L'homme à la chaussure rouge

Keep your expectations in check and you won't be disappointed. This film was hilarious! While not the best vehicle for Tom Hanks to show his talents, the movie's pacing, score, visual style, sound effects, and black humor were extremely effective. James Belushi was at his comic best as Hanks' best friend whose facial expressions constantly suggest he doesn't have a clue as to what's going on, but he's still probably the sanest person in the film. Well worth a look, despite what the other over-critical reviewers had to say.

Remake of the 1972 French comedy "The Tall Blond Man With One Black Shoe" hasn't the flair needed for sophisticated spy comedy, and so instead fizzles a bit despite a colorful cast. Tom Hanks is green and occasionally shrill as a concert violinist who is mistaken for a spy by the CIA and is completely unaware that he is being followed, photographed and shot at; Lori Singer struggles with a real puzzler of a role as a beautiful agent(always back-lit)who has to seduce Hanks--but she seems so fed up with his bumbling that their romance comes as something of a shock. Jim Belushi has some fun as Hanks' musician buddy whose wife is cheating on him, but Dabney Coleman, Charles Durning and Carrie Fisher are all wasted.

There are many different excuses to laugh, and any film that gives us one of them falls into that big bucket we call comedy.

I don't suppose anyone knows much about what makes us laugh, but like yesterday's stock market results, everyone seems to have an opinion about failed comedy. This is a classic failed comedy, regardless of whether you thought the original French film successful.

The story is that a crew of trained professionals mistakenly assume one thing and then grind that conclusion quite literally to death. The same thing happened to the crew that made this stinker.

The women are marginally interesting. Lori singer was a real string player; here she plays the prostituting spy to a string player. Carrie Fisher was deep into her skinny drugged out highly sexed period and plays someone much the same (with a reference to Princess Leia and the wookie).

Hanks only once in a rare while really tries to act. This isn't one of those times. My own theory is that he needs a challenging director.

Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.

If there is a lesson to be learned by Hollywood is not to try to remake whatever was already made, and better. Which seems to be a lesson American movie people seem to forget. The criteria might be that the original film didn't reach a wide American audience, thus the reason for the remake, but frankly, neither Stan Dragoti, the director, or Robert Klane, its adapter, put a dent in what Francis Vever and Yves Robert achieved with the original.

Then again, if one hasn't seen the French film of the same name, this comedy will appear to be the real thing. In fact, there are hardly any laughs in the film. The best sequence involves the Richard and Maddy in the seduction scene where some of her hair is caught in a zipper.

In a way, this was Tom Hanks' third film as a lead man. One can't blame him because he is bogged down by a screen play that could have been better. Tom Hanks pales in comparison with the original Pierre Richard, who was a better comedian.

The cast shows several familiar faces, Dabney Coleman, Charles Durning, Edward Herrmann, John Belushi, but ultimately the ones that fare better in the film are Lori Singer and Carrie Fisher in smaller roles, but ones that afford these two actress good opportunities in which to shine.

Stick with the original version if you can find it in DVD format.

There is a rivalry between Burton Cooper (Dabney Coleman) and his boss CIA director Ross (Charles Durning). Maddy (Lori Singer) is one of Cooper's agents. Cooper is able to doublecross Ross by getting a CIA agent arrested for cocaine smuggling in Morocco. The Senate calls on Ross to testify and he has 48 hours. Ross intends to misdirect Cooper by sending him on a wild goose chase. Ross' second Brown (Edward Herrmann) picks random guy at the airport, Richard Drew (Tom Hanks), the man with one red shoe. Richard is a violinist having an affair with his best friend Morris (Jim Belushi)'s wife Paula (Carrie Fisher). Cooper swallows the bait whole as his team struggles to discover what evidence Richard has against him.

Tom Hanks is playing an everyman. If this movie works at all, it is due to his charms. At times, it tries to be a screwball comedy but it never gets to be outright funny. It's nice ... like Hanks. He's never unleashed and neither is the movie.