was probably the most disturbing and awful yet utterly brilliant and in a strange way beautiful thing I had ever seen because as others have stated, it couldn't have possibly ended any other way. The viewer won't want it to end any other way.

Through impeccable pacing and direction George Sluizer manipulates the viewer in a way I never thought could be possible, it would be criminal to spoil ANYTHING from this movie but I found myself in the same conundrum the protagonist Rex finds himself in at the ending and rooting something yet at the same time dreading to see it's result, but I must see. I can't think of any ending to any movie that was more fitting and a better conclusion than the ending of Spoorloos.

Fans of psychological horror, this more than anything is required viewing. I await the day that a film can make me feel the way this one did and frankly I doubt it will ever come.

Bravo, and shame on you George for the abysmal American and Americanized remake that absolutely ruined this movie for so many people I know. This movie is a masterpiece and half the people I know will never be able to enjoy it.

This is a most unsettling and haunting film which vividly depicts the banality of evil. American filmgoers who are too lazy to settle in to the ambiance and mood of foreign films will probably not be patient enough for it, though. I went to see it not knowing at all what to expect, and really got a jolt. One factor that made it so powerful was the everyday reality of it all. These are seemingly normal people you'd see on the street anywhere. I thought it was a masterful depiction of what would probably actually happen when someone you loved just disappeared out of the blue, and the turmoil of emotions that would be unleashed. If you are at all susceptible, the ending will absolutely chill you to the bone, and is the perfect topper to a great film. Please do yourself a favor, and DON'T make the mistake of seeing the American remake instead of the original!

STOP!!!!

Observe these 3 rules if you plan on seeing this film:

Rule #1, AVOID the 1993 remake "The Vanishing" or if you absolutely need to see it, watch the original first.

Rule #2, If you're of a sensative nature and easily depressed, don't watch this.

Rule #3, do NOT read any other comments on this film until you have seen it. This is a love it or hate it type of movie and looking for opinions to decide if you want to see this WILL ruin it for you. See it first, form your own opinion, then check back here. Trust me on this, you'll thank me afterwards.