L'histoire d'Aurora, difficile à satisfaire et à la recherche de l'amour, et des problèmes familiaux de sa fille.L'histoire d'Aurora, difficile à satisfaire et à la recherche de l'amour, et des problèmes familiaux de sa fille.L'histoire d'Aurora, difficile à satisfaire et à la recherche de l'amour, et des problèmes familiaux de sa fille.
- Director
- Writers
- Stars
- A remporté 5 oscars
- 33 victoires et 22 nominations au total
- Rosie Dunlop
- (as Betty R. King)
Avis en vedette
This film is about the lifelong relationship between a daughter, Emma, her slightly neurotic mother, Aurora and the men in their lives. From the beginning of the film you see Aurora's dependence on Emma, even though Aurora is slightly cold towards her at first. You also see that Emma, as a daughter, doesn't care, she loves her mother unconditionally for who she is, as a child does. The film goes on to tell a realistic tale about how life is funny, exciting, disappointing and just plain sad.
Very few films have the ability to tell such a heart warming yet heart wrenching tale so realistically. The director's focus in this film is on the emotional effect, he wants to make you feel as if you are living life with these women. The use of natural lighting and the use of a subjective view point keep you sitting next to these woman as they experience dating "the astronaut" and having children with a spouse who is not always there for you.
I have to say my favorite part of the film was being transported back in time to the place where I grew up. A place of Laura Ashley furniture and phones that had a cords. The setting to this movie was so authentic that it made me wish for a simpler time before all the technology came along and children used to play outside. You really do feel that you are widowed housewife in Texas, trying to figure out that "astronaut" next door and what you may want from him. Maybe you're also the mother of three trying to figure out where your husband is; of course he is probably trying to figure out where you are.
One of the nicest things in life is being able to share your whole self with someone who will love you anyway. That is what this story conveys. It may not always be happy and rosy, but it is funny and real. It reminds me of the movie Steel Magnolias which Shirley MacLaine also does a terrific job. This is a must see movie for anyone.
Shirley MacLaine and Debra Winger give career performances as mother and daughter. Both characters are polar opposites and in real life the actresses despised each other, but on screen their chemistry sizzles. Jack Nicholson is his usual suave self and John Lithgow is perfect as the wimpy banker. Danny Devito also has a quirky cameo.
James L. Brooks is definitely an "actor's director". To him, the performances are clearly more important than set pieces or flashy camera work. Each of the three main performances are brilliant (especially MacLaine's). It has been decades since a movie about illness has been made like this that is so achingly real. Two scenes to look for: Aurora walking across a seedy hotel (heat-breaking) and Emma telling her mother that she's pregnant (hilarious).
Terms of Endearment is a triumph!
This is very much a character driven film. The dialogues are full of humour and wit but what's also striking is how deeply layered the words are. While the visuals are quite simplistic it's the characters that shine especially through the actors' natural performances. Their excellent non-verbal gestures, spot on line delivery and restrained performances are superb.
A sassy Shirley Maclaine and bubbly Debra Winger are spellbinding. Both actresses beautifully carry the film and they are brilliantly supported by fine actors like Danny DeVito, Jack Nicholson, John Lithgow and Jeff Daniels.
What particularly appealed to me about 'Terms of Endearment' is the depiction of the mother-daughter relationship and the dynamic of it. It definitely has its ups and downs and it does not involve the use of clichéd lines like 'I love you' etc but at the same time the unconditional love between them is wonderfully conveyed.
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
Le saviez-vous
- AnecdotesShirley MacLaine said Jack Nicholson would do crazy things on the set like show up practically naked and improvise many of their scenes together.
- GaffesDuring the opening credits, set in the 1950s, a 1980s station wagon is parked in a driveway in the background.
- Citations
Emma Horton: You both of you have beautiful eyes and your hair is too long. I mean, I don't care how long it gets in the back, but keep your bangs cut, OK, it's too long.
Tommy Horton: That's a matter of opinion.
Emma Horton: Just keep it short, alright?
Tommy Horton: Are you getting well?
Emma Horton: Look, I'm sorry about this but I can't help it, and I can't talk to you for too long or I'll get real upset. I want you to make a lot of friends. And I want you to be real nice to the girls 'cause they're gonna be real important to you, I swear.
Tommy Horton: I'm not afraid of girls. What makes you think that?
Emma Horton: Well, you may be later on.
Tommy Horton: I doubt it.
Teddy Horton: Why don't you shut up? Shut up!
Tommy Horton: You shut up!
Emma Horton: Ted, give me a kiss, come on. Tommy, you be sweet. Be sweet. And stop tryin' to pretend like you hate me. I mean, it's silly.
Tommy Horton: I like you.
Emma Horton: OK then, will you listen especially close?
Tommy Horton: What?
Emma Horton: Listen real hard?
Tommy Horton: I said 'what'?
Emma Horton: I know you like me. I know it. For the last year or two, you've been pretending like you hate me. I love you very much. I love you as much as I love anybody, as much as I love myself. And in a few years when I haven't been around to be on your tail about something or irritating you, you could... remember that time that I bought you the baseball glove when you thought we were too broke. You know? Or when I read you those stories? Or when I let you goof off instead of mowing the lawn? Lots of things like that. And you're gonna realize that you love me. And maybe you're gonna feel badly, because you never told me. But don't - I know that you love me. So don't ever do that to yourself, all right?
- Bandes originalesAnything Goes
By Cole Porter
Performed by Ethel Merman
Produced by Jule Styne (uncredited)
Orchestrated by Buddy Bregman (uncredited) and Nelson Riddle (uncredited)
Courtesy of National Broadcasting Company
Meilleurs choix
- How long is Terms of Endearment?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Terms of Endearment
- Lieux de tournage
- 3060 Locke Lane, Houston, Texas, États-Unis(home where Aurora lived)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 8 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 108 423 489 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 3 498 813 $ US
- 27 nov. 1983
- Brut – à l'échelle mondiale
- 108 423 749 $ US