Les aventures du célèbre marin et de ses amis dans la ville balnéaire de Sweethaven.Les aventures du célèbre marin et de ses amis dans la ville balnéaire de Sweethaven.Les aventures du célèbre marin et de ses amis dans la ville balnéaire de Sweethaven.
- Prix
- 3 victoires et 4 nominations au total
Allan F. Nicholls
- Rough House
- (as Allan Nicholls)
Avis en vedette
Wow, again "the worst movie ever made". At least when you go by those self proclaimed internet-movie-critics on IMDb who never bother to bestow upon the heavily bored public their highly imaginative musings like "Two hours of my life I will never get back", without even having one (a life that is) in the first place. Fact is: Every movie in this database is "the worst ever made" ... for someone ... then scroll up or down a bit and suddenly the same movie will become a "never fully appreciated masterpiece". What does this teach us? The truth, like always, lies somewhere in between and is highly subjective. Go and see it for yourself. Don't be interested in what I have to say. Well, if you still are: I quite liked it.
POPEYE was Robin Williams' first starring role in a feature film, and he inhabits the character perfectly. This movie, more than any other that I can remember, is the best example of a live action cartoon, in the best sense of the term. Watching it was like a cartoon come to life. It was truly wonderful and extremely funny to watch characters behaving as if they were in one, from their movement to the way they spoke. And none exemplify this better than Robin Williams in the title role, who channels his unbridled comic talent into a completely dedicated performance which is equally hilarious and touching. The story is fairly simple, though. Popeye rows into the town of Sweethaven looking for his 'Pap.' While there, he (and the audience) find out about how messed up that town really is. They have an absurd amount of taxes, and everyone is kept in fear of a mysterious Commodore and Captain Bluto, who run the town. He also meets Olive Oyl, played (at times screechingly) by Shelley Duvall (who also fits her role perfectly). This film is also a musical, and there several catchy numbers which have the capacity to stick in your head if you aren't careful. If I have any complaints, it's that Shelley Duvall isn't as good a singer as she is an actress, but nothing she does really ruins the picture. The biggest flaw in the film is direction the narrative takes about two thirds of the way through. I also thought that Bluto wasn't really given his due as a character. Still, for Robin Williams fans this will be essential viewing. It's a wacky, manic experience that demands to be seen.
When I first saw Popeye around the early 80's(Im 26 now), I was hooked. I found the whole production to be amusing. It seems that I'm one of the few that enjoyed the soundtrack to the movie(I recently picked it up on LP). The songs fit the mood and had some good humor to them. Musically performed well also. I thought the set(Sweethaven), was very comical yet useable,liveable and the "no sense of time" previously mentioned just brings it out more. I'd visit it if I were ever to travel near Malta. Shelley and Robin are the perfect pair to bring their characters life. Of course can't leave out Swee'Pea. The whole cast rounds out the picture well. I guess I could get in depth and go on but I just wanted to quickly sum up my thoughts. Believe it or not--there are some big fans of this flick. I recommend this movie for anyone with a quirky sense of humor and fun. I wish this movie would be released on DVD. Behind the scenes extras would be neat.
It is very nice to see a revival of interest in this quirky little film. The art direction of this film is simply amazing, and deserved to win an Oscar for being able to completely capture the homely innocence of the story's setting, in rich detail.
Many have derided the story as unfocused, but there is an epic sweep to the storyline, which requires an episodic approach. This film requires paying attention on multiple levels, and rewards viewers who do so, as few other epic films have.
There are some detractors who can't handle the fact that the film is part Musical, but this is definitely in keeping with original cartoons, which frequently featured music in their storylines. In any event, the half-dozen or so songs come at appropriate intervals, and in some cases are Broadway quality set-piece showstoppers, like the scene in the Rough House Diner, and Pappy's diskgruntlement about Kids!
I will leave it to others to comment on the all-round fine ensemble acting, but I would like to finish by saying, that this is truly a film where the whole is greater than its parts. From the rich tapestry of Elzie Segar's original imaginings, to the lush production values brought to this vision by Robert Altman and company, this is a film that fails on some levels but succeeds on many more.
Many have derided the story as unfocused, but there is an epic sweep to the storyline, which requires an episodic approach. This film requires paying attention on multiple levels, and rewards viewers who do so, as few other epic films have.
There are some detractors who can't handle the fact that the film is part Musical, but this is definitely in keeping with original cartoons, which frequently featured music in their storylines. In any event, the half-dozen or so songs come at appropriate intervals, and in some cases are Broadway quality set-piece showstoppers, like the scene in the Rough House Diner, and Pappy's diskgruntlement about Kids!
I will leave it to others to comment on the all-round fine ensemble acting, but I would like to finish by saying, that this is truly a film where the whole is greater than its parts. From the rich tapestry of Elzie Segar's original imaginings, to the lush production values brought to this vision by Robert Altman and company, this is a film that fails on some levels but succeeds on many more.
I am not ashamed to admit it but I love Popeye, the cartoon and the movie starring the amazing Robin Williams as Popeye. He is almost unrecognizable in the role but completely believable. I love Shelley Duvall as Olive Oyl because she really does a superb job living up to and beyond my expectations as the ultra-skinny love interest to muscular Popeye. It's like watching old friends. "I'll pay Tuesday for a Hamburger today" was a common statement. Of course, Popeye and Olive Oyl have Brutus as an obstacle to their happiness and almost the loss of Sweet Pea. It's a kind a family film too. It has music and dancing. Okay, it's not the greatest musical film ever made but it's always worth watching again. It reminds me of being 7 years old and seeing this film at the movie theater.
Le saviez-vous
- AnecdotesMost of Popeye's lines were discovered to be inaudible once filming wrapped. Robin Williams had to re-dub much of the dialogue.
- GaffesAs per the info in the trivia section of this film, the makeup and appliances for Popeye's massive forearms were not ready, so in some scenes, especially the boxing match, it's visible that the insides of his forearms are merely flesh-colored pads tied over Robin Williams' arms; the strings are visible.
- Citations
Popeye: They've got me Olive Oyl and Swee'Pea.
Poopdeck Pappy: Olive Oyl? Swee'Pea? What are you doing, making a salad? I want me treasure. Do you hear me? I want me treasure!
- Générique farfeluThe film begins in black-and-white, showing a vintage Paramount logo and the opening credits for the 1930s Paramount-Fleischer Studios Popeye cartoons. However, an animated Popeye appears and sees this is the wrong opening. The movie then cuts to full color, and the opening credits continue.
- Autres versionsA recent television version is altered in at least one way. Bluto's song "I'm Mean" is eliminated from the soundtrack as he trashes the Oyls' family home waiting for Olive Oyl.
- ConnexionsEdited into Je me fais mon cinéma (2002)
- Bandes originalesI'm Popeye The Sailor Man
(1933)
Music and Lyrics by Samuel Lerner (as Sammy Lerner)
Performed by Robin Williams (uncredited) and Chorus
Music often played in the score
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Détails
Box-office
- Budget
- 20 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 49 823 037 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 6 310 520 $ US
- 14 déc. 1980
- Brut – à l'échelle mondiale
- 49 823 329 $ US
- Durée1 heure 54 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
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