Un maréchal fédéral en poste dans une colonie minière sur la lune Jupiter d'Io découvre un complot de trafic de drogue. Il n'obtient aucune aide des travailleurs ou des autorités lorsqu'il s... Tout lireUn maréchal fédéral en poste dans une colonie minière sur la lune Jupiter d'Io découvre un complot de trafic de drogue. Il n'obtient aucune aide des travailleurs ou des autorités lorsqu'il se trouve accusé de meurtre.Un maréchal fédéral en poste dans une colonie minière sur la lune Jupiter d'Io découvre un complot de trafic de drogue. Il n'obtient aucune aide des travailleurs ou des autorités lorsqu'il se trouve accusé de meurtre.
- Nommé pour 1 oscar
- 1 victoire et 7 nominations au total
- Sergeant Montone
- (as James B. Sikking)
Avis en vedette
Plot In A Paragraph: Marshall O'Neil (Connery) stationed at a remote mining colony on the Jupiter moon of Io uncovers a drug-smuggling conspiracy, and gets no help from the people there, when he finds himself marked for death.
I still vividly remember watching this with my dad, the night he rented it on video. It was the first Connery movie I had watched since Diamonds Are Forever. As nothing he made in between that time interested either of my parents for them to rent the video or watch it on TV.
Essentially this is High Noon in space. A heavily tanned Connery is the new Marshal who does what a man must do. There are a number of parallels. Killers are on their way to kill the Marshal, who is abandoned abandoned by his deputies, and with none of the residents willing to stand by his side. As the arrival time approaches, Connery enters the cafeteria/saloon and speaks to the townspeople, repeating the classic Cooper line, "I could use a little help," receiving none. He must decide between fleeing and joining his wife and son, or staying and facing almost certain death.
Away from the parallels of High Noon, the plot here is an intriguing one, The miners were being given an illegal drug, which increased their output for 11 months and then drove them insane. Connery actually delivers a good performance, that seems to have been forgotten about by the masses, which is a shame as it still holds up today, and Connery does some great acting in a scene where he doesn't utter a line of dialogue, as he watches a video of his wife. Connery was not happy at this movie going over schedule, as he lost a major extended cameo role in Chariots of Fire due to it.
All in all, I find Outland to be an enjoyable movie, with good pacing and a good atmosphere, that I usually watch every couple of years.
Outland did fair business for a Connery non Bond movie grossing $17 million at the domestic box office. Slightly more than its $16 million budget.
This a well paced film with a solid acting from Sean Connery. The pursuits, especialy the first in the corridors of the space habitat, are gripping. The film was made in 1981, when the CGI effects were not as prevalent as today. For exemple scenes where humans are dwarfed by huge metalic structures, were executed thanks to a then traditional play of mirrors. I have seen this film at the cinema when it played for the first time in 1981. I have recently watched it again on cable TV and I think it has not aged much. Because it is set on a makeshift sleazy outpost and not a shiny white place as too often in science fiction film, it remains realistic enough, twenty two years later. The themes,a bit overlooked, dangerous mind drugs, greedy multinational (or multi-planet, here) companies, the will and courage of one man against the cowardice of all the others, resonate still in our mind, nowadays. But make no mistake, it not a heavy political film but a good suspense and action film with a science fiction flavour.
Despite some scientific oddities like heads exploding and weightlessness in a zero pressure atmosphere, where as inside the habitat the gravity is normal (by Earth standards), the script remains coherent enough. The strong performance of Sean Connery is helped by those of a serious Peter Boyle and a pre-ER Frances Sternhagen. Rent this film on your local video store or watch it on TV, it is worth seeing it.
Le saviez-vous
- AnecdotesWriter-director Peter Hyams handled the cinematography for most of this movie, while Stephen Goldblatt usually worked when there was something Hyams did not know how to do. Goldblatt was misleadingly hired by Hyams, who really wanted him to stand aside and do nothing, and to use him as a scapegoat for the Ladd Company in case anything went wrong while using the new IntroVision process. He was furious at being lied to and wouldn't have taken the job if he'd known Hyams' intentions at the outset, but stayed on in order to learn how to use IntroVision, and because as a young cinematographer with a sole prior feature credit, quitting the movie could have ruined his career. It is the only one of his movies whose wrap party he skipped.
- GaffesSeveral times during the first half hour of the movie, O'Niel's uniform name tag changes spelling from "O'Niel" to "O'Neil" and back again.
- Citations
Dr. Marian Lazarus: You know, if you're the kind of guy you're supposed to be, you wouldn't stick around. That's why they sent you here.
Marshal William T. O'Niel: Maybe they made a mistake.
Dr. Marian Lazarus: I was afraid you'd say something like that. You really think you're making a difference?
[O'Neil is silent]
Dr. Marian Lazarus: Then why, for god's sake?
Marshal William T. O'Niel: Because... maybe they *are* right. They send me here to this pile of shit because they think I belong here. I want to find out if... well, if they're right. There's a whole machine that works because everybody does what they're supposed to. And I found out... I was supposed to be something I didn't like. That's what's in the program. That's my rotten little part, in the rotten machine... I don't like it. So I'm... going to find out if they're right.
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Détails
Box-office
- Budget
- 16 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 17 374 595 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 3 059 638 $ US
- 25 mai 1981
- Brut – à l'échelle mondiale
- 17 374 595 $ US
- Durée1 heure 49 minutes
- Couleur
- Rapport de forme
- 2.35 : 1