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Tendres passions

Titre original : Terms of Endearment
  • 1983
  • 14A
  • 2h 12m
ÉVALUATION IMDb
7,4/10
69 k
MA NOTE
POPULARITÉ
2 346
483
Shirley MacLaine and Debra Winger in Tendres passions (1983)
Regarder Official Trailer
Liretrailer1 min 01 s
2 vidéos
90 photos
ComedyDrama

L'histoire d'Aurora, difficile à satisfaire et à la recherche de l'amour, et des problèmes familiaux de sa fille.L'histoire d'Aurora, difficile à satisfaire et à la recherche de l'amour, et des problèmes familiaux de sa fille.L'histoire d'Aurora, difficile à satisfaire et à la recherche de l'amour, et des problèmes familiaux de sa fille.

  • Director
    • James L. Brooks
  • Writers
    • Larry McMurtry
    • James L. Brooks
  • Stars
    • Shirley MacLaine
    • Debra Winger
    • Jack Nicholson
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    7,4/10
    69 k
    MA NOTE
    POPULARITÉ
    2 346
    483
    • Director
      • James L. Brooks
    • Writers
      • Larry McMurtry
      • James L. Brooks
    • Stars
      • Shirley MacLaine
      • Debra Winger
      • Jack Nicholson
    • 257Commentaires d'utilisateurs
    • 57Commentaires de critiques
    • 79Métascore
  • Voir l’information sur la production à IMDbPro
    • A remporté 5 oscars
      • 33 victoires et 22 nominations au total

    Vidéos2

    Official Trailer
    Trailer 1:01
    Official Trailer
    Ultimate Weeper Watchlist: Flow, Gump, Lion, & More
    Clip 4:03
    Ultimate Weeper Watchlist: Flow, Gump, Lion, & More
    Ultimate Weeper Watchlist: Flow, Gump, Lion, & More
    Clip 4:03
    Ultimate Weeper Watchlist: Flow, Gump, Lion, & More

    Photos90

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    Rôles principaux45

    Modifier
    Shirley MacLaine
    Shirley MacLaine
    • Aurora Greenway
    Debra Winger
    Debra Winger
    • Emma Horton
    Jack Nicholson
    Jack Nicholson
    • Garrett Breedlove
    Danny DeVito
    Danny DeVito
    • Vernon Dahlart
    Jeff Daniels
    Jeff Daniels
    • Flap Horton
    John Lithgow
    John Lithgow
    • Sam Burns
    Lisa Hart Carroll
    Lisa Hart Carroll
    • Patsy Clark
    Betty King
    • Rosie Dunlop
    • (as Betty R. King)
    Huckleberry Fox
    Huckleberry Fox
    • Teddy Horton
    Troy Bishop
    Troy Bishop
    • Tommy Horton
    Shane Serwin
    • Younger Tommy Horton
    Megan Morris
    • Melanie Horton
    Tara Yeakey
    • Baby Melanie
    Norman Bennett
    Norman Bennett
    • Edward Johnson
    Jennifer Josey
    • Young Emma
    Kate Charleson
    • Janice
    Tom Wees
    • Dr. Budge
    Paul Menzel
    • Dr. Maise
    • Director
      • James L. Brooks
    • Writers
      • Larry McMurtry
      • James L. Brooks
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs257

    7,468.6K
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    Avis en vedette

    8eroviravalls

    Life is a gap

    Life is a gap between what we expect to happen and what really occurs. Aurora doesn't accept the gap and she closes herself in her "daughter & home" micro-world. Life turns up to be more cruel to her than the average, but she proves to be ready and faces all obstacles that come with outstanding integrity and brave. So, accept the gap but bé ready. Memmorable Shirley MacLaine in a universal classic movie.
    10taylork1776

    Classic

    Terms of Endearment stands the test of time. This film was released in 1983 and is defiantly a classic. Shirley MacLaine as Aurora Greenway and Debra Winger as Emma Horton are two of the best actresses of this generation. Not to mention, Jack Nicholson as the "Astronaut" Garrett Breedlove, his characters are always memorable no matter how big or small his role in a film.

    This film is about the lifelong relationship between a daughter, Emma, her slightly neurotic mother, Aurora and the men in their lives. From the beginning of the film you see Aurora's dependence on Emma, even though Aurora is slightly cold towards her at first. You also see that Emma, as a daughter, doesn't care, she loves her mother unconditionally for who she is, as a child does. The film goes on to tell a realistic tale about how life is funny, exciting, disappointing and just plain sad.

    Very few films have the ability to tell such a heart warming yet heart wrenching tale so realistically. The director's focus in this film is on the emotional effect, he wants to make you feel as if you are living life with these women. The use of natural lighting and the use of a subjective view point keep you sitting next to these woman as they experience dating "the astronaut" and having children with a spouse who is not always there for you.

    I have to say my favorite part of the film was being transported back in time to the place where I grew up. A place of Laura Ashley furniture and phones that had a cords. The setting to this movie was so authentic that it made me wish for a simpler time before all the technology came along and children used to play outside. You really do feel that you are widowed housewife in Texas, trying to figure out that "astronaut" next door and what you may want from him. Maybe you're also the mother of three trying to figure out where your husband is; of course he is probably trying to figure out where you are.

    One of the nicest things in life is being able to share your whole self with someone who will love you anyway. That is what this story conveys. It may not always be happy and rosy, but it is funny and real. It reminds me of the movie Steel Magnolias which Shirley MacLaine also does a terrific job. This is a must see movie for anyone.
    9Isaac5855

    Another near perfect blending of the smile and the tear...

    TERMS OF ENDEARMENT is an undeniably gripping and emotional film experience that will have you rolling on the floor during one scene and weeping uncontrollably during the next. This film follows the complicated relationship between an icy, Texan widow named Aurora Greenway (Shirley MacLaine)and her slightly-off-the-wall daughter, Emma (Debra Winger), who at the beginning of the film is marrying a man named Flap Horton (Jeff Daniels), whom her mother clearly hates, seemingly just to get away from her. The film follows Emma's marriage through three children, infidelity, and unexpected tragedy but it never lets go of the unspoken bond between Aurora and Emma...a bond so strong that it transcends telephone lines, geography, and even dialogue at times...there are moments in the story where you see Aurora and Emma communicate without saying a word to each other. Writer-director James L. Brooks won a pair of Oscars for writing and directing this funny and heartbreaking story that stretches over a long period of time but never fails to hold interest and trust me, the last 20-30 minutes of this film will have you weeping. Shirley MacLaine finally won her long-overdue Best Actress Oscar for her controlled performance as Aurora and Jack Nicholson won a Best Supporting Actor Oscar for his performance as a retired astronaut who moves in next door to Aurora after Emma moves out and begins a hilarious and touching relationship with Aurora. Debra Winger is explosive and unpredictable as Emma and Jeff Daniels is fully invested in the unsympathetic role of Flap. A truly unique motion picture experience that will leave you limp.
    MJJLWolf72

    Wow

    Wow was my first reaction to seeing the film back in February 2003. I had bought it on a whim and watched it one night when I was bored. The rest is history. Terms remains one of my favorite films and I really can't say why. Reputation has made this out to be "the ultimate chick flick" upon which every other tear-jerker is judged. But it's definitely more of a character study than a weepy mushy movie. In fact, it's anything but mushy. Where it could of been over-sentimental, it was poignant. Where it could of been boring, it was insightful. And where it could of been corny, it was tongue-in-cheek.

    Shirley MacLaine and Debra Winger give career performances as mother and daughter. Both characters are polar opposites and in real life the actresses despised each other, but on screen their chemistry sizzles. Jack Nicholson is his usual suave self and John Lithgow is perfect as the wimpy banker. Danny Devito also has a quirky cameo.

    James L. Brooks is definitely an "actor's director". To him, the performances are clearly more important than set pieces or flashy camera work. Each of the three main performances are brilliant (especially MacLaine's). It has been decades since a movie about illness has been made like this that is so achingly real. Two scenes to look for: Aurora walking across a seedy hotel (heat-breaking) and Emma telling her mother that she's pregnant (hilarious).

    Terms of Endearment is a triumph!
    Chrysanthepop

    Stop Trying To Pretend Like You Hate Me

    I've heard many good things about James L. Brooks's 'Terms of Endearment' and finally I decided to give it ago. Honestly speaking I was expecting a typical melodramatic tearjerker that's sole aim is to emotionally manipulate the viewer. I was wrong. 'Terms of Endearment' is a slice of life that centres around a mother, her daughter and their respective lives. The film looks very authentic. The sets, makeup, costumes and art direction look genuine.

    This is very much a character driven film. The dialogues are full of humour and wit but what's also striking is how deeply layered the words are. While the visuals are quite simplistic it's the characters that shine especially through the actors' natural performances. Their excellent non-verbal gestures, spot on line delivery and restrained performances are superb.

    A sassy Shirley Maclaine and bubbly Debra Winger are spellbinding. Both actresses beautifully carry the film and they are brilliantly supported by fine actors like Danny DeVito, Jack Nicholson, John Lithgow and Jeff Daniels.

    What particularly appealed to me about 'Terms of Endearment' is the depiction of the mother-daughter relationship and the dynamic of it. It definitely has its ups and downs and it does not involve the use of clichéd lines like 'I love you' etc but at the same time the unconditional love between them is wonderfully conveyed.

    Oscars Best Picture Winners, Ranked

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Shirley MacLaine said Jack Nicholson would do crazy things on the set like show up practically naked and improvise many of their scenes together.
    • Gaffes
      During the opening credits, set in the 1950s, a 1980s station wagon is parked in a driveway in the background.
    • Citations

      Emma Horton: You both of you have beautiful eyes and your hair is too long. I mean, I don't care how long it gets in the back, but keep your bangs cut, OK, it's too long.

      Tommy Horton: That's a matter of opinion.

      Emma Horton: Just keep it short, alright?

      Tommy Horton: Are you getting well?

      Emma Horton: Look, I'm sorry about this but I can't help it, and I can't talk to you for too long or I'll get real upset. I want you to make a lot of friends. And I want you to be real nice to the girls 'cause they're gonna be real important to you, I swear.

      Tommy Horton: I'm not afraid of girls. What makes you think that?

      Emma Horton: Well, you may be later on.

      Tommy Horton: I doubt it.

      Teddy Horton: Why don't you shut up? Shut up!

      Tommy Horton: You shut up!

      Emma Horton: Ted, give me a kiss, come on. Tommy, you be sweet. Be sweet. And stop tryin' to pretend like you hate me. I mean, it's silly.

      Tommy Horton: I like you.

      Emma Horton: OK then, will you listen especially close?

      Tommy Horton: What?

      Emma Horton: Listen real hard?

      Tommy Horton: I said 'what'?

      Emma Horton: I know you like me. I know it. For the last year or two, you've been pretending like you hate me. I love you very much. I love you as much as I love anybody, as much as I love myself. And in a few years when I haven't been around to be on your tail about something or irritating you, you could... remember that time that I bought you the baseball glove when you thought we were too broke. You know? Or when I read you those stories? Or when I let you goof off instead of mowing the lawn? Lots of things like that. And you're gonna realize that you love me. And maybe you're gonna feel badly, because you never told me. But don't - I know that you love me. So don't ever do that to yourself, all right?

    • Connexions
      Featured in At the Movies: Nate and Hayes/A Night in Heaven/The Big Score/Terms of Endearment/Danton (1983)
    • Bandes originales
      Anything Goes
      By Cole Porter

      Performed by Ethel Merman

      Produced by Jule Styne (uncredited)

      Orchestrated by Buddy Bregman (uncredited) and Nelson Riddle (uncredited)

      Courtesy of National Broadcasting Company

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    FAQ20

    • How long is Terms of Endearment?Propulsé par Alexa
    • Is the movie loyal to the book?

    Détails

    Modifier
    • Date de sortie
      • 23 novembre 1983 (Canada)
    • Pays d’origine
      • United States
    • Langue
      • English
    • Aussi connu sous le nom de
      • Terms of Endearment
    • Lieux de tournage
      • 3060 Locke Lane, Houston, Texas, États-Unis(home where Aurora lived)
    • société de production
      • Paramount Pictures
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 8 000 000 $ US (estimation)
    • Brut – États-Unis et Canada
      • 108 423 489 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 3 498 813 $ US
      • 27 nov. 1983
    • Brut – à l'échelle mondiale
      • 108 423 749 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 12 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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